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Showing posts with label Juan Borgia. Show all posts
Showing posts with label Juan Borgia. Show all posts
Saturday, June 16, 2012
The Borgias Exclusive: François Arnaud Teases New Cesare In Season Finale June 15th, 2012 8:42 PM by Dan Forcella (T V FANATICS)
"I can assure you that Cesare's drive and anger isn't diminished in any way," François Arnaud told me over the phone earlier this week.
The star of The Borgias went on to say that his character, after murdering his brother Juan last Sunday, has "grown into the warrior that he will be."
Arnaud said that Cesare killing Juan "was a beautiful moment." Although it was indeed the horrible act of one brother gutting the other, Arnaud believed "there is that final embrace that I think helps letting go in a way."
We will all have to let go of Juan, and the great performance by David Oakes, as Arnaud realized, "It's very hard to imagine The Borgias without him. He's been the one who drove Cesare to become what he is now."
Who is that? The aforementioned warrior? "In the finale, you see a new Cesare," Arnaud teased.
But what else can we expect this Sunday night in a season finale titled "The Confession?"
Read more tv spoilers at: http://www.tvfanatic.com/2012/06/the-borgias-exclusive-franois-arnaud-teases-new-cesare-in-season/
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THE BORGIAS
Wednesday, June 13, 2012
The Borgias Exclusive: David Oakes on Juan Borgia's Rise and Fall June 12th, 2012 7:14 PM by Dan Forcella (TV FANATIC)
"The last thing I did on The Borgias, was literally throw myself off a bridge," David Oakes reminisced on Monday afternoon. One of the stars of the Showtime series, Oakes' run as troublesome brother Juan Borgia was fantastic, but it sadly came to an end with the character's inevitable death on Sunday's penultimate episode of the year.
It was a moment that Oakes knew was coming. "I always knew I was going to die in season two," he said. "That was never in doubt, but I didn't know when I was going to die." After Juan's failure at Forli, and his subsequent syphilis, gangrenous leg, and opium addiction, everyone saw this character's end in sight. As Oakes says, "There really wasn't much keeping him alive."
Read more tv spoilers at: http://www.tvfanatic.com/2012/06/the-borgias-exclusive-david-oakes-on-juan-borgias-rise-and-fall/
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THE BORGIAS
Monday, June 11, 2012
The Borgias Season Finale Sneak Peeks: Lucrezia and Rodrigo Face Off Written By Shilo Adams on June 11th, 2012 at 4:26 p (TVOM)
The Borgia family has managed to survive a pretty tremendous amount of conflict in the first two seasons of The Borgias. Enemies have been dispatched, alliances have been formed, and every inter-family squabble has been swept under Rodrigo's papal robe in favor of presenting a united front and preserving the family. But that inability to face their problems and worry about their image vs. their reality has made the second season of The Borgias quite a tense affair, culminating in the shocking murder of Juan at the end of the last episode. Can The Borgia family manage to get through their hardest time yet and emerge mostly in tact?
Judging by the sneak peeks of next week's season finale, titled "The Confession", they may not be able to bounce back quite as quickly as they have in the past. Lucrezia's last confrontation with Juan only solidified her burning hatred for her brother, which had been ignited for good upon Paolo's death, and she can't quite bring herself to mourn for him. Rodrigo isn't having any of that, of course, as Juan was his favorite child and his death dashed any dreams he had of one son in armor and another in the cloth. Lucrezia has been growing away from her father during the second season of The Borgias, defying him regarding the recent marriage proposals, and this is further proof that the two may not be able to see eye to eye ever again.
READ MORE: http://www.tvovermind.com/the-borgias/the_borgias_season_2_finale/
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Sunday, June 3, 2012
The Borgias “Truth and Lies” Season 2 Episode 8 (TV)
Show Summary: THE BORGIAS is a complex, unvarnished portrait of one of history’s most intriguing and infamous dynastic families. Oscar(r)-winning actor Jeremy Irons returns in his Golden Globe(r)-nominated role as the cunning, manipulative patriarch of the Borgia family who ascends to the highest circles of power within Renaissance-era Italy to become Pope Alexander VI.
