Showing posts with label attack the block. Show all posts
Showing posts with label attack the block. Show all posts

Friday, December 30, 2011

Sean Bean: Year In Review: The 11 Best Horror Movies of 2011 (Film School Rejects)

2011 Year In Review By Robert Fure on December 29, 2011

It seems like every year I find myself disappointed in the horror offerings of the preceding twelve months. Especially if you think of widely released theatrical flicks, few of which ever make the lists. If it weren’t for DVDs and VODs, I don’t even know if I could in good conscience pretend that 10 (or 11) horror films were good.

That said, I did manage to find some enjoyment in theaters and at home this year, but it wasn’t the easiest task in the world. In a good year, it’ll be hard to eliminate films from the list, but when it comes to horror most years, its scraping the bottom of the barrel to come up with a full list.

Quickly, in terms of eligibility, I write my lists a little differently than many others – for me, a film has to be widely available in this year, either in theaters or DVD or VOD. So films that only show at festivals generally aren’t eligible for my lists until they’re released on DVD. For example, Ti West’s The Innkeepers has made several lists, but it’s not widely available until 12/30 so most people won’t see it until 2012, so that’s that.

11. Fright Night


Fright Night makes the list only because we’re doing eleven films this year instead of ten. I wasn’t a huge fan of this Craig Gillespie remake, which pales in comparison to the campy fun of the original, but it was at least a competent film with some good moments. Colin Farrell turned in a good performance, while I was a little disappointed in David Tennant’s character. I think the film would have been wiser to go with practical effects, rather than the lame CGI teeth.

10. We Are the Night


Vampires are everywhere these days and mostly in shitty and depressing ways. I’m pretty tired of vampires who are either whiny bitches or who don’t realize that being a vampire is actually kind of awesome. Thankfully there are these four smoking hot lady vamps who embrace the fun that comes from basically being immortal, rich, and sexy as hell. Toss in explosions, car crashes, and gun play and this film embraces all the fun that’s been missing in most other vampire flicks.

9. Black Death


This was one of those films that I went into with unbelievably high expectations due to the reviews of my peers and the fact that I’m a sucker for anything Sean Bean. I wanted a gory horror fest full of witches and death set against the bubonic plague, but rather found a film rife with mystery and violence. While it’s not what I expected, the film packs a punch.

8. Cold Fish


Inspired by true events, Sion Sono‘s story of a timid fish shop owner has more in common with smarter films like Se7en than the typical 80s horror films I embrace. The slick and beautiful cinematography amplifies the realism of the gore and violence, creating a memorable and disturbing experience.

7. Don’t Be Afraid of the Dark


As a sucker for monster movies, I take what I can get, even if it’s just a few dozen little tooth fairy gremlins. Don’t Be Afraid of the Dark has a pretty ballsy ending and a great performance from little Bailee Madison, and I was a fan of the pacing. The real menace of the tiny little creatures builds slowly – first they seem innocent and almost cute or playful, but over time they reveal themselves to be cruel, ugly little things.

6. A Serbian Film

A Serbian Film
I have a pretty sick mind so when I was told this was one of the most vile movies in existence, I went nuts. Turns out my sick self had made it far worse in my head, but what I didn’t expect from this film was at least the small amount of intelligence behind it. It’s not a film created just to gross you out like The Human Centipede, and it does have a point, though it does want to relentlessly depress you. Check your iron levels and view this film at your own risk, it’s probably too much for most people.

5.  The Thing

This is probably the film I’ll get the most flack for having on the list, but I actually dug the movie. I’m a huge fan of John Carpenter’s film, and I’m always looking to immerse myself in that world, with the Blu-ray, novelization, and video game. The Thing isn’t perfect by any means and I shed a tear for the lost practical effects, but I felt this movie worked fine as a prequel and fairly well on its own. Plus, Mary Elizabeth Winstead.

4. I Saw the Devil


Perhaps this film is best classified as “horrific” rather than “horror,” and what’s unique about I Saw the Devil is that the ‘good guy’ is the one doing all the terrible things. There are just some people in this world you don’t want to fuck with and Kyung-chul just messed with him and must suffer at his hands for his horrible crime.

3. Tucker & Dale vs Evil

Tucker and Dale vs. Evil
Tucker & Dale is a great idea that actually lived up to most of its potential. The film follows the misadventures of two lovable hillbillies who are wrongly believed by a group of idiotic teens to be murderous rednecks. As the two attempt to sort things out, things go from bad to worse and fingers are lost, people are skewered and teens start dying. With great performances from Alan Tudyk and Tyler Labine, the film is fun and original. My few gripes are some iffy CGI in a spot or two and some repetitive deaths, but overall it’s great fun.

2. Attack the Block


Listen bruv, this wildly entertaining movie merges tons of great laughs with good action and some vicious beasties. There are excellent performances from all the goods, great action set pieces, cool monster designs, all wrapped up in a fun package. If you missed this one, you’re a bad person.

