Monday, February 27, 2017

Michael Fassbender: Trespass Against Us: another British gangster movie in which crime doesn’t pay off

THE GUARDIAN
John Patterson
Monday 27 February 2017 04.59 EST

Michael Fassbender in Trespass Against Us

British crime movies have never been short of dysfunctional families. Think of the brothers in Get Carter, and how the survivor once impregnated his dead brother’s wife. Or the Kray twins – be they Kemps or Hardys – the mentally ill brother taking the sane one down with him, come what may, and a wife driven to suicide by their toxic relationship. Or Ray Winstone in Face, a loving dad brought to grief by his daughter’s boyfriend, a bent Met copper.

Trespass Against Us offers us the Cutlers, another screwed-up set of relations, this time a crooked father and son played by Brendan Gleeson and Michael Fassbender. But it can’t decide if it wants to be about family or about being a felon. And in a movie that sets aside a good proportion of its budget for robberies, car chases and police helicopters, this is a problem that needed resolving.

Set in rural Gloucestershire, among criminals who live in a group of caravans on waste land and call each other “jubby dim lad” and “worzel” and “ya proize div”, Trespass Against Us bets as heavily on its own milieu as Get Carter did on Newcastle upon Tyne, or Hell Is A City did with Manchester’s backstreets. But these villains are illiterate country bumpkins, and their backdrop does feel promisingly fresh. The characters go hunting and coursing, and during one getaway after robbing a posh manor, Fassbender even eludes a police chopper by hiding under a cow, something your city types like Jack Carter and Harold Shand would have balked at.

The family power struggle is about education. Fassbender’s Chad wants his son to get the schooling he never did, but his father Colby (Gleeson) constantly interferes. The movie ends up being about incompatible styles of parenting – and come on, how gangster is that? The film veers from chases and robberies back to the family conflict, which never gets out of second gear. One constantly yearns for, say, the oedipal mother fixation of White Heat or the Cain-slew-Abel dynamics of The Godfather: Part II to add an extra frisson of twisted psychological complexity.


https://www.theguardian.com/film/2017/feb/27/trespass-against-us-british-gangster-movie-michael-fassbender


CHICAGO TRIBUME
By Emma Krupp
RedEye

Image result for david oyelowo and rosamund pike movie

David Oyelowo has grown weary of African warlords, and white saviors, and homogenized tales of a desolate, starving Africa.

“A lot of the films that we’ve seen in the past have been just that, whether it’s crowbarring a white protagonist into an African story or the lens through which African films have been made, often being white and male,” he said last week in an interview with RedEye at Chicago’s Peninsula Hotel. “It’s not that any of that is wrong, it’s just that we’ve had so much of it. And anyone who knows about eating food would know that a balanced diet is the way forward.”

Oyelowo’s new film “A United Kingdom,” in which he stars as the king of Bechuanaland in modern-day Botswana, is exactly the kind of balanced portrayal of Africa he seeks.

Directed by the Ghanian-British filmmaker Amma Asante, “A United Kingdom” tells the true story of King Seretse Khama and his white, British wife, Ruth Williams (played by the ever-lovely Rosamund Pike), whom he fell in love with and married after meeting in the U.K. Despite international uproar and exile from his country, Khama refused to divorce his wife. He later abdicated the throne and became the first democratically elected president of Botswana.

Image result for david oyelowo and rosamund pike movieIn both “A United Kingdom” and real life, the love story of Seretse and Ruth transcends genres. For a high-profile interracial couple in the 1940s and ‘50s, being in a relationship meant living a politicized existence—facing the opposition of not just a parent or a community, but entire nations. And although Oyelowo knew “A United Kingdom” could never be a mere romance film, he wanted to narrow the story’s focus on the connection between the couple

“I think love appears in different forms,” Oyelowo said. “But true love, in any form, is—in my opinion—tied to sacrifice. The desire to give without the hope of getting back is the definition of love.”

