VARIETY
Davy McNary
Annette Bening and Bill Nighy will star in the independent family drama “Hope Gap,” with William Nicholson directing from his own script.
Protagonist Pictures is handling international sales with North American sales co-repped by CAA and Protagonist. Protagonist and CAA will introduce “Hope Gap” to buyers at the American Film Market, which opens Wednesday in Santa Monica, Calif. Principal photography is set to begin in the summer.
Bening and Nighy will portray a couple married for 29 years. The story follows their son’s weekend visit to their seaside home, when Nighy’s character informs him that he plans to leave his wife the following day. “Hope Gap” tracks the unravelling of three lives, through stages of shock, disbelief, and anger, to a resolution.
“Ever since ‘Shadowlands,’ I’ve been obsessed by the collision of love and pain: ‘Hope Gap’ is the most intense, most painful, and most loving story I’ve ever told. I’m so proud to have Annette Bening and Bill Nighy to tell it for me,” producer David M. Thompson of Origin Pictures said.
READ MORE HERE: http://variety.com/2017/film/news/annette-bening-bill-nighy-1202603166/
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Showing posts with label love actually. Show all posts
Showing posts with label love actually. Show all posts
Thursday, November 2, 2017
Annette Bening, Bill Nighy to Star in Family Drama ‘Hope Gap’
Saturday, March 25, 2017
Fans rejoice over Love Actually 2 as they discover Colin Firth has three kids with Portuguese wife, Liam Neeson's son is engaged to childhood sweetheart and Andrew Lincoln is married to Kate Moss on Red Nose Day special
DAILY MAIL
By Lisa Mcloughlin and Rebecca Davison and Louise Saunders for MailOnline
PUBLISHED: 18:38 EDT, 24 March 2017 | UPDATED: 08:53 EDT, 25 March 2017
It was the highly awaited sequel to the iconic festive flick 13 years after it first hit cinema screens.
And Love Actually's Red Nose Day TV special didn't fail to entertain as viewers got to delve into the worlds of their beloved characters once more on Friday night as audiences caught up with Mark, Jamie and Daniel again.
Setting the tone, the short clip began with Juliet (Keira Knightly) on the sofa with her husband Peter (Chiwetel Ejiofor) when Mark (Andrew Lincoln) suddenly arrived at their front door equipped with cue cards again.
Starting off on the right foot, fans rejoiced as they saw Colin Firth's character Jamie happily married to Portuguese love Aurelia (Lucia Moniz) following his public proposal 13 years ago, while still sporting his signature turtle necks.
Viewers were filled with glee as he was revealed to be the proud father of three bi-lingual children with a fourth on the way.
Despite cinematic revellers remembering his character valiantly learning his other half's native tongue, Jamie's Portuguese still isn't quite up to scratch as he hilariously responded to Aurelia touching reveal about their new arrival.
Read more: http://www.dailymail.co.uk/tvshowbiz/article-4347566/Fans-rejoice-Love-Actually-2.html#ixzz4cO0ZKFFv
Follow us: @MailOnline on Twitter | DailyMail on Facebook
By Lisa Mcloughlin and Rebecca Davison and Louise Saunders for MailOnline
PUBLISHED: 18:38 EDT, 24 March 2017 | UPDATED: 08:53 EDT, 25 March 2017
It was the highly awaited sequel to the iconic festive flick 13 years after it first hit cinema screens.
And Love Actually's Red Nose Day TV special didn't fail to entertain as viewers got to delve into the worlds of their beloved characters once more on Friday night as audiences caught up with Mark, Jamie and Daniel again.
Setting the tone, the short clip began with Juliet (Keira Knightly) on the sofa with her husband Peter (Chiwetel Ejiofor) when Mark (Andrew Lincoln) suddenly arrived at their front door equipped with cue cards again.
Starting off on the right foot, fans rejoiced as they saw Colin Firth's character Jamie happily married to Portuguese love Aurelia (Lucia Moniz) following his public proposal 13 years ago, while still sporting his signature turtle necks.
Viewers were filled with glee as he was revealed to be the proud father of three bi-lingual children with a fourth on the way.
Despite cinematic revellers remembering his character valiantly learning his other half's native tongue, Jamie's Portuguese still isn't quite up to scratch as he hilariously responded to Aurelia touching reveal about their new arrival.
Read more: http://www.dailymail.co.uk/tvshowbiz/article-4347566/Fans-rejoice-Love-Actually-2.html#ixzz4cO0ZKFFv
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Monday, March 13, 2017
Behind the scenes of Comic Relief’s Love Actually: Andrew Lincoln’s creepy cards return
GUARDIAN
Tom Lamont
Sunday 12 March 2017 10.00 EDT Last modified on Sunday 12 March 2017 20.10 EDT
Being on the set of a Richard Curtis film is very like being in a Richard Curtis film. Everyone is good-looking and brisk and witty, here in the borrowed London townhouse where the 60-year-old director is shooting a short sequel to his movie Love Actually. Outside in the real world people are angry, at odds, ever more polarised. On Curtis’s closed set, a dungareed world of Lillies and Berties and Cols and Ems, trays of brownies circulate and the chat is about who slept with who once but stayed friends. Hugh Grant is present, roaming around and given licence to be caustic and urbane: “If anyone needs me I’ll be in my lair.” Otherwise the prevailing spirit is level-headedness and sympathy. “Richard likes it,” an assistant says to me, “when people are nice to each other. Plum?”
Curtis is making this short followup to Love Actually in aid of Comic Relief and Red Nose Day, causes he co-founded in the 1980s. Many of the actors from the original have agreed to return, including Grant, Colin Firth, Keira Knightley, Bill Nighy and Liam Neeson; charity tempting them back, after 14 years, to Curtisland, that preposterous and seductive fantasia-Britain that was established in a trilogy of famous romcoms: Four Weddings and a Funeral (1994), Notting Hill (1999) and Love Actually (2003). Of the three it was the last, a multi-narrative soup of soppy vignettes, written and directed by Curtis, that went on to have the most prodigious afterlife. Love Actually is now broadcast on TV with metronomic, Bond-movie regularity. In a single week last winter more than 1m copies of the film were sold on DVD in the US. At around the same time, in the UK, Love Actually was voted by the Radio Times “the nation’s favourite Christmas movie”.
On the set of the sequel, Firth ponders the movie’s substantial modern viewership and positions it in the culture somewhere alongside The Sound of Music. Grant, when asked to account for Love Actually’s enduring popularity, assumes his role as resident cynic and grumbles: “It’s unaccountable.”
Grant sips water and tries to catch his breath. He’s just shimmied his way around a bit of the set made up to look like 10 Downing Street, a grand marble staircase behind him hung with photographs of former prime ministers. His photo is among those on the wall, the actor today reprising his role as the Blair-ish PM who in the original film put aside duties of state to woo his secretary, played by Martine McCutcheon. Such is the power of love in a Richard Curtis film that Grant had to dance out his romantic vigour by wiggling up and down the halls of Downing Street to a Girls Aloud song. There’s another dance in the sequel. As with most of the new scenes in Curtis’s followup, an incident or encounter from the first film is referenced, with some sort of twist catching us up on what has happened to the character, a decade and a half on.
Curtis has Grant say something like this when they shoot a press conference scene, next. The fictional PM is asked to give the public his view on the future of world affairs, and with implausible but seductive simplicity (that patented Curtis mix) Grant insists: “Good’s going to win, I’m actually sure of it.” They do the line a few times before an assistant yells for a cut and everybody breaks for lunch. Lamb wraps.
There was a scene in Notting Hill, which also starred Grant, during which his character went along to a movie shoot: he got placed on the sidelines with a pair of headphones so that he could listen in on the actors’ dialogue. In this way he accidentally heard them mutter bitchy secrets to each other. It happens to me in eerie replication one day. A scene is being reset and a prominent actor fills the waiting with wicked chat. There is a dig at an absent castmate. Then the actor ranks by merit some of the films they have made since the last Love Actually, the one they had to be talked into, the “pay-day”. Blushing, absolutely fascinated, I listen for as long as decency and personal ethics allow before turning the volume down.