1. Insidious


Insidious has stayed with me ever since my first viewing. I don’t think it’s an exaggeration to say it’s one of the scariest movies of the last decade. I think it might even make it to the 10 best horror movies of 2000-2010. I loved this flick. It was creepy and scary in a lot of different ways, a good mixture of visuals, sounds, and jump scares that never felt cheap. The film also impressed with its decision to go the whole ‘real life ghostbusters’ route, which totally worked for me. I did have a problem with the ending, like literally the last 50 seconds, but it wasn’t enough to spoil my experience.

http://www.filmschoolrejects.com/features/the-11-best-horror-films-of-2011-rfure.php/2

Wednesday, December 28, 2011

The best genre movies of 2011, part 2 (IFC - Independent Film Channel)


 

the-guard-12272011

Picking the year's best spy movie, science-fiction, and more.

Continuing our list from yesterday here are five more of the best genre movies of 2011. Click over for our picks for the best romance, Western, horror film, legal thriller, and comic book movie. Today it’s time for the best spy movie, cop movie, sports movie, mystery, and science-fiction. Let’s do it.

The Best Spy Movie of the Year
“Mission: Impossible – Ghost Protocol” (In IMAX)
Directed by Brad Bird
Even fans of “Tinker Tailor Soldier Spy” would admit the film is more of a character study about spies than a true spy movie. For real genre thrills, I’m going with something bigger: much bigger. “Mission: Impossible – Ghost Protocol” delivered everything we’ve come to expect from this series — high-tech gadgets, ferocious fights, Tom Cruise running — on a grander scale than ever before. Director Brad Bird’s IMAX action scenes, especially one dazzling, dangling sequence atop the tallest building in the world, were absolutely stunning. Badass Digest’s Devin Faraci makes some excellent observations about the gaping holes in the film’s story. So why isn’t anyone talking about them? Because people get so caught up in “Ghost Protocol”‘s enormous imagery they don’t have time to think.



he Best Sports Movie of the Year
“Warrior”

Directed by Gavin O’Connor
This might be the most inexplicable flop of the year. “Warrior” was a shameless crowd-pleaser, with twice the underdogs of your typical underdog sports movie, but for some reason the crowds never showed up to be pleased. Maybe the lack of a bankable star kept people away, but the lack of a bankable star meant two very good young actors, Joel Edgerton and Tom Hardy, got to play the lead roles of Brendan and Tommy Conlon, estranged brothers who both enter the same mixed martial arts tournament in search of a big cash prize. The final fight felt seriously anticlimactic and Nick Nolte goes a bit overboard in his alcoholic suffering at times, but the rest of this movie is just about perfect. Any sports movie would be blessed to have a lead character as good as Hardy’s or Edgerton’s. This one has both. If I had to bank on one 2011 movie slowly becoming a massive word-of-mouth hit on DVD and Blu-ray, I’d pick “Warrior.” It could easily become this decade’s “Shawshank Redemption.” Read my full review here.



The Best Cop Movie of the Year
“The Guard”
Directed by John Michael McDonagh
The buddy cop movie has had its up and downs in recent years but it rose from the ashes like a phoenix who was getting too old for this shit with the comedy “The Guard.” Brendan Gleeson delivers a brilliant performance as Sgt. Gerry Boyle, a small town Irish cop who stumbles, accidentally and disinterestedly, onto a drug smuggling ring. He teams with an American FBI agent (Don Cheadle, whose Southern accent is the one weak spot in the film) and together they make a classic pair of mismatched partners. “The Guard” was written and directed by John Michael McDonagh, brother of “In Bruges” filmmaker Martin McDonagh. I suspect if you liked the latter, you’ll dig the former, which has a similarly picaresque setting and dark sense of humor. Listen to my full review here.




The Best Mystery of the Year
“Cold Weather”
Directed by Aaron Katz
Mysteries are all about finding things in unlikely places and the DIY, improvisational genre of mumblecore is probably the last place in moviedom you’d expect to find a good whodunit. Yet here is Aaron Katz’s “Cold Weather,” a very successful experiment in marrying the off-the-cuff mumblecore aesthetic with the rigid structure of a drawing room mystery. A college dropout with an interest in forensic science and Sherlock Holmes novels moves back home to Portland and gets a job in an ice factory. An old flame comes to visit then seemingly disappears. Was she kidnapped? Or even murdered? While Hollywood turned Sherlock Holmes into a six packed, speed ramping action hero, Katz proved you don’t need any of that to tell a compelling story. All you need are a few interesting characters, one good brainteaser, and a pipe. Read my full review here.




The Best Sci-Fi Movie of the Year
“Attack the Block”
Directed by Joe Cornish
There was plenty of callbacks to old movies in “Attack the Block,” including 80s gang flicks like “The Warriors” and “Streets of Fire,” but the film was far more creative than your typical nostalgia pastiche. Even the design of the “gorilla-wolf” aliens that crash into a giant South London housing complex was refreshing (if something with glowing, razor-sharp teeth and a hunger for human flesh can be termed “refreshing”). Director Joe Cornish’s dazzling debut film was light on science but heavy on scares and humor, and it featured a cast of charismatic misfit kids who made the Goonies look like the Muppet Babies. Buried beneath the laughs and scares, there are even some powerful themes about personal responsibility and the dehumanizing nature of life in the projects. Believe, bruv: this movie deserved better than its $1.0 million domestic gross. Read my full review here.




Back to PART 1 of The Best Genre Movies of 2011.
What was your favorite spy movie, cop movie, sports movie, mystery, and sci-fi movie of the year? Tell us in the comments below or write to us on Facebook and Twitter.
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http://www.ifc.com/fix/2011/12/best-genre-movies-of-2011-part-2