Sacrifice is obvious in “A United Kingdom,” but Oyelowo sees the influence of sacrificial love in two of his more recent roles—Martin Luther King, Jr. in “Selma” and chess coach Robert Katende in “The Queen of Katwe.” Each film shows the lengths both men are willing to go in order to create a better life for others, even if that pursuit meant putting themselves and their families in danger.

“I think that’s love,” he said. “So I’m very much drawn to those type of characters.”



http://www.chicagotribune.com/redeye/culture/ct-redeye-interview-david-oyelowo-united-kingdom-20170220-story.html

Beauty and the Beast's Luke Evans: 'Emma Watson has made Belle a strong, 21st century woman' "It's quite brilliant, what she's done with the role."

DIGITAL SPY
BY NAOMI GORDON
24 FEBRUARY 2017


He may play a narcissistic, testosterone-fuelled baddie in Beauty and the Beast, but in real life, Luke Evans was bowled over by Emma Watson's "brilliant" portrayal of Belle as a "strong, 21st century woman".

The actor takes on brutish love rival Gaston in Disney's live-action adaptation, and speaking to Digital Spy on the set of Noel Clarke's upcoming thriller 10 x 10, he said: "I'm very proud of her achievement in the film - not just her singing ability, but how she's portrayed Belle, and how she's brought her into a 21st century, strong woman."

The Girl on the Train star has a background in musical theatre and explained that, while singing as Gaston wasn't easy, it was a "total joy" to accomplish.

"I wouldn't say it was easy singing as Gaston, but it was very enjoyable," he continued. "I love singing, and Gaston's songs are so great, and they're huge numbers, and so funny. It was just a total joy."

Meanwhile, Luke will star opposite True Detective's Kelly Reilly in Suzi Ewing's first feature-length film 10 x 10 - written by Brotherhood's Noel Clarke


Sunday, February 26, 2017

Henry Cavill Shares Adorable Selfie Videos from His Recovery Workouts

People
BY GABRIELLE OLYA•@GABYOLYA



Henry Cavill is on the mend — and looking good while doing it!

The actor, 33, is currently rehabbing a knee injury while training for The Durell Challenge, a 13k road race held in the Channel Islands in May.

Cavill has been sharing a series of selfie videos from his workouts to document his recovery and training. On Saturday, Cavill did a swimming workout in his “lucky hat” while jamming out to Toby Keith’s “Big Ol’ Truck.”



“Rehabbing my knee and training for The Durrell Challenge at the same time,” he captioned the video. “By the end of this I think I might be ready for the first ever deep-sea marathon. 
#LuckyHat 
#DurrellChallenge 
#GetSerious”

Emma Thompson Reveals Why She Won't Take Part in 'Love Actually' Sequel

by Jennifer Drysdale 3:24 PM PST, February 24, 2017
ET




Photo: Universal Pictures
Emma Thompson says she won't be participating in the upcoming Love Actually sequel because it's "too soon" after her co-star Alan Rickman's 2016 death.

The 57-year-old actress played Rickman's wife in the 2003 movie, which also starred Hugh Grant, Bill Nighy, Keira Knightley, Liam Neeson and Colin Firth.

Image result for love actually cast

RELATED: 'Love Actually' Cast to Reunite and Film a Mini Sequel for Charity

A short sequel to the film is in the works for charity, set to debut on March 24 for Red Nose Day. Neeson, Colin Firth, Hugh Grant, Rowan Atkinson, Thomas Brodie-Sangster, Martine McCutcheon, Knightley, Andrew Lincoln, Lucia Moniz, Chiwetel Ejiofor, Nighy, Marcus Brigstocke and Olivia Olson will all be a part of the upcoming project, with Neeson and Brodie-Sangster already photographed in character.

But for Thompson, revisiting her role would be "too sad."

http://www.etonline.com/news/211341_emma_thompson_reveals_why_she_won_t_take_part_love_actually_sequel/