So there is a little darkness in Curtisland, after all. Commentators on the outside would suggest it has always been there. When Love Actually celebrated a 10th anniversary in 2013, various critical reappraisals appeared. Persuasive cases were made about the movie’s shaky treatment of women, especially. By this point I’d seen Love Actually enough times to have a demented familiarity with its dozen plots (Liam Neeson advising his stepson how to win the girl of his dreams, Alan Rickman cheating on his wife Emma Thompson, Andrew Lincoln declaring himself to the unattainable Keira Knightley by showing up at her doorstep with handwritten signs) but I was never able to watch it through with the same old naivety after reading Lindy West’s furious and brilliant essay for Jezebel. West pointed out how much of the plot depended on women falling in love with their male employers, suggested “Hostile Work Environment: The Movie” as an alternative title, and went as far as likening the romance between Colin Firth’s character and his Portuguese maid, played by Lucia Moniz, to sex trafficking.
READ MORE HERE: https://www.theguardian.com/film/2017/mar/12/behind-the-scenes-of-comic-reliefs-love-actually-andrew-lincolns-creepy-cards-return
Tom Lamont
Sunday 12 March 2017 10.00 EDT Last modified on Sunday 12 March 2017 20.10 EDT
Being on the set of a Richard Curtis film is very like being in a Richard Curtis film. Everyone is good-looking and brisk and witty, here in the borrowed London townhouse where the 60-year-old director is shooting a short sequel to his movie Love Actually. Outside in the real world people are angry, at odds, ever more polarised. On Curtis’s closed set, a dungareed world of Lillies and Berties and Cols and Ems, trays of brownies circulate and the chat is about who slept with who once but stayed friends. Hugh Grant is present, roaming around and given licence to be caustic and urbane: “If anyone needs me I’ll be in my lair.” Otherwise the prevailing spirit is level-headedness and sympathy. “Richard likes it,” an assistant says to me, “when people are nice to each other. Plum?”
Curtis is making this short followup to Love Actually in aid of Comic Relief and Red Nose Day, causes he co-founded in the 1980s. Many of the actors from the original have agreed to return, including Grant, Colin Firth, Keira Knightley, Bill Nighy and Liam Neeson; charity tempting them back, after 14 years, to Curtisland, that preposterous and seductive fantasia-Britain that was established in a trilogy of famous romcoms: Four Weddings and a Funeral (1994), Notting Hill (1999) and Love Actually (2003). Of the three it was the last, a multi-narrative soup of soppy vignettes, written and directed by Curtis, that went on to have the most prodigious afterlife. Love Actually is now broadcast on TV with metronomic, Bond-movie regularity. In a single week last winter more than 1m copies of the film were sold on DVD in the US. At around the same time, in the UK, Love Actually was voted by the Radio Times “the nation’s favourite Christmas movie”.
On the set of the sequel, Firth ponders the movie’s substantial modern viewership and positions it in the culture somewhere alongside The Sound of Music. Grant, when asked to account for Love Actually’s enduring popularity, assumes his role as resident cynic and grumbles: “It’s unaccountable.”
Grant sips water and tries to catch his breath. He’s just shimmied his way around a bit of the set made up to look like 10 Downing Street, a grand marble staircase behind him hung with photographs of former prime ministers. His photo is among those on the wall, the actor today reprising his role as the Blair-ish PM who in the original film put aside duties of state to woo his secretary, played by Martine McCutcheon. Such is the power of love in a Richard Curtis film that Grant had to dance out his romantic vigour by wiggling up and down the halls of Downing Street to a Girls Aloud song. There’s another dance in the sequel. As with most of the new scenes in Curtis’s followup, an incident or encounter from the first film is referenced, with some sort of twist catching us up on what has happened to the character, a decade and a half on.
Curtis has Grant say something like this when they shoot a press conference scene, next. The fictional PM is asked to give the public his view on the future of world affairs, and with implausible but seductive simplicity (that patented Curtis mix) Grant insists: “Good’s going to win, I’m actually sure of it.” They do the line a few times before an assistant yells for a cut and everybody breaks for lunch. Lamb wraps.
There was a scene in Notting Hill, which also starred Grant, during which his character went along to a movie shoot: he got placed on the sidelines with a pair of headphones so that he could listen in on the actors’ dialogue. In this way he accidentally heard them mutter bitchy secrets to each other. It happens to me in eerie replication one day. A scene is being reset and a prominent actor fills the waiting with wicked chat. There is a dig at an absent castmate. Then the actor ranks by merit some of the films they have made since the last Love Actually, the one they had to be talked into, the “pay-day”. Blushing, absolutely fascinated, I listen for as long as decency and personal ethics allow before turning the volume down.
So there is a little darkness in Curtisland, after all. Commentators on the outside would suggest it has always been there. When Love Actually celebrated a 10th anniversary in 2013, various critical reappraisals appeared. Persuasive cases were made about the movie’s shaky treatment of women, especially. By this point I’d seen Love Actually enough times to have a demented familiarity with its dozen plots (Liam Neeson advising his stepson how to win the girl of his dreams, Alan Rickman cheating on his wife Emma Thompson, Andrew Lincoln declaring himself to the unattainable Keira Knightley by showing up at her doorstep with handwritten signs) but I was never able to watch it through with the same old naivety after reading Lindy West’s furious and brilliant essay for Jezebel. West pointed out how much of the plot depended on women falling in love with their male employers, suggested “Hostile Work Environment: The Movie” as an alternative title, and went as far as likening the romance between Colin Firth’s character and his Portuguese maid, played by Lucia Moniz, to sex trafficking.
READ MORE HERE: https://www.theguardian.com/film/2017/mar/12/behind-the-scenes-of-comic-reliefs-love-actually-andrew-lincolns-creepy-cards-return
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Wednesday, March 8, 2017
'To me, you are perfect': Keira Knightley is pictured for the first time shooting Love Actually's Comic Relief reboot with Chiwetel Ejiofor and Andrew Lincoln
DAILY MAIL
By Rebecca Davison for MailOnline
PUBLISHED: 08:46 EST, 8 March 2017 | UPDATED: 13:22 EST, 8 March 2017
Keira Knightley was pictured filming Love Actually's Comic Relief for the first time on Wednesday with Chiwetel Ejiofor, [Peter] and Andrew Lincoln, [Mark].
The 31-year-old movie star, who plays Juliet, was pictured filming with her onscreen husband AND his best friend, leading viewers to wonder how their story has developed.
Standing on a London doorstep, Keira wore a cream jumper with the word: 'LOVE' emblazoned on the front as she looked as youthful as ever and Theory scarf print wide trousers.
Andrew Lincoln could be seen nearby during filming, wearing an oversized jacket by John Varvatos and sporting longer curly hair than before, while director Richard Curtis hovers close to him.
The sighting follows Richard Curtis's words during a recent interview with Susanna Reid on Good Morning Britain last week.
He said: 'Someone's died, someone's got lots of kids, someone's been voted out of office and voted back into office.'
Read more: http://www.dailymail.co.uk/tvshowbiz/article-4293610/Keira-Knightley-shoots-Love-Actually-Comic-Relief-reboot.html#ixzz4alkA2R49
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By Rebecca Davison for MailOnline
PUBLISHED: 08:46 EST, 8 March 2017 | UPDATED: 13:22 EST, 8 March 2017
Keira Knightley was pictured filming Love Actually's Comic Relief for the first time on Wednesday with Chiwetel Ejiofor, [Peter] and Andrew Lincoln, [Mark].
The 31-year-old movie star, who plays Juliet, was pictured filming with her onscreen husband AND his best friend, leading viewers to wonder how their story has developed.
Standing on a London doorstep, Keira wore a cream jumper with the word: 'LOVE' emblazoned on the front as she looked as youthful as ever and Theory scarf print wide trousers.
Andrew Lincoln could be seen nearby during filming, wearing an oversized jacket by John Varvatos and sporting longer curly hair than before, while director Richard Curtis hovers close to him.
The sighting follows Richard Curtis's words during a recent interview with Susanna Reid on Good Morning Britain last week.
He said: 'Someone's died, someone's got lots of kids, someone's been voted out of office and voted back into office.'