Seeking to consolidate his power, Alexander enlists his family to take an oath of revenge on the great noble houses that dared to stand against him, causing his Papacy to face political turmoil once again. But Alexander’s real problems lie with his children, all of whom are growing up and defying his authority.
Lucrezia forges an unlikely alliance between Vanozza and Giulia, and together they plot to battle Vatican corruption. The sibling rivalry between Cesare and Juan will soon turn to hatred as their father’s unwavering favoritism toward Juan triggers Cesare to engage his dark side. Elsewhere in Rome, Alexander’s old enemy Della Rovere has entered the city incognito and conspires to assassinate him.
READ MORE: http://www.tvequals.com/2012/06/03/the-borgias-truth-and-lies-season-2-episode-8/
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Friday, May 25, 2012
David Oakes - The Borgias, dissecting a scene (video)
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Wednesday, May 23, 2012
The Borgias - Cries of the Dying, episode 8
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Monday, May 21, 2012
The Borgias Review: We're Gonna Have To Take The Boy May 20th, 2012 11:00 PM by Dan Forcella (TV FANANTIC)
Since Francois Arnaud and David Oakes have both been so fantastic during The Borgias second season, it's a shame that the series has had such a difficult time showcasing them in the same episode. "The Siege at Forli" was yet another example of this mishap as Cesare Borgia was sidelined for the majority of the hour.
From his triumphant return, to his battlefield tactics, Juan Borgia was quite the standout once again. It felt so good to have him back, especially when his return meant a pet panther and cigars for the pope. I'm not sure which was more fun, watching the then unheard of cat bite the finger of Lucrezia, or watching Juan explain to Rodrigo and everyone else what the then unheard of cigars were and did.
It wasn't all panthers and puffing for the second son, though. He also made his way to Forli to take out the great Catherina Sforza in battle. What made his inevitable failure, and the quasi betrayal by his brother Cesare, so epic, was the feeling of superiority he and Rodrigo had going during their fireside chat early in the hour.
The father, sorry Holy Father, was proud that his boy had become a man, and truly felt that Juan was going to wipe out Catherina and take her back to Rome completely compliant.
The fact that Juan used dirty tactics in battle was awesome. If waving the white flag in peace only to cheap shot Catherina's son, steal him, and ride away had actually worked, I would have commended the coward. It's kill or be killed out there. The Borgia boy's plan faced numerous problems, though.
Read more tv spoilers at: http://www.tvfanatic.com/2012/05/the-borgias-review-were-gonna-have-to-take-the-boy/
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Friday, May 18, 2012
The Borgias - Juan is BACK (DAVID OAKES)
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Monday, May 14, 2012
The Borgias Review: Do You Perhaps Take Gold? May 13th, 2012 11:00 PM by Dan Forcella (TV FANATIC)
Similar to Sons of Anarchy at its best moments, the second season of The Borgias has done a fine job at showcasing both the outside and inside threats to its protagonistic family in concert.
While those coming from elsewhere - such as the Sforza forces or the Friar Savonarola - have been pushing the story of the season along, it is those issues close to the heart of the Borgias that has interested me most since the premiere.
The epicenter of the series' success continued to be Francis Arnaud's work as Cesare Borgia during "Day of Ashes." The eldest son of Pope Alexander kept striving towards earning the armor fit for the leader of the Papal Army, but per the usual, Rodrigo still didn't agree.
Watching Cesare use his "stray dogs" to take out the caravan, and steal all of the Medici gold, was fun, but it wasn't enough to change the Pope's mind. At the end of the day, that was all that Cesare was looking for. He wants to be the "one son in amour."
We all know that the Pope wants one in armor and one son of the cloth, but what Cesare doesn't understand is that it isn't his lack of skills in battle that is preventing him from taking control of the armies. Rather, it is Rodrigo's complete lack of faith in Juan to help in any other way than in a suit of armor.
