There are more than twenty portraits acknowledged to depict the last Plantagenet king of England.
These two are particularly of interest, as they are identified as mid- late sixteenth century copies of lost fifteenth century originals.
The dating of paintings is both science and art, incorporating history, details of costume, era, characteristics of brush strokes – and forensics, radio-carbon and dendrochronology dating. There is much in common with the identification of the Greyfriars, Leicester skeleton. In fact, it is tempting to surmise that the identification of bones is more exact than the identification of and dating of paint on canvas or wood panels. For one thing, DNA analysis doesn’t pertain to paint/wood/canvas. For another dendrochronolgy + radio-carbon dating are not necessarily exact.
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