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Monday, March 6, 2017
Colin Firth grins as he continues filming Love Actually Comic Relief reboot in London... 13 years after he starred in the iconic romantic comedy
DAILY MAIL
Isolde Walters For Mailonline
PUBLISHED: 18:27 EST, 4 March 2017 | UPDATED: 03:32 EST, 6 March 2017
The iconic film was shot more than 13 years ago and almost all the stars are reuniting for a one-off Comic Relief sketch.
Colin Firth, who plays Jamie, was spotted on the set of the eagerly awaited Love Actually sequel at the BBC Langham Place Piazza in central London on Saturday.
The Oscar winner beamed as he reprised his character Jamie, the English would-be novelist who fell in love with Aurelia, his Portuguese housekeeper.
The Bridget Jones's Diary actor wore a comfortable grey knitted jumper and donned a pair of thick-framed spectacles as he rehearsed his lines and waved to the waiting photographers.
In the original film, Jamie is heartbroken after catching his girlfriend in bed with another man.
He moves to France to recover from the betrayal and write his novel. It is here that he meets Aurelia, played by Lucia Moniz, his Portuguese housekeeper.
Despite the fact that Aurelia cannot speak English and Jamie cannot speak Portuguese, he falls in love with her and the film follows their tentative romance.
Read more: http://www.dailymail.co.uk/tvshowbiz/article-4282382/Colin-Firth-films-Love-Actually-reboot-London.html#ixzz4aZQZXWyN
Follow us: @MailOnline on Twitter | DailyMail on Facebook
Isolde Walters For Mailonline
PUBLISHED: 18:27 EST, 4 March 2017 | UPDATED: 03:32 EST, 6 March 2017
The iconic film was shot more than 13 years ago and almost all the stars are reuniting for a one-off Comic Relief sketch.
Colin Firth, who plays Jamie, was spotted on the set of the eagerly awaited Love Actually sequel at the BBC Langham Place Piazza in central London on Saturday.
The Oscar winner beamed as he reprised his character Jamie, the English would-be novelist who fell in love with Aurelia, his Portuguese housekeeper.
The Bridget Jones's Diary actor wore a comfortable grey knitted jumper and donned a pair of thick-framed spectacles as he rehearsed his lines and waved to the waiting photographers.
In the original film, Jamie is heartbroken after catching his girlfriend in bed with another man.
He moves to France to recover from the betrayal and write his novel. It is here that he meets Aurelia, played by Lucia Moniz, his Portuguese housekeeper.
Despite the fact that Aurelia cannot speak English and Jamie cannot speak Portuguese, he falls in love with her and the film follows their tentative romance.
Read more: http://www.dailymail.co.uk/tvshowbiz/article-4282382/Colin-Firth-films-Love-Actually-reboot-London.html#ixzz4aZQZXWyN
Follow us: @MailOnline on Twitter | DailyMail on Facebook
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Wednesday, March 1, 2017
Love Actually sequel's first pictures are out!
EXPRESS TRIBUNE
February 17, 2017
Love Actually is all set for a sequel and we are excited!
According to Popsugar, a new instalment of the the hit 2003 British rom-com is currently in the works and promises to reunite much of the original cast, including Hugh Grant, Martine McCutcheon, Keira Knightley, Andrew Lincoln, Colin Firth, Lucia Moniz, Liam Neeson, Thomas Brodie-Sangster, Olivia Olson, Bill Nighy, Marcus Brigstocke and Rowan Atkinson.
The film has finally began shooting and the first pictures are out. The pictures show Liam Neeson (Daniel), Thomas Brodie-Sangster (Sam), and Olivia Olson (Joanna) shooting for a scene.
February 17, 2017
Love Actually is all set for a sequel and we are excited!
According to Popsugar, a new instalment of the the hit 2003 British rom-com is currently in the works and promises to reunite much of the original cast, including Hugh Grant, Martine McCutcheon, Keira Knightley, Andrew Lincoln, Colin Firth, Lucia Moniz, Liam Neeson, Thomas Brodie-Sangster, Olivia Olson, Bill Nighy, Marcus Brigstocke and Rowan Atkinson.
The film has finally began shooting and the first pictures are out. The pictures show Liam Neeson (Daniel), Thomas Brodie-Sangster (Sam), and Olivia Olson (Joanna) shooting for a scene.
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Sunday, February 26, 2017
Emma Thompson Reveals Why She Won't Take Part in 'Love Actually' Sequel
by Jennifer Drysdale 3:24 PM PST, February 24, 2017
ET
Photo: Universal Pictures
Emma Thompson says she won't be participating in the upcoming Love Actually sequel because it's "too soon" after her co-star Alan Rickman's 2016 death.
The 57-year-old actress played Rickman's wife in the 2003 movie, which also starred Hugh Grant, Bill Nighy, Keira Knightley, Liam Neeson and Colin Firth.

