Showing posts with label uktvdrama. Show all posts
Showing posts with label uktvdrama. Show all posts

Friday, November 4, 2011

Dan Stevens Interview: How Being 'Downton Abbey's Hero Has Changed His Life (spoilers)

Dan Stevens
First Posted: 4/11/11 10:37 GMT Updated: 4/11/11 11:03 GMT
Huff Post Entertainment UK
 

Monday, October 31, 2011

Were women better off in the days of Downton Abbey?

Huff Post Entertainment


Were Women Better Off In The Days Of 'Downton Abbey'? (PHOTOS)
Downton Abbey
The Huffington Post UK First Posted: 31/10/11 09:12 GMT Updated: 31/10/11 09:12 GMT
 
Since the ladies of Downton Abbey first sashayed onto our screen, wearing the type of high society fashion that's seen sales of elbow-length gloves soaring by 584 per cent at Debenhams, many women might be forgiven for longing for the type of life depicted in the hit ITV One period drama.
Fur coats, corsets and pearl earrings may be appealing, just as wearing a cloche hat for afternoon tea with your mother-in-law seems delectably civilised, but the pros to life in 1918 are somewhat superficial.

As Lady Mary once put it, in her delightfully shrewd manner: "Women like me don't have a life. We're stuck in a waiting room till we marry."
Below we list the reasons why the upstairs women of Downton Abbey have it made, and the reasons we wouldn't swap lives with them, even for a butler like Carson.
What we'd like a taste of...
  • Having enough clothes (and someone to wash them) to change roughly six times a day - lunch, town, hunting, tea, vicar-visiting, strolling around the gardens and furiously brushing your hair in a mirror before going to bed, all seem to require a different ensemble.
  • Having a chauffeur, particularly one that looks like Branson. It's no wonder Lady Sybil is keen not to resurrect the class barriers that started to fall during the four years the Crawleys and their servants were united in the war effort.
  • Breakfast, lunch and dinner being cooked and served by someone else. In the days of Downton, meal times were a time when people could come together and discuss the goings-on in their lives. You wouldn't catch the Countess of Grantham eating on the go.
  • The romantic way men spoke to their ladies is something many 21st century women would like to experience. When your boyfriend next asks you to go to Tescos, remember Branson asking Lady Sybil to run away with him, claiming: "I'll wait forever".
What we're happy to leave in the past...
  • Having to hook up with your cousin to secure a life of luxury. Lady Mary spent the first series of Downton Abbey trying to decide whether to marry her cousin Matthew - heir to the earldom - to secure her future as chatelaine of the stately pile. Give us a 9-5 any day.
  • People telling us "we've broken the rules". Which is the line Mrs Hughes uses to explain to Ethel the mess she's in, after she gets pregnant by an Army officer.
  • Being told when we are and aren't allowed to talk. Carson quickly checks Lord Grantham isn't offended by Jane's friendly chat, checking: "I hope she wasn't talking out of turn, my Lord?"
  • The concept that spawning children is the main purpose in a woman's life. Speaking to her husband, Cora asks: "Robert, it's quite simple - do you want Mary's marriage to be a success? Do you want grandchildren?" Interfering parents can happily be left in the past.
  • Being controlled by men, Mary's press baron fiance likes to make his point by grabbing her face and telling her "don't ever cross me".
  • Only being allowed a job when there is a war on. Lady Sybil would agree with us on this one.
Even Dan Stevens, who plays cousin Matthew, and has been involved with both Downton's women and those of more recent times, agrees that the past is nothing to be envious of: "I gather the corsets were hard to wear. But also the opportunities now are so much better for women, there's definitely been an advance."
Downton Abbey is great escapist TV, but it can also serve to remind us that, clothes aside, for women there really is no time like the present.
SLIDESHOW: The women of Downton know their place...


