By Erik Adams November 2, 2012
While waiting to be cut from Terrence Malick’s untitled movie about the Live Music (And Fucking And Back-Stabbing, Apparently) Capital of the World, Michael Fassbender has been brushing up on his American literature. Thanks to the forthcoming Max Perkins: Editor Of Genius, Fassbender will be among the many men of letters who can explain the difference between Thomas Wolfe and Tom Wolfe, the latter being the dandy of the New Journalism movement who’s never been played by the android from Prometheus.
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