I am hoping that this idea comes into play when Juan finally returns home. It feels like it has been forever since we have seen him.
Read more tv spoilers at: http://www.tvfanatic.com/2012/05/the-borgias-review-do-you-perhaps-take-gold/
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Monday, April 9, 2012
The Borgias Season Premiere Review: Sibling Rivalry April 8th, 2012 11:00 PM by Dan Forcella (TV FANATIC)
It may not have had as much pomp and circumstance, or as much energy, as the first season premiere, but "The Borgia Bull" may have been a more promising beginning for The Borgias.
The second season premiere set up a number of new situations, and began to develop in more depth the important relationships we got to know over the course of the first season.Jeremy Irons may be the name used in promoting the series, but Francois Arnaud proved to be the star of the show throughout last season and in this year's opener.
His Cesare Borgia is all kinds of engaging, a master of deception with a number of intriguing relationships. The way that Cesare and Lucrezia act together is interesting for all the wrong reasons. I mean, they are a bit too close for brother and sister, right? The way he is treated by his father continues raise questions about where their relationship may lead in the future. Will the son rise up against the father, simply rebel, or continue to obey as best he can?
I'm sure there are a number of readers aware of the history that know exactly where that is heading, but I do not. The relationship that had the most potential through season one, and was front and center in "The Borgia Bull" was the great sibling rivalry between Cesare and Juan.
Cesare wanted to be in armor, but instead was forced to be the cleric of the family. Juan, while able to have the life Cesare wanted, still knows that he is looked at as second fiddle. The way these two fought like little children in front of their father was great, but after he insisted that they got along, what did they do?
Well of course, they got into a heated, near-death sword fight! What else? Read more: http://www.tvfanatic.com/2012/04/the-borgias-review-sibling-rivalry/
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Tuesday, September 27, 2011
DAVID OAKES

Mr. Porter (Mr. Porter.com)
Photography by Mr Nick Dorey | Styling by Ms Tanja Martin
Words by Mr Mansel Fletcher
If you only buy one coat this season then we admire your restraint, and warmly recommend you go for a pea coat. They have an unexpectedly long history - the Oxford English Dictionary records a mention from 1717 - even though the origin of the name is uncertain. It's likely to be a version of the Dutch name pijjakker, or an abbreviation of pilot's jacket. The terms pea coat and pea jacket are interchangeable and refer to a simple, but incredibly useful garment: a short double-breasted jacket in wool that buttons up to the collar. Here British actor Mr Oakes demonstrates this garment's unique blend of utility, elegance and versatility.

Mr Oakes is a 27-year-old actor who grew up in the New Forest, in England. The son of a canon of 750-year-old Salisbury Cathedral, and head boy at the church school he attended, Mr Oakes now specialises in the portrayal of sinners. This started in 2009 when he played, in his words, "a gay psychopath" in the British television series Trinity, and continued with his performance in the television adaptation of Mr Ken Follett's bestselling novel The Pillars of the Earth, which was, coincidentally, partly based on the history of the construction of Salisbury Cathedral in the 13th century.

In the series he played the heartless William Hamleigh so convincingly that Mr Follett wrote of him, "He is one of the nicest young actors I've met, always smiling, so easy-going, yet finds within himself the ability to totally convince us that this is a man with absolutely no redeeming characteristics, a person beyond all civilized hope."
"Acting means I can express the dark side that could exist within me, so I'm more charming and effervescent as a result"

Juan Borgia, Mr Oakes' character in Showtime's series The Borgias, continues in this vein. "He's massively flawed," says Mr Oakes, speaking to MR PORTER from Budapest, Hungary, where he's currently filming the show's second series. "He's the weakest character in a family of powerful presences and because of that he strikes out." However, in Mr Oakes' opinion there are two advantages to playing psychopaths in costume dramas. The first, he says, "Is that I get to express the dark side that could exist within me, so I'm more charming and effervescent as a result."
