Showing posts with label Daniel Brühl. Show all posts
Showing posts with label Daniel Brühl. Show all posts

Wednesday, September 18, 2013

Interview: Daniel Bruhl, Benedict Cumberbatch and Dan Stevens of 'The Fifth Estate'


ALL MEDIA NY
by Samantha Wilson, Assistant Editor;

By now, the public is well-versed in the story of WikiLeaks and its prolific founder, Julian Assange. The Australian visionary is the subject of The Fifth Estate, the new film starring Benedict Cumberbatch as Assange and Daniel Brühl as his confidant and right hand man Daniel Domscheit-Berg.

While many expected a biopic to emerge based on Assange and his incredible story, it’s unlikely that they theorized the source material would be Domscheit-Berg’s frank and candid memoir Inside WikiLeaks, or that the film would be told largely from his perspective. As the tagline for the movie reads, “you can’t expose the world’s secrets without exposing your own.”



Cumberbatch, Brühl and Dan Stevens, who portrays Guardian reporter Ian Katz in the film, sat down at the Toronto International Film Festival to talk about preparing to tell a remarkable true story, their take on WikiLeaks and getting in contact with subjects who are often hard to find.

When Assange heard that the project was being made, he reached out to Cumberbatch and urged the actor not to take the part. Being a consummate professional, Cumberbatch justified his reasons for doing the film with Assange, and “that was where that ended.”



“It was important to me to portray him as a three-dimensional human being and not get into a slagging match about whether he was good or bad,” Cumberbatch said. “I wanted to portray human characteristics about a man at the forefront of an incredible media revolution, with incredible ideas, whose controversy was borne out of that primarily and not get bogged down in character assassinations which is so easy to come by, because people want a headline, they want to grab something and run with a two-dimensional story. And I like the way the film tackles that.”

Cumberbatch believed that it’s easy to perceive Assange as a villain after seeing his portrayal in the media, so he was happy to participate in a film that, while still showing a true representation of his character, also shows what Assange is like when the cable news cameras aren’t rolling


“The character assassinations came hot on the foot of all the kind of shifting perspectives and press war and everything that went on at the time of the leak, so I think a lot of people’s perspective on him is very crude,” he said. “So anything that flashes out who he is as a three-dimensional human being I think is to his benefit, and god knows what he’ll think of that, but as an audience I think you can understand more of someone when they are part of something that’s universal to all of us. And while, you know, I think it’s very clear he doesn’t want the message to get confused with the messenger, and that’s happened.”

For Brühl, speaking to Domscheit-Berg was a little more forthcoming than Cumberbatch’s experience with Assange.



“When I first heard about WikiLeaks a couple of years ago, I was sure that sooner or later they're going to make a movie about it,” Brühl said. “So it was strange to then participate in that project and to play Daniel…He invited me a couple of times to his place and you know explained me a lot about the, this intense relationship with Julian.”

Cumberbatch noted the complex relationship between Domscheit-Berg and Assange is more than meets the eye.

“Daniel is no stooge, you know, he’s not this follower, he’s a smart guy, he’s an activist, he’s incredibly, you know, pragmatic. He’s not just a sort of blind acolyte. I think Julian has a magnetic hold over people and I think he’s an incredible spokesperson for an extraordinary idea that was borne out of his realization of it. And you know, he has very complex relationships with people because of that.”



During his time spent with Domscheit-Berg, Brühl gained an understanding for his character and his perspective in the WikiLeaks affair. Though he seems decidedly “Team Daniel,” he acknowledged how audiences could leave the theater feeling like they should be rooting for both Assange and Domscheit-Berg at the same time, comparing the experience to his film Rush, which screened at TIFF at the same time as The Fifth Estate.

“In a way it's similar to Rush because…you have the villain and the goody and you stay with one and only have empathy with one character,” he said. “But eventually you have empathy with both, in both movies.  I found that quite interesting; that's another parallel. It doesn't make a final judgment, the movie.  And you know it's quite neutral in a way.  And I found it very interesting and a good idea to give Julian Assange the last word, you know, to let the film end like this.”



