Masterpiece Receives 37 Primetime Emmy® Award Nominations (MASTERPIECE)

Masterpiece has been honored by the Academy of Television Arts & Sciences with 37 nominations for the 2012 Primetime Emmy® Awards — the highest number of nominations the series has received in its history. Downton Abbey, Sherlock, Great Expectations, Page Eight and The Song of Lunch were all individually recognized.

"37 Emmy nominations is historic for Masterpiece and rewards the hard work of hundreds of people," says Executive Producer Rebecca Eaton. "Congratulations to all our gifted colleagues. We're honored to have presented quality work like theirs for over 40 years on PBS.

"In particular, for Downton Abbey to be included in the fast-track of Best Drama Series and to receive 16 nominations in total is beyond wonderful. Hooray to Julian Fellowes, Maggie Smith, Hugh Bonneville, Joanne Froggatt, Brendan Coyle and Jim Carter. And Sherlock rocks with 13 nominations. Steven Moffat and Mark Gatiss are television geniuses and it's gratifying that the Acadamy has recognized that."

The 2012 Primetime Emmy Awards will be given out in a ceremony in September 23, 2012.


READ MORE:  http://www.pbs.org/wgbh/masterpiece/classic/emmys.html?elq=d1c6f26e10e94c16812f0ca3f81eece9&elqCampaignId=392

Alan Rickman and Emma Thompson on Masterpiece Contemporary

TV critic's choice: Nov. 13-17

• Article by: NEAL JUSTIN
• Updated: November 12, 2011 - 5:11 PM

"The Song of Lunch," "My Life is a Turkey"

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Sunday
Watching an estranged couple share a meal doesn't scream great entertainment unless, of course, they are being played by Emma Thompson and Alan Rickman. "The Song of Lunch" (8 p.m. KTCA, Ch. 2), the latest installment of "Masterpiece Contemporary," may not rival Wallace Shawn's "My Dinner with Andre," but it's a luscious snack prepared by two of our finest actors.

StarTribune

Weekend TV, Masterpiece, BBC America; Primeval, A British Lunch and More!

Critic's Guide to Weekend TV: Fringe,

Nov 11, 2011 01:50 PM ET
by Matt Roush

SATURDAY
BBC America's enjoyable sci-fi monster mash Primeval (9/8c) returns for a fifth season, with the ARC team acting ever more suspicious and distrustful of each other as they chase down fearsome creatures who keep threatening London from an unpredictable variety of time-anomaly portals. Adding to the tension: young genius Connor (Andrew-Lee Potts, one of the few remaining original cast members) is recruited by corporate boss Philip Burton (Alexander Siddig) to run a top-secret operation called New Dawn, which sounds like just the sort of thing that could trigger the future apocalypse that team leader Matt (Ciaran McMenamin) has come from the future to avert. Meanwhile, there's an invasion of giant carnivorous subterranean insects to vanquish — and face it, that's why we're really watching, to take us back to the good old days of the monster movie.

Speaking of which, Syfy is back with one of its cheesefests, Rage of the Yeti (9/8c), starring genre fave Yancy Butler (Witchblade) and Baywatch vet David Chokachi as treasure hunters besieged by snow beasts in the Arctic.

Another day, another Republican Presidential Primary debate, but tonight's (8 pm ET/5 pm PT) is the first to air on a broadcast network, as CBS News and National Journal team up to host the latest gathering of GOP hopefuls, moderated by Scott Pelley and Major Garrett from Wofford College in Spartanburg, S.C. The stated focus is on national security and foreign policy, but who knows what sound bites we'll take away from this one. One group likely to be watching is the writing staff of NBC's Saturday Night Live (11:30/10:30c), which will be new, with Emma Stone returning for her second guest-hosting gig, and Coldplay making its fourth appearance as musical guest.

A different sort of showdown, potentially even more bruising, is a ringside seat for the network debut of the Ultimate Fighting Championship on Fox (9/8c), the first broadcast in a multi-year deal between the UFC and Fox Sports. The main event: a heavyweight title fight between Cain Velasquez and Junior Dos Santos.

So what else is on? ... She popularized "Oops" before Rick Perry, and now premium channel EPIX presents the concert special Britney Spears Live: The Femme Fatale Tour (8/7c) from Toronto. ... From the strange-bedfellows department of holiday movie casting, former Showgirls vixen Elizabeth Berkley and former Monk fussbudget Jason Gray-Stanford star in Hallmark Channel's Lucky Christmas, about a single-mom waitress whose winning million-dollar lottery ticket gets stolen along with her car.

SUNDAY
Like a master class in minimalist acting by two of Britain's best (who happen to be veterans of the Harry Potter franchise's character-acting academy), PBS's Masterpiece Contemporary offers a bittersweet repast in The