The second is based on the childish joy of dressing up. "The great thing about my job is that I go to get changed and there's a bodice, sword, dagger or a whole lot of chain mail," he says. "Juan Borgia has this whole military side, so there's a lot of armour, swords and flourishing headpieces. There's something great and transformative about putting on the clothes of a different generation."

It's an impulse that Mr Oakes reveals has started to inform his off-duty wardrobe: "I just finished a Victorian play and I wore an array of waistcoats. I'm trying to bring waistcoats back, although as an actor I try to keep away from the flamboyant stereotype - so no pocket watches and no unnecessary scarves." As a performer he is acutely aware of the way a man's clothes influence how others perceive him. "I think there's a responsibility to choosing what you wear," he asserts. "I love wearing a good suit, there's something great about looking dapper. I just shot a contemporary horror film called Truth Or Dare and there was something depressing about going to my costume trailer each day to just find a different T-shirt and a different pair of jeans."
"The great thing about my job is that I get to wear a bodice, sword, dagger or a whole lot of chain mail. Putting on the clothes of a different generation is transformative"
Through the various roles that he has played Mr Oakes has, unintentionally, made an ad hoc study of the development of men's clothes. "The costume designer [for The Borgias] is Gabriella Pescucci, who worked with Fellini in the 1970s, and the tailoring of the costumes is amazing, it draws you into a world you've never even thought about. I'd never considered how a sword hangs from your belt, or how you ride a horse in armour. You suddenly realise why fashion evolved - because you can't ride if you've got a piece of metal jamming up into your chin."
Thursday, September 15, 2011
DAVID OAKES

MEET THE ORIGINAL JUAN BORGIA
Juan Borgia Historical Profile
Name: Juan (Giovanni) Borgia
Born: 1474 or 1476 (Gregorovius' research points to 1474, yet Sabatini quoted other sources as 1476; see Sabatini pp. 46-49). 1476 is considered by modern historians to be far more likely, thus making him Cesare's younger brother.
Home town: Rome
Died: 14 June 1497
Position: Cardinal's son, Duke of Gandia, Gonfalonier and Captain-General of the Church.
House of: Borgia
Marriage(s): Maria Enriquez de Luna
Personality type: Arrogant, debonair, handsome, vain, pampered, spoiled, a typical Renaissance prince.
Hobibies: Drinking, gambling, chasing women, and generally showing off.
Strength(s): Good-looking, charming when he wanted to be, he was Alexander's favorite son, given everything he desired, and had a rich, intelligent wife in Spain, Maria Enriquez de Luna, who was a favorite of the Catholic Monarchs Ferdinand & Isabella.
Weakness(es): Lazy, arrogant, self-indulgent, ostentatious and rather dim.
Quirks: Occasionally dressed in the Turkish fashion at court.
...a very mean young man,
full of false ideas of grandeur and
bad thoughts, haughty, cruel and unreasonable...
- Aragonese Historian, Zurita
JUAN BORGIA BIO
Juan (otherwise known as Giovanni) Borgia was probably born in 1476, second son of Cardinal Rodrigo Borgia the future Pope Alexander VI, and his mistress Vannozzo dei Cattanei. The date of his birth is not known for certain, and some writers (Gregorovius) have suggested that he was born in 1474, making him older than his brother Cesare, who was born in 1475, but modern historians (e.g. Bradford, Mallet) are unanimous in accepting 1476 as his birthdate.
Juan seems to have been his father's favourite son but his enthusiasm for Juan was not shared by others - one historian, Michael Mallet, describes him as 'a man of limited abilities and considerable vices'. When his elder half-brother, Pedro Luis, died, Juan inherited his dukedom of Gandia, near Valencia, and his fiance, Maria Enriquez. He arrived in Spain in September 1493. According to the Catholic Encyclopedia this was a purchase of a title by Pope Alexander VI for his son Pedro Luis).