    
 

Downton Abbey - spoilers

Huff Post Entertainment



'Downton Abbey' Review: Has Julian Fellowes Fallen On His Soapy Sword?
Downton Abbey
First Posted: 31/10/11 12:16 GMT Updated: 31/10/11 12:21 GMT
 
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The first ten minutes last night saw the last of the invalid soldiers being packed off home (all except wide-eyed Matthew, obviously). It had that feeling you get when your party guests have all put on their coats and left - the house seems somewhat emptier and you wonder what to do with yourself for a while. It was quickly apparent that Sir Julian Fellowes' characters were suffering this same fate, learning to find their footing in a new, unpredictable post-war landscape. Some people's lots have definitely improved. Upstairs, the middle Grantham sister, Lady Edith (Laura Carmichael), has visibly flourished with a permanent pink blush to her cheek, and as younger Lady Sybil remarked, "You’re far nicer." That's what hard work and a kiss or two in the hayloft will do for you. As for downstairs and delightful Daisy - well widowhood of a man she didn't love positively becomes her. She's finally learning to cook, albeit with mixed results, thanks to some black market goods procured rather close to home. Then there are those who've gone downhill. Lady Mary is biting the heads off the flowers in the drawing room, becoming more and more resigned and hard-faced with each scene as her loveless marriage to Sir Richard looms. "Perhaps I'm not very ladylike!" she tells her sleazy fiancé. I'm not sure why we’re meant to sympathise with a woman who turned down her great love Matthew in Series One, but it's a great, bitter, star-making turn from actress Michelle Dockery And then there are those characters who remain reassuringly the same. We saw the black market antics of that would-be opportunist Thomas go horribly awry, along with his slicked-back hair. He was redeemed only by his ineptitude, and nearly lost the goodwill of his stalwart sidekick O'Brien. Her unlikely loyalty to Downton rather than any of its inhabitants is what saves her from completely turning to the dark side, and her continuing affection for Thomas and streaks of niceness between the black put-downs have made her one of the most interesting characters of this series. Sir Julian has weathered criticism this year that he has surrendered his great epic drama for some cheaper soap opera shots, and it's certainly had its moments. Last week we saw the bandaged stranger claiming to be the returned lord of the manor. Last night, instead, we had our 'permanently-damaged' hero rising out of wheelchair, back on his feet and planning a wedding - all within 10 minutes. Sir Richard was busy asking all the servants to spy on his intended wife but, far more shockingly, used the word “bastard” in front of the ladies. And everyone's talking kisses, even those characters straight out of Remains of the Day, Carson and Mrs Hughes, or poison. What DID happen to Bates's poisonous wife? I'm thinking she just caught sight of herself in the mirror, but Bates appears more concerned. In a final piece of melodrama, headstrong Lady Sybil (Jessica Brown Findlay) made off with the chauffeur Branson. Now, following ones heart may not exist solely in the land of soap opera, but sneaky kisses in the car-shed and a Deputy Dawg car chase to Gretna Green may just have pushed it over the line. Every drama requires one couple to stay constant throughout - it is one of the requirements of the form. The real giveaway that Sir Julian has surrendered the subtleties of his first series is in the stirrings of the increasingly nonsensical Earl of Grantham (Hugh Bonneville), previously the beacon of sobriety in this sea of hormones and heartstrings. Now, he's absolutely the silliest. "Before the war, I felt my life had value," he tells us, "I should like to feel that again..." Worthy notions indeed, until we see what he really should like to feel, proceeding with ungainly haste to a crockery cupboard clinch with "shocked" housemaid Jane. It was only when he was later sitting in breakfast-table contemplation and she slowly appeared around the door, feather duster prop at the ready, I realised we're fast approaching whatever is today's equivalent of French and Saunders' spoof treatment. Harry Hill must be wetting his pen. However, even if has all entered Days of Our Lives territory, Dame Maggie Smith keeps everything on track, so as long as Fellowes continues to give her all the best lines and lets her put the aristocratic boot in when required, everything else is forgiven. Last night, she told us, "Marriage is a long business - there’s no getting out of it for our kind of people." Bit like watching Downton Abbey, really.