RELATED: 'Love Actually' Cast to Reunite and Film a Mini Sequel for Charity
A short sequel to the film is in the works for charity, set to debut on March 24 for Red Nose Day. Neeson, Colin Firth, Hugh Grant, Rowan Atkinson, Thomas Brodie-Sangster, Martine McCutcheon, Knightley, Andrew Lincoln, Lucia Moniz, Chiwetel Ejiofor, Nighy, Marcus Brigstocke and Olivia Olson will all be a part of the upcoming project, with Neeson and Brodie-Sangster already photographed in character.
But for Thompson, revisiting her role would be "too sad."
http://www.etonline.com/news/211341_emma_thompson_reveals_why_she_won_t_take_part_love_actually_sequel/
ET
Photo: Universal Pictures
Emma Thompson says she won't be participating in the upcoming Love Actually sequel because it's "too soon" after her co-star Alan Rickman's 2016 death.
The 57-year-old actress played Rickman's wife in the 2003 movie, which also starred Hugh Grant, Bill Nighy, Keira Knightley, Liam Neeson and Colin Firth.
RELATED: 'Love Actually' Cast to Reunite and Film a Mini Sequel for Charity
A short sequel to the film is in the works for charity, set to debut on March 24 for Red Nose Day. Neeson, Colin Firth, Hugh Grant, Rowan Atkinson, Thomas Brodie-Sangster, Martine McCutcheon, Knightley, Andrew Lincoln, Lucia Moniz, Chiwetel Ejiofor, Nighy, Marcus Brigstocke and Olivia Olson will all be a part of the upcoming project, with Neeson and Brodie-Sangster already photographed in character.
But for Thompson, revisiting her role would be "too sad."
http://www.etonline.com/news/211341_emma_thompson_reveals_why_she_won_t_take_part_love_actually_sequel/
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Friday, January 2, 2015
Colin Firth says he is ‘still processing’ his response to intense action sequences in Kingsman: The Secret Service
DAILY MAIL
By SAM CREIGHTON FOR THE DAILY MAIL
PUBLISHED: 20:34 EST, 1 January 2015 | UPDATED: 06:22 EST, 2 January 2015