Juan's arrogance and ostentation often caused offence in Spain - the Mantuan diplomat Catteneo says that he left Italy with large quantities of 'jewels, money and other movable goods', with the intention of returning for another boatload. The Aragonese historian Zurita, writing some years after Juan's death, described him as 'a very mean young man, full of false ideas of grandeur and bad thoughts, haughty, cruel and unreasonable'. He was accused of spending his time drinking, gambling and visiting brothels, and of failing to consummate his marriage. Both his father and brother wrote angry letters advising him to behave in future. The marriage had in fact been consummated and Juan and Maria had two children - Juan, who succeeded him as Duke, and Isabella, born after his death, who became a nun. The Pope recalled Juan to Italy in 1496 before he could cause further offence.
On his return to Italy in August, Alexander appointed Juan as Captain General of the Church and sent him to fight the Orsini at the head of a large army. The expedition was not a success and Juan's troops were defeated at the Battle of Soriano on 24th January 1497. Returning to Rome in March, Juan began an affair with Sancia of Aragon, the wife of his younger brother . This affair brought him into further conflict with Cesare, who was already jealous that Juan was given military preferment, and who was also sleeping with Sancia. Juan's behaviour in Rome was no better than it had been in Spain, and he made many enemies. Alexander added fuel to the fire by making him Duke of Benevento, a papal fief.
On the evening of 14th June 1497, Juan left his mother's house, saying that he was 'seeking further pleasures', which suggested that he was going to meet a woman. He then disappeared.The next day, his horse was found wandering and the servant who had accompanied him was found dying. Two days later, a timber merchant told the Pope that he had seen five men throw a body into the Tiber on the night of Juan's disappearance. Asked why he had not reported this before, the man replied that he often saw corpses thrown in the river and that no-one seemed bothered about it.
After Juan's body was recovered, rumours spread concerning the identity of his murderer, There was no shortage of suspects - his brother-in-law Giovanni Sforza; his cuckolded brother Jofre; Ascanio Sforza, with whom he had quarrelled shortly before his death; the Count of Mirandola, whose daughter he had seduced; and the powerful Orsini family, whose lands Alexander threatened to give to Juan, were amongst those suspected. Later rumour added his brother Cesare to the list but only when it became evident that he was the one to profit most from Juan's death.
Who really killed Juan? His widow believed Cesare to be the culprit, (she had the picture at right commissioned in Valencia, showing Cesare stabbing Juan) but it is much more likely that the Orsini were responsible. Alexander declared most of the suspects innocent of the murder, but pointedly omitted the Orsini from his declarations.
CONTEMPORARY VOICES
From Cesare Borgia to Juan Borgia:
"However great my joy and happiness at being promoted cardinal, and they were certainly considerable, my annoyance was greater still when I heard of the bad reports His Holiness had received of you and your behaviour. Letters...have informed His Holiness that you had been going around Barcelona at night, killing cats and dogs, making frequent visits to the brothel, gambling for large sums, speaking disrespectfully and imprudently to important people, showing disobedience to Don Ennrique and Dona Maria [Juan's father-in-law and mother-in-law] and finally acting throughout in a way inconsistent with a gentleman of your position."
- Quoted in Lucrezia Borgia (Sarah Bradford, p.32-33). Bradford cites her source as ASV, A.A. ARM 5021, f 3rv, Viterbo, 31 [October 1493], translated by Milo Parmoor and Jaume Danti.
From Mantuan Ambassador Gian Carlo Scalona to Isabella d'Este:
"...every effort is made to conceal that these sons of the Pope are consumed with envy of each other."
Johann Burchard, in his Diary Liber Notarium: [on the death of Juan] "The Pope, when he heard that the duke had been killed and flung into the river like dung, was thrown into a paroxysm of grief, and for the pain and bitterness of his heart shut himself in his room and wept most bitterly. The Cardinal of Segovia and some of his servants went to the door, persuading him to open it, which he did only after many hours. The Pope neither ate nor drank anything from the Wednesday evening until the following Saturday, nor from the morning of Thursday to the following Sunday did he know a moment's peace."
- At the Court of the Borgia, (ed. Geoffrey Parker p. 147)
Source: The Borgias wiki.
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