Showing posts with label rob brydon. Show all posts
Showing posts with label rob brydon. Show all posts

Tuesday, May 10, 2016

Kenneth Branagh on The Entertainer: 'I've been bending Rob Brydon's ear about standup'

THE GUARDIAN
Interview by Chris Wiegand
9 May, 2016



You’re playing music-hall performer Archie Rice in a revival of John Osborne’s The Entertainer. Can you talk through the look for your character (seen, below, for the first time)?

The play is being directed by Rob Ashford, with whom I’ve now collaborated three times, and he comes from a choreographic background. He wanted me to very much concentrate on Archie as a hoofer, not to feel that he was someone who regarded himself as being on the skids. The problem for Archie is not, in Rob’s view, so much that he is troubled about the possibility that his career and talent are second-rate, but he is terrified that his soul might be. What Rob wanted to see was a sort of theatrical grafter, a hoofer, so we maybe see more of the sacrifices Archie has to go through in order just to get on – or even be as good as he hopes will keep an audience’s attention. I think there may be just a little more dancing, more of that backstage graft and a sense of the sweat on the guy than people may be expecting.

Kenneth Branagh as Archie Rice in The Entertainer.

The role was first played by Laurence Olivier, who famously sported a bowler hat and a bow tie and so on …

We’re trying to get away from very strong images like that. What goes with that image is this sense of the play as a certain kind of classic with maybe a few cobwebs around it … But you could argue that this is perhaps a more revolutionary play than, say, Look Back in Anger. And I think it gives voice to what you might call the angry young woman in [Archie’s daughter] Jean Rice. I’m trying to come at it from a different kind of place. Despite Archie being at the centre of things, there’s a youthful fire in the play. It gives the greatest kind of pragmatism and idealism and intelligence to the women of the play, not just Jean Rice – who is in many ways the voice of the call to arms in the play for political engagement. It feels very contemporary. She is someone who is articulating this questioning of the idea that one does follow state and government without question. She encourages participation and demonstration and agitation. … The play is sometimes thought of as a lament, a minor-key wind-down, end-of empire, with an elegiac quality that is in line with Archie’s decline. But what it feels like to us is much more of the usual and youthful Osborne theatrical grenades going off.

READ THE ENTIRE INTERVIEW HERE

The Entertainer is at the Garrick theatre, London, from 20 August to 12 November, with a worldwide cinema broadcast on 27 October. Romeo and Juliet is at the Garrick theatre from 12 May to 13 August, with a cinema broadcast on 7 July

Tuesday, November 18, 2014

Tom Hiddleston, Billie Piper and Gillian Anderson nominated for Evening Standard Theatre Awards

RADIO TIMES
By Susanna Lazarus
Monday 17 November 2014 at 02:21PM

Tom Hiddleston, Billie Piper and Gillian Anderson nominated for Evening Standard Theatre Awards

The shortlist for this year's Evening Standard Theatre Awards is looking particularly star-studded thanks to a string of A-listers receiving rave reviews for their West End performances over the last twelve months.

The ceremony – presented by Steve Coogan and Rob Brydon – will see Tom Hiddleston competing for the best actor prize for his starring role in Coriolanus. He's up against Ben Miles (Wolf Hall and Bring Up the Bodies) and Mark Strong (A View from the Bridge).




Jostling for the best actress gong are former Doctor Who actress Billie Piper (Great Britain), Gillian Anderson (A Streetcar Named Desire), Kristin Scott Thomas (Electra), Helen McCrory (Medea) and Tanya Moodie (Intimate Apparel).



The ceremony will be held on 30th November, co-hosted by US Vogue editor Anna Wintour, Burberry CEO Christopher Bailey and Evgeny Lebedev, the owner of the Evening Standard.


READ MORE HERE:http://www.radiotimes.com/news/2014-11-17/tom-hiddleston-billie-piper-and-gillian-anderson-nominated-for-evening-standard-theatre-awards 

Tuesday, October 25, 2011

The Promised Land, shelved for now (Colin Firth and Matthew Macfadyen)

The Playlist

 

Andrew Eaton Says U.S. Version Of ‘The Trip’ Without Steve Coogan & Rob Brydon Could Be On The Way



Relationships are key in the filmmaking world, particularly in terms of actually getting the damn things made, and it’s no surprise that many of the most successful filmmakers are ones with long-running close partnerships with producers. One of the closest today is that between eclectic filmmaker Michael Winterbottom and his long-term producing partner Andrew Eaton. The pair first worked together on the 1994 TV series “Family,” founding Revolution Films together around the same time, and have made a film almost every year.

We talked to Eaton recently when he was promoting his latest film “360” at the BFI London Film Festival, and, as well as news on Beatles biopic “The Longest Cocktail Party,” which Winterbottom is planning to direct, and the remake of “Red Riding,” we also managed to get updates from him on a host of projects that the two are, or were, planning together at Revolution.