He made his name playing calm, civilised gentlemen in films such as Love Actually.
So movie-goers may be shocked at the graphic violence in Colin Firth’s latest film.
The actor, told Empire magazine he was ‘still processing’ his response to scenes such as gun battles in Kingsman: The Secret Service. He called for ‘legitimate discussions’ on whether film-makers should be encouraging audiences to enjoy violence.
Campaigners called his remarks ‘very encouraging’ but urged him to refuse roles in such films in future.
In Kingsman, rated 15 and due for release on January 29, Firth plays a spy training a homeless youngster to be a secret agent.

Kingsman also stars Sir Michael Caine and Samuel L. Jackson and is released on January 29 with a 15 rating.
It is the latest film from Matthew Vaughn, the husband on supermodel Claudia Schiffer and the director behind the films Layer Cake and Kick-Ass, which both drew attention because of their controversial content.
This latest project sees super-spy Harry Hart, played by Firth, take a rough street kid under his wing and train him to be a lethal secret agent.
But father-of-three Firth said: ‘I’m still processing my response. I did think, “I don’t know what I’m getting into now.” And there will be arguments, legitimate discussions, about whether it’s healthy to enjoy anything with violence.
'Particularly when you’re dared to enjoy it. I still don’t have the answers on what’s supposed to be good and bad. But I was exhilarated as well.’
His comments have been welcomed by campaigners against on-screen violence, who have called on filmmakers to take note of Firth’s concerns.
Pippa Smith, co-founder of the Safermedia campaign, said: ‘I think it’s very encouraging that an actor of his standing does question this level of violence. I rather hope that at some point someone will say “I’m not going to act in this film because of the levels of violence and I shouldn’t be promoting this sort of violence”, but I’m very encouraged to hear what he’s said.
‘It’s made him worried and concerned obviously and he’s quite right to be concerned that viewers are almost expected to enjoy this sort of violence, otherwise why would they have it in the first place?
Read more: http://www.dailymail.co.uk/news/article-2893944/We-need-talk-violence-films-Colin-Firth-says-processing-response-intense-action-sequences-Kingsman-Secret-Service.html#ixzz3NgHRFFvM
Follow us: @MailOnline on Twitter | DailyMail on Facebook
By SAM CREIGHTON FOR THE DAILY MAIL
PUBLISHED: 20:34 EST, 1 January 2015 | UPDATED: 06:22 EST, 2 January 2015

He made his name playing calm, civilised gentlemen in films such as Love Actually.
So movie-goers may be shocked at the graphic violence in Colin Firth’s latest film.
The actor, told Empire magazine he was ‘still processing’ his response to scenes such as gun battles in Kingsman: The Secret Service. He called for ‘legitimate discussions’ on whether film-makers should be encouraging audiences to enjoy violence.
Campaigners called his remarks ‘very encouraging’ but urged him to refuse roles in such films in future.
In Kingsman, rated 15 and due for release on January 29, Firth plays a spy training a homeless youngster to be a secret agent.

Kingsman also stars Sir Michael Caine and Samuel L. Jackson and is released on January 29 with a 15 rating.
It is the latest film from Matthew Vaughn, the husband on supermodel Claudia Schiffer and the director behind the films Layer Cake and Kick-Ass, which both drew attention because of their controversial content.
This latest project sees super-spy Harry Hart, played by Firth, take a rough street kid under his wing and train him to be a lethal secret agent.
But father-of-three Firth said: ‘I’m still processing my response. I did think, “I don’t know what I’m getting into now.” And there will be arguments, legitimate discussions, about whether it’s healthy to enjoy anything with violence.
'Particularly when you’re dared to enjoy it. I still don’t have the answers on what’s supposed to be good and bad. But I was exhilarated as well.’
His comments have been welcomed by campaigners against on-screen violence, who have called on filmmakers to take note of Firth’s concerns.
Pippa Smith, co-founder of the Safermedia campaign, said: ‘I think it’s very encouraging that an actor of his standing does question this level of violence. I rather hope that at some point someone will say “I’m not going to act in this film because of the levels of violence and I shouldn’t be promoting this sort of violence”, but I’m very encouraged to hear what he’s said.
‘It’s made him worried and concerned obviously and he’s quite right to be concerned that viewers are almost expected to enjoy this sort of violence, otherwise why would they have it in the first place?
Read more: http://www.dailymail.co.uk/news/article-2893944/We-need-talk-violence-films-Colin-Firth-says-processing-response-intense-action-sequences-Kingsman-Secret-Service.html#ixzz3NgHRFFvM
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Wednesday, October 15, 2014
Emma Thompson 'brought on board to rewrite script for nightmare third Bridget Jones movie'
MAIL ON LINE
By SARAH ROBERTSON FOR MAILONLINE
PUBLISHED: 09:53 EST, 13 October 2014 | UPDATED: 10:30 EST, 13 October 2014
She won an Oscar for her adaptation of Sense And Sensibility, and now Emma Thompson is reportedly set to turn her hand to saving the third Bridget Jones film.
The 55-year-old actress is said to have been recruited to rescue the ailing movie after cast members gave the proposed storyline the thumbs down.
Bosses at Working Title Films have called in the British star to 'rewrite the first draft' of Bridget Jones Baby, which was originally penned by Bridget creator Helen Fielding and One Day author David Nicholls.
As well as no Hugh Grant, it's unclear whether the film's lead actress Reneé Zellweger would reprise her famous role after writer Fielding admitted she had lost touch with her.
The third film is expected to be very different from Fielding's novel Mad About The Boy, which sees a widowed Bridget in her early 50's raising her two young children as a single mother following the death of Darcy.
Bridget Jones’ Diary, the first installment in the franchise, was a box office smash in 2001, taking $281m around the world and breaking UK box office records.

