Ripper Street Review of Episode 2 (DEN OF GEEK)

Review Jamie-Lee Nardone

This week's Ripper Street plays out like a post-watershed Oliver Twist. Here's Jamie-Lee's review...


This review contains spoilers.

1.2 In My Protection

Imagine your worst nightmare: a plague of zombies, an infestation of giant spiders under the bed, or a massive scratch on your limited edition The Dark Knight Rises Blu-ray ... Now try and fathom something far more evil and you will have a vague idea of the level of depravity that the second episode of Ripper Street approaches. That’s right. Last week, it was Victorian snuff movies. This week, it’s Children Who Kill. And how. Think Oliver Twist, if Tarantino had been around offering advice to Dickens during a session in the local ale house, after devouring a year’s worth of penny dreadfuls.

The episode starts with the killing of a toymaker. A fourteen year old boy carrying the dead man’s possessions is brought to the police by a group of vigilantes who seek justice for the streets of London. This group is lead by George Lusk, played by Michael Smiley who, as usual, does not fail to impress. Assuming the role as a voice of the people with lynch mob mentality and the kind with lack of attention to details, he stirs up tension among the public and openly taunts Detective Inspector Reid (Matthew Macfadyen), claiming that he and his force are ineffectual and his mob need to do his job for him. Lusk rallies them to court and seeks the ultimate punishment for the boy, who refuses to neither speak nor deny the charge and is sentenced to death.


Enter Carmichael, played by the phenomenal Joe Gilgun of This is England and Misfits fame to stir things up as Whitechapel’s very own X-rated Fagin. Leading an army of orphan-criminals, he plays the perfect psychopath, demanding respect at all costs. And he’s not merely teaching them to pick a pocket or two. There’s something much darker going on with him.

But Reid is perturbed by the child’s silence, and aided by a concerned lawyer and orphanage governess, decides to get to the bottom of what actually happened and what is currently going on at the hands of Carmichael’s thirst for unyielding subservience, obedience and crime. Oh, and his army of teeny, tiny assassins.

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