By portraying a journalist, Dan Stevens got a unique perspective on the privacy versus transparency issue that runs deep throughout the WikiLeaks affair itself, and throughout the movie. His character, he says, comes at this issue differently than Assange, which makes for great viewing.

“There are certain moral judgments that have to be made and I think as a more traditional journalist like say Ian Katz, those considerations were more at the floor than to someone like Assange, who… I guess they sort of… they come at it from slightly different angles you know,” Stevens said. “And that in itself provokes an interesting conversation about how much of the human element do we consider, if this is putting people's lives at risk, should it be out there or actually do people just need to know the truth and damn the consequences and it's a very, very difficult question.  But that in itself makes for great drama, you know.”


READ MORE HERE: http://www.allmediany.com/articles/8061-interview-daniel-br%C3%BChl-benedict-cumberbatch-and-dan-stevens-of-039the-fifth-estate

Friday, September 6, 2013

BENEDICT CUMBERBATCH AND MICHAEL FASSBENDER IN A DAFT PUNK DANCE-OFF AT SOHO HOUSE! (TIFF PARTY PATROL)

BY: JESSICA ALLEN
THE GRID





Party: The Fifth Estate’s opening night fete, hosted by producer Michael Sugar and Grey Goose Vodka.

Location: Soho House Toronto

Date/time: Thursday, Sept. 5, 11 p.m-2 a.m.

The vibe: A subdued, slightly anxious one at first, with industry types and media (who showed up at 11 p.m. sharp for free Grey Goose cocktails and haute eats) mingling while pretending not to be excited about the real-life celebrities who were going to show up. Any minute now. And they did, just after midnight. Once the two disparate groups sniffed each other out inside the dark and moody private members’ club (outfitted in quilted leather couches, plushy velvet chairs, and vintage carpets), the mood morphed into something slightly more casual: the sort where plebs pretend like drinking and dancing in the company of bonafide stars is a typical Thursday night out.

Carice van Houten and Benedict Cumberbatch

Who was there from the film: A tuxed-up Benedict Cumberbatch, who traded in his long, golden Julian Assange locks for shorter chestnut brown tresses; Alicia Vikander outfitted in an Erdem green floral gown (with pockets!) that may be the dress to top at TIFF; Carice Van Houten; Daniel Brühl; and Dan Stevens.

Surprise show-ups: Steve McQueen, Michael Fassbender, Paul Giamatti—Cumberbatch’s director and costars from 12 Years a Slave. Plus: Colin Hanks and Smallville’s Tom Welling, who both star in Parkland, produced by Hanks’ pop. The wild card? Juno Temple and her glorious big mop of yellow hair, who was spotted catching up with fellow Brit—and former costar from 2007′s Atonement—Cumberbatch.

Strangest entrance: A young, clean-shaven man wearing a blue hoodie with white trim, mulled about on the sidewalk just outside Soho House. Then a man asked for his autograph. Then the people smoking on the patio said, “Hey wait, that’s Colin Hanks.”



Refreshments: Grey Goose signature cocktails, of course, with the Le Fizz—a combination of their original vodka, elderflower cordial, fresh lime juice and club soda—filling most revellers’ hands.

Number of men wearing a seersucker jacket: Two.

Daft Punk dance-off: In one corner, Cumberbatch was spotted timidly bringing his fists up to his chest and then gently rocking them back and forth for approximately 2.7 seconds when a bad remix of “Get Lucky” played. In another corner, when the DJ moved on to “Lose Yourself to Dance,” Michael Fassbender did just that. Dressed in a black crew-neck sweater (probably cashmere) and sipping on a cup of tea, the actor let loose with two friends and danced like nobody was watching (even though everybody was but pretended not to be).