Its sequel The Edge of Reason maintained its predecessor’s blockbuster takings with $262m in 2004 - but was panned by critics.
Instead the new screenplay is said to spare the life of Colin Firth’s Mark Darcy character and look at Bridget’s desire to become a mother in her early forties.
Read more: http://www.dailymail.co.uk/tvshowbiz/article-2790845/emma-thompson-brought-board-rewrite-script-nightmare-bridget-jones-movie.html#ixzz3GFALdeoj
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By SARAH ROBERTSON FOR MAILONLINE
PUBLISHED: 09:53 EST, 13 October 2014 | UPDATED: 10:30 EST, 13 October 2014

She won an Oscar for her adaptation of Sense And Sensibility, and now Emma Thompson is reportedly set to turn her hand to saving the third Bridget Jones film.
The 55-year-old actress is said to have been recruited to rescue the ailing movie after cast members gave the proposed storyline the thumbs down.
Bosses at Working Title Films have called in the British star to 'rewrite the first draft' of Bridget Jones Baby, which was originally penned by Bridget creator Helen Fielding and One Day author David Nicholls.
As well as no Hugh Grant, it's unclear whether the film's lead actress Reneé Zellweger would reprise her famous role after writer Fielding admitted she had lost touch with her.
The third film is expected to be very different from Fielding's novel Mad About The Boy, which sees a widowed Bridget in her early 50's raising her two young children as a single mother following the death of Darcy.
Bridget Jones’ Diary, the first installment in the franchise, was a box office smash in 2001, taking $281m around the world and breaking UK box office records.

Its sequel The Edge of Reason maintained its predecessor’s blockbuster takings with $262m in 2004 - but was panned by critics.
Instead the new screenplay is said to spare the life of Colin Firth’s Mark Darcy character and look at Bridget’s desire to become a mother in her early forties.
Read more: http://www.dailymail.co.uk/tvshowbiz/article-2790845/emma-thompson-brought-board-rewrite-script-nightmare-bridget-jones-movie.html#ixzz3GFALdeoj
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Thursday, February 6, 2014
Hugh Grant: Love child revelations reveal a man who needs to grow up
THE VANCOUVER SUN
BY WILLIAM LANGLEY, LONDON DAILY TELEGRAPH

Ten long years have passed since Hugh Grant announced his retirement from the movie business.
“This is the last film I will ever do,” he promised the fans at the London premiere of Bridget Jones: The Edge of Reason. “I’ve completely lost interest. I was never a very committed actor. Now I can just stop.”
Like a lot of what 53-year-old Grant says, this turned out to be something less than the gospel truth, and his latest effort, The Reluctant Professor, yet another romantic comedy, is due to reach our screens shortly.
Admittedly, things have changed in the old boy’s life, and with three “love children” to support, he perhaps needs to keep the bumbling, cod-roue screen shtick going for a little longer.Grant’s off-set romances are clearly something else. Two years ago, it emerged that he had sired a daughter, Tabitha, whom he chivalrously characterized as the product of a “fleeting affair” with little-known Chinese actress Tinglan Hong. Soon the pair were fleeting again, and in February last year, Grant announced that they had produced a son, Felix Chang.
But before the second baby came along, the actor had switched his attentions to thirtysomething Swedish TV producer, Anna Eberstein, who, it was revealed last week, bore him a son in September 2012.
Both women and their children now live in expensive West London properties, although Grant, who apparently picks up the bills, doesn’t live with either of them. It is possible that he doesn’t want to show favouritism, but equally likely, given his lengthy record of embroilment-avoidance, that he prefers doing his daddying from a distance.
This seems puzzling. Born into a close, secure family, Grant has frequently spoken of his longing to have children.
“Much as I adore myself”, he once told Vogue magazine, “I’m quite keen to have someone else to care about”.
Ruminative by nature, much of his ruminating has been about his inability to find love or permanence, with the result that his life — now in deep middle age — is “boring to the point of embarrassment”.
Or the point of self-parody. Yet, however gladly he sends himself up, it is hard to escape the suspicion that Britain’s most bankable actor is an authentically troubled soul.
“He is like a complete cynic, self-tortured and dark,” says Drew Barrymore, who starred with him in Music and Lyrics, yet another romcom. “You’d go into his trailer and he’d be sitting there on the couch, chopping salad alone, an angry Englishman.”
In December 2012, Grant was castigated by the US talk show host Jon Stewart, who described him as “a big pain in the ass” and his “least favourite guest of all time”.
He doesn’t take issue with these judgments, yet there’s no doubt of his high intelligence or his ability to charm and entertain in the broader sense. As frontman for Hacked Off, the group lobbying for stricter press controls, he has shown a politician’s flair and an undeniable measure of personal courage.
What should be an irresistible package unravels with the rackety nature of his personal life and the clod-footedness with which he conducts himself. It doesn’t seem to have occurred to this Oxford-educated dreamboat that it might one day be painful for his daughter to know that he saw her as the by-product of a fling, or for Felix to learn that, by the time he was born, his father had impregnated someone else.
It isn’t that Grant is uncaring — he has made generous provision for these children and their mothers — but that his behaviour suggests an inbuilt deficiency of something he has long aspired to: class.
As a young man, Hugh John Mungo Grant was keenly aware that there was a richer, more refined world waiting to be discovered. A New College contemporary recalls him dressing in a tweed jacket to hold traditional tea parties where egg-and-cress and cucumber sandwiches and Earl Grey tea were served on college crockery. “Here were all the OEs [Old Etonians] pretending that they hadn’t been to Eton, because, of course, it wasn’t quite the slightest bit cool. And here was Hugh, acting as though he had been there. It was all pretty confusing.”
READ MORE HERE: http://www.vancouversun.com/entertainment/movie-guide/Hugh+Grant+Love+child+revelations+reveal+needs+grow/9468336/story.html
BY WILLIAM LANGLEY, LONDON DAILY TELEGRAPH

