The latest film version of Leo Tolstoy’s ‘Anna Karenina’ has prompted a storm of passions in Russia where some critics have slammed it as cliched, shallow and insulting to Tolstoy’s monumental work.
British director Joe Wright’s costume drama starring Keira Knightley in the title role opened in Russian cinemas this month but its reception highlighted how hard it is for foreign versions of Russian classics to win recognition in the country.
‘This is like a lavishly illustrated, glossy children’s primer,’ wrote the Izvestia daily.
‘Anna Karenina has been crushed by the scenery,’ wrote Kommersant business daily, saying that Wright’s stagey concept of setting the film in a theatre made it ‘hard to take it too much to heart.’
‘From the very first minutes of Anna Karenina, your heart sinks at the excessive production,’ wrote Boris Nelepo on Afisha lifestyle magazine’s website.
‘This constant scenery-changing is the only device, a fairground attraction at the heart of the film.’
The new film version faced a tough audience of Tolstoy buffs in Russia, where it was released January 10 and has made $4.7 million, according to Variety Russia magazine.
Here school children are forced to read Tolstoy’s ‘War and Peace’ in its entirety and even those who skip ‘Anna Karenina’ are familiar with a 1967 Soviet film version starring eyelash-fluttering Tatyana Samoilova.
Nit-picking critics and viewers slammed howlers in the new film such as aristocrat Levin living in what appears to be a peasant’s wooden hut — topped with onion domes.
‘Two hours of absurdity,’ one commentator wrote on the Kommersant website.
‘It’s not bad if you watch it as a comedy.’
Wright’s Bafta-nominated film was scripted by Tom Stoppard, who is a regular visitor to Russia and wrote his ‘The Coast of Utopia’ trilogy about Russian thinkers.
The film ‘could only be bought and released in Russia in a state of complete moral collapse,’ thundered award-winning biographer and poet Dmitry Bykov on Openspace.ru arts website.
He slammed it for ‘making a mockery’ of the novel and even suggested passing an ‘anti-Wright law putting a parliamentary embargo on all Keira Knightley’s future films.’
‘The English Karenina is too bony’—
READ MORE: http://www.khaleejtimes.com/kt-article-display-1.asp?section=entertainment&xfile=data/entertainment/2013/January/entertainment_January34.xml
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