Best bromances: Men were coupling off everywhere! George Stroumboulopoulos saddled up to his show’s executive producer, and the party’s host, Michael Sugar; Cumberbatch chatted with his 12 Years a Slave director Steve McQueen; and Colin Hanks, who lost the hoodie, got cozy with Michael Fassbender, while Tom Welling pretended not to be jealous when they hugged. In fact, the only celeb with a date in tow may have been Brühl, who cozied up to his model girlfriend Felicitas Rombold.



Thursday, August 29, 2013

Benedict Cumberbatch and Daniel Brühl feature in trailer and stills from The Fifth Estate



FANCARPET
29 August, 2013

The release of Bill Condon and R.J. Cutler's The Fifth Estate is fast approaching and The Fan Carpet are pleased to make available some new stills, the trailer and the UK Quad poster!

Triggering our age of high-stakes secrecy, explosive news leaks and the trafficking of classified information, WikiLeaks forever changed the game. Now, in a dramatic thriller based on real events, “The Fifth Estate” reveals the quest to expose the deceptions and corruptions of power that turned an Internet upstart into the 21st century’s most fiercely debated organization.

Also starring Carice Van Houten, Stanley Tucci, Peter Capaldi, Anthony Mackie, Laura Linney and David Thewlis, The Fifth Estate opens on October 11.



Wednesday, January 23, 2013

Check out Benedict Cumberbatch as Wikileaks' Julian Assange in 'The Fifth Estate' -- FIRST LOOK by Adam B. Vary (EW)


The year of Benny Batch continues! DreamWorks announced today that principal photography has commenced on its heretofore untitled feature film about the creation of the controversial website WikiLeaks and its co-founder and international fugitive Julian Assange. Now titled The Fifth Estate, the film traces the meteoric rise of the site through the eyes of Assange colleague Daniel Domscheit-Berg. He’s played by Inglourious Basterds‘ Daniel Brühl, who’s pictured above with Benedict Cumberbatch as Assange in the first official image from the film. Bleached white hair is eerily becoming on Mr. Cumberbatch, is it not?


Director Bill Condon (Dreamgirls, Kinsey, The Twilight Saga: Breaking Dawn) and screenwriter Josh Singer (Fox’s Fringe, NBC’s The West Wing) have based the screenplay in part on Domscheit-Berg’s book Inside WikiLeaks: My Time with Julian Assange and the World’s Most Dangerous Website, as well as WikiLeaks: Inside Julian Assange’s War on Secrecy by British journalists David Leigh and Luke Harding.


READ MORE: http://insidemovies.ew.com/2013/01/22/benedict-cumberbatch-julian-assange-the-fifth-estate/

Thursday, January 5, 2012

The Intruders: Derivative, moderately engaging paranormal horror starring Clive Owen ( List)

Intruders

(15) 110min

Spanish director Juan Carlos Fresnadillo has never quite delivered on the promise of his clever debut feature Intacto. Retro chiller Intruders is cleverly constructed and suspenseful but fades when pitted against superior genre fare like The Orphanage and Pan’s Labyrinth or the 1970s chillers like The Omen which it consciously echoes.

In Spain, a young boy finds his worst nightmares bursting into the real world as a hooded demon called HollowFace emerges looking like a Death Eater from Harry Potter. The story continues in leafy suburban England where 12-year-old Mia (Ella Purnell) believes that a faceless intruder is coming to steal her features. Her father John (Clive Owen) fights the demons on her behalf while her mother Susanna (Carice Van Houten) wonders if the whole thing is a figment of their joint imaginations.

Fresnadillo favours creepy, slow-building suspense over graphic gore but seems to lose sight of some promising plot elements – including the character of Daniel Bruhl’ s kindly priest – that are never given their full weight. Spanish screenwriters Nicolas Casariego and Jaime Marques do eventually spell out what connects the two children ensuring a satisfying conclusion to an otherwise derivative, moderately engaging scary movie.

 



Intruders Trailer