Ten long years have passed since Hugh Grant announced his retirement from the movie business.
“This is the last film I will ever do,” he promised the fans at the London premiere of Bridget Jones: The Edge of Reason. “I’ve completely lost interest. I was never a very committed actor. Now I can just stop.”
Like a lot of what 53-year-old Grant says, this turned out to be something less than the gospel truth, and his latest effort, The Reluctant Professor, yet another romantic comedy, is due to reach our screens shortly.
Admittedly, things have changed in the old boy’s life, and with three “love children” to support, he perhaps needs to keep the bumbling, cod-roue screen shtick going for a little longer.Grant’s off-set romances are clearly something else. Two years ago, it emerged that he had sired a daughter, Tabitha, whom he chivalrously characterized as the product of a “fleeting affair” with little-known Chinese actress Tinglan Hong. Soon the pair were fleeting again, and in February last year, Grant announced that they had produced a son, Felix Chang.
But before the second baby came along, the actor had switched his attentions to thirtysomething Swedish TV producer, Anna Eberstein, who, it was revealed last week, bore him a son in September 2012.
Both women and their children now live in expensive West London properties, although Grant, who apparently picks up the bills, doesn’t live with either of them. It is possible that he doesn’t want to show favouritism, but equally likely, given his lengthy record of embroilment-avoidance, that he prefers doing his daddying from a distance.
This seems puzzling. Born into a close, secure family, Grant has frequently spoken of his longing to have children.
“Much as I adore myself”, he once told Vogue magazine, “I’m quite keen to have someone else to care about”.
Ruminative by nature, much of his ruminating has been about his inability to find love or permanence, with the result that his life — now in deep middle age — is “boring to the point of embarrassment”.
Or the point of self-parody. Yet, however gladly he sends himself up, it is hard to escape the suspicion that Britain’s most bankable actor is an authentically troubled soul.
“He is like a complete cynic, self-tortured and dark,” says Drew Barrymore, who starred with him in Music and Lyrics, yet another romcom. “You’d go into his trailer and he’d be sitting there on the couch, chopping salad alone, an angry Englishman.”
In December 2012, Grant was castigated by the US talk show host Jon Stewart, who described him as “a big pain in the ass” and his “least favourite guest of all time”.
He doesn’t take issue with these judgments, yet there’s no doubt of his high intelligence or his ability to charm and entertain in the broader sense. As frontman for Hacked Off, the group lobbying for stricter press controls, he has shown a politician’s flair and an undeniable measure of personal courage.
What should be an irresistible package unravels with the rackety nature of his personal life and the clod-footedness with which he conducts himself. It doesn’t seem to have occurred to this Oxford-educated dreamboat that it might one day be painful for his daughter to know that he saw her as the by-product of a fling, or for Felix to learn that, by the time he was born, his father had impregnated someone else.
It isn’t that Grant is uncaring — he has made generous provision for these children and their mothers — but that his behaviour suggests an inbuilt deficiency of something he has long aspired to: class.
As a young man, Hugh John Mungo Grant was keenly aware that there was a richer, more refined world waiting to be discovered. A New College contemporary recalls him dressing in a tweed jacket to hold traditional tea parties where egg-and-cress and cucumber sandwiches and Earl Grey tea were served on college crockery. “Here were all the OEs [Old Etonians] pretending that they hadn’t been to Eton, because, of course, it wasn’t quite the slightest bit cool. And here was Hugh, acting as though he had been there. It was all pretty confusing.”
READ MORE HERE: http://www.vancouversun.com/entertainment/movie-guide/Hugh+Grant+Love+child+revelations+reveal+needs+grow/9468336/story.html
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Thursday, December 12, 2013
Colin Firth, Hugh Grant, Keira Knightley, Martin Freeman, Alan Rickman: The LOVE ACTUALLY Sequel you've waited for (or is it, for which you have waited...)
Labels:
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Tuesday, November 5, 2013
Colin Firth, Hugh Grant: The Love Actually Cast Reveal 10 Things You Didn’t Know About The Film
VH1
Stacy Lambe and Emily Exton (@sllambe)
As the tenth anniversary of theatrical release of Love Actually nears, VH1 takes a look back on the now classic holiday film. After talking with cast members and digging through old interviews, we learned some interesting things about ensemble film starring Colin Firth, Hugh Grant and Emma Thompson. For starters, it was never supposed to be a Christmas film! Say what?! We can’t even imagine our holidays without an annual viewing of this movie.
1. Love Actually was never meant to be a holiday movie.
While talking to VH1, director Richard Curtis admits that LA was never intended to have a Christmas theme. But the director loves Christmas films, so it seemed natural for the director to make one of his own.
“I’m so surprised and delighted by the Love Actually thing, because when I first started the movie it wasn’t set at Christmas then I love Christmas movies so I thought I’ll make a Christmas movie, but it didn’t occur to me that it might be one of those Christmas movies where people actually watch it again and again and it’s a delightful surprise to me,” Curtis explains. “And I think maybe it’s because it’s got so many plots that people can’t remember what’s going to happen next, so it’s sort of satisfying–it’s not like watching a thriller where you know he’s about to get killed, I think you can’t quite remember where you are. But Love Actually, ’tis like a gift that my past has given me that people still like it.”
2. Love Actually came out of two different films written for Hugh Grant and Colin Firth’s characters.
In an interview with Vulture, Curtis explains how LA wasn’t originally written as an ensemble film. Curtis wrote two scripts before switching gears and opting to write an Atlman-esque movie.
After Notting Hill, I took my time, and I thought that I might write the film that turned out being Hugh’s story [in Love Actually] and the film that turned out being Colin’s story [in Love Actually] as whole films,” Curtis says. “I’d worked out whole films on those subjects, and then I thought, Oh, I don’t want to do these because they are just turning out to be a shape I know. And I said, ‘I’d be more interested in writing a film about love and what love sort of means, and how, you know, about the subject than rather than one example of a story about that subject.’ And then I remembered how much I loved Robert Altman’s movies with lots of stories — Nashville and Short Cuts. And how much I loved those Woody Allen movies with three or four stories. And Pulp Fiction. And Smoke. And I suddenly thought, Oh, I’ll write one of those. And then if I write one of those, I can not only deal with the Jolly-People-Fall-in-Love-and-Kiss ones, but I can also deal with the Emma Thompson story and the Laura Linney story and the father and son story and stuff.”
3. Richard Curtis originally thought Love Actually was a catastrophe.

“I’m immensely critical and uninterested in what I wrote in the first place,” Curtis tells Variety of the creation of the film. “It read really well, seemed to go well when we shot, then we watched it — catastrophe!”
It turns out, Curtis had to reassemble a number of vignettes and story lines to make sure audiences actually cared about the characters in the film. Even though they are woven together, Curtis is not sure it all comes together. “I’m not sure all the stories are from the same universe,” he jokes.
4. Claudia Schiffer was never supposed to be in the film.
In an interview with VH1, Elisha Cuthbert revealed that Schiffer was someone who came in last minute after the director had difficulty finding someone who matched her appearance.
“If I’m not mistaken, Richard Curtis wanted to have someone who looks like [Schiffer] and couldn’t find anyone that was right, and then actually calling her and getting her,” Cuthbert says. “So that’s amazing… I think in the script, it was always, I remember reading it being, you know, just a version of and then I don’t know if they were able to find anyone, I mean, how could you find another Claudia Schiffer? If you found another Claudia Schiffer, we’d all be rich. But yeah, so it was funny how it ended up, you know, him getting the real deal. I just thought it was brilliant.”
5. Little did Andrew Lincoln know, but he was actually playing Richard Curtis.

Labels:
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Friday, August 9, 2013
Domhnall Gleeson climbs his way to the Hollywood A-list
THE INDEPENDENT
CAITLIN MCBRIDE – 09 AUGUST 2013
THE son of legendary actor Brendan Gleeson, Domhnall, joined Rachel McAdams for his latest film premiere.
Irish actor Domhnall is celebrating his first major Hollywood role, alongside actress Rachel McAdams. The pair star in the romantic comedy About Time, and stepped out to promote the film together at the world premiere in London.
The acting duo were the star attractions at last night's red carpet event, held at Somerset House. Domhnall opted for classic elegance in a grey suit and navy tie, while his co-star wore Roksanda Ilincic top, skirt, and belt, Casadei shoes, and Norman Silverman earrings.
The young actor is earning rave reviews for his role in About Time, in which he plays the geeky Londoner who learns he can travel back in time. However, with the world at his fingertips, he his only goal is to find a girlfriend (played by McAdams).
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Tuesday, July 2, 2013
Emma Thompson and mum Phyllida Law receive doctorates in Glasgow STV 2 July 2013 08:48 BST (STV)

Emma Thompson and her mother Phyllida Law have received honorary doctorates in drama from the Royal Conservatoire of Scotland, which is based in Glasgow.
The women were awarded with doctorates in drama from the renowned educational centre, formerly known as the Royal Scottish Academy for Music and Drama (RSAMD).
Oscar-winner Emma, who has starred in a number of titles in the genres of television and film, from her stint in eighties series Alfresco and Tutti Frutti to movies such as Love Actually to the Harry Potter movies, is also an accomplished screenwriter, having penned scripts for works including the 1995 film Sense and Sensibility.
It is just the latest honour for the star, with Emma picking up a number of Baftas and Oscars throughout her long-running career.
Emma was born into a family of actors. Her father was Eric Thompson, creator of The Magic Roundabout and her mother is also a successful actress. Her sister is actress Sophie Thompson, and Emma's husband is Royal Conservatoire alumnus Greg Wise.
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Monday, May 20, 2013
Keira Knightley, Jude law, Ben Kingsley, Ioan Gruffudd, Joanna Lumley: 12 British Actors Who Got Started In Soaps By Fraser McAlpine | Posted on May 20th, 2013 (BBC America)
Joanna Lumley on ‘Coronation Street’ (Granada TV)
Never mind the Billboards, the real trophy-doling fun of the weekend happened on Saturday night, at the British Soap Awards, in which the great, the good and the downright torrid rubbed fake-tanned shoulders and practised the most outrageous Nominated Loserface in the bathrooms of MediaCityUK, Salford.
Coronation Street, the longest-running TV serial drama in the world. was the big winner on the night, taking eight awards compared to a comparatively paltry one for their main rivals, EastEnders. This despite both programmes going in with a roughly equal split of nominations: 16 for the former, 15 for the latter. Even the relatively lowly Emmerdale managed two awards, while the perpetually sexy Hollyoaks took home five.
Ioan Gruffudd -
This is my favorite: the future Mr Fantastic as a teenager, delivering his reedy lines in the Welsh-language soap that… well it didn’t exactly make his name, because Pobol Y Cwm wasn’t shown all over the UK, but it didn’t hold him back either.
Ben Kingsley (Coronation Street) -

Corrie was very much the making of Ben as a screen actor. He appeared as Ron Jenkins in the soap across 1966-7, and even appeared in a spin-off series called Pardon the Expression.
Keira Knightley (The Bill)

Jude Law (Families)
Let’s end with another two graduates of The Bill’s accelerated apprenticeship scheme:
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Wednesday, May 15, 2013
COLIN FIRTH: THAT FACE (VIDEO) SUNG BY BARBRA STREISAND
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The Kings Speech,
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Saturday, May 11, 2013
Alan Rickman, Rupert Grint: CBGB Stills (from THE LEAKY CAULDRON)
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Monday, May 6, 2013
ALAN RICKMAN GIVES HIS MOST PROFOUND LESSONS ON LIFE (VIDEO)
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Sunday, May 5, 2013
Alan Rickman Perfect (Video)
Saturday, May 4, 2013
Martin Freeman Wants to Keep Going with Sherlock Beyond Season Three (411 MANIA)
Posted by Jeremy Thomas on 05.03.2013
He loves doing it...
Martin Freeman may be making the transition toward film like his Sherlock co-star Benedict Cumberbatch, but he doesn't want to leave the series behind either. Freeman, who is currently filming season three of the series with Cumberbatch, told Empire that he would like to keep going beyond a fourth season.
"I believe in doing things for as long as people love them, and all I can say is that I really love the show," he said. "I feel very loyal to it and I like doing it… for as long as they want to do it and as long as we all want to do it....I don't know if I'll be doing it at the age of 90 but for the foreseeable I'm a huge fan of the show."
Read more at http://www.411mania.com/movies/news/282878/[TV]-Martin-Freeman-Wants-to-Keep-Going-with-Sherlock-Beyond-Season-Three.htm#PBM0W3c11vMVCwHf.99
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