by Jeff Labrecque
“I think it’s a great performance by Clive,” says director James Marsh, a Sundance fave after his heralded 2008 documentary, Man on Wire. “It’s something he doesn’t do enough of, in my view. It’s very understated and discreet what he’s doing in the film.
In Shadow Dancer, which premiered at the Sundance Film Festival Tuesday night, Owen’s Mac and Riseborough’s Colette find themselves wary partners as the political ground shifts beneath them. “I love the dilemmas of the main characters,” says Owen. “He’s somebody who spends a long time reeling her in, and then develops a conscience when he realizes that his superiors are willing to sacrifice her. I thought it was a great conflict for a character.”
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