Before Winterbottom took “Trishna,” the plan was to shoot the drama “The Promised Land,” which focused on Jewish freedom fighters attacking British troops in pre-war Palestine, a decade before the creation of the state of Israel. The film seemed all ready to go, but as Eaton explains, films about Israel & Palestine are not the easiest to get financed. He told us, “We had a really great cast (which included Colin Firth, Jim Sturgess and Matthew MacFayden), but it’s a really sensitive political area, it’s about the politics between Jews and Arabs and the British, in pre-war what-was-then Palestine, it just got to the point where it seemed too controversial for people at that time. So we kind of put it to one side. but it’s definitely something we’d like to revisit when we have the chance.”
We asked if the presence of Firth, now firmly an A-lister after his Oscar-winning success in “The King’s Speech,” might help to get the film going again, but Eaton suggested it would still be tricky. “I don’t think it quite gets us over the line,” he said, “although Colin’s definitely in a different orbit to where he was then. Because it’s period, it’s not like ‘In This World’ or ‘Road to Guantanamo’—you need costumes, and make up, and vehicles and design. It’s a really great script, so we just have to take our time.”

More hopeful is the promise of a follow-up to “The Trip,” the comedy that involved Steve Coogan and Rob Brydon as themselves, touring the restaurants of the U.K’s Lake District. Eaton previously announced that an Italy-set sequel might be in the works back in the summer, and reiterated that to us, saying, “We’re developing with the BBC the idea of taking the two of them to Italy. Sometime between now and Christmas, we’re hoping that Michael will get a chance to do a recce... that’s Michael’s favorite bit!”

It’s not quite a done deal yet, with Eaton saying that they’ll only make the film if it feels right. “We’d really like to do it again, but we don’t want to do it unless it’s adding something to it.” But there’s also the possibility of an extension of the series internationally, with other stars replacing Coogan and Brydon. The producer said, “We also thought it would be fun to try and do another version of it in America, or somewhere else, maybe with different people to Steve & Rob.” So what other comic pairings could we end up seeing eating and arguing their way around top restaurants? Ben Stiller and Owen Wilson? Kristen Wiig and Melissa McCarthy? Rob Schneider and David Spade? It’s early days yet, but it’s certainly an intriguing proposition.

Speaking of comic stars, Winterbottom is attached to direct Jack Black in the comedy “Bailout,” and Eaton says the film is dependent on a couple of factors. “That’s a juggling act between Jack Black’s schedule,” he said, “and whether we can do enough pre-sales to make it happen. It’s a really great script. It feels like a natural successor to “School of Rock,” it feels like the character from that has become middle-aged and fucked up his life.”

But it’s not necessarily next. Winterbottom’s also planning another project with Coogan, “Paul Raymond’s Wonderful World Of Erotica,” a biopic of the Soho porn magnate and property baron, also announced earlier in the year. Eaton said, “Matt Greenhalgh, who did ‘Nowhere Boy,’ is writing the script. Fingers crossed, we’d like to do that next year… but it depends on ‘Bailout.’ We’d like to get the script to the right point. People seem to really respond to the idea of Coogan playing that character. He’s a combination of Larry Flynt and Hugh Hefner, but he’s our own, this English guy. And he only died a couple of years ago, so his legend is sufficiently fresh. Soho in that period, the 60s and 70s, must have been an amazing place to be.”

Indeed, the research process has already turned up some gold: “There’s some great stuff we found, Raymond occasionally tried to make films, which he was in, they’re so wonderfully tacky, that great sort of 70s Kodak color, and the acting is terrible, it’s like soft porn. I think it’s something that Steve will do brilliantly.” And 2013 should see another Winterbottom film, as his long-in-the-works prison drama “Seven Days,” with John Simm and Shirley Henderson, is almost done, with Eaton updating, “We’ve got another year to go, we’ve got one more bit of filming to do.”

Finally, one film that Eaton is involved in without Winterbottom, is “Good Vibrations,” a biopic of Terri Hooley, a key figure in the Northern Irish punk scene of the 1970s. Eaton compares it to one of his best known films saying, “It’s very similar to ‘24 Hour Party People,’ but in Belfast, Terri Hooley was sort of the Tony Wilson of Belfast. And from what I’ve seen so far, it could be fantastic.”
For the Derry-born Eaton, it’s a film close to his heart. “It was a real passion project, because it’s one of the only films made in Belfast where almost everybody involved was from there. It’s a record shop I used to hang out in when I was 17, 18 years old. I went to the wrap party, and it’s the most emotional wrap party I’ve ever been to in my life, because you’ve got the younger generation, who weren’t even born, playing The Undertones in the film, and then the real Undertones, who are still alive… I really think it could be a “The Commitments,” it could make people feel fantastic.”

The movie was struck a bit of a blow not long before filming, when a number of bigger names, including Steve Coogan and Michael Fassbender, had to drop out thanks to scheduling conflicts. Eaton explains that, in the latter case, it was unavoidable, thanks to Fassbender’s sudden career explosion. “It wasn’t Michael’s fault in the end, it happened to coincide with the busiest time in his career. It wasn’t even so much the shooting, but he had to go and do all the promotion for ‘Shame,’ so we couldn’t be angry about it. He put his name to it for long enough that we were able to get in certain doors. But Richard Dormer, who plays the lead character, has to be one of the best undiscovered actors of his generation. Jodie Whittaker did it, Liam Cunningham, Dylan Moran.”
All in all, it’s a very exciting slate, and one that we can’t wait to see come together. In the more immediate future, “360” will be released by Magnolia Pictures in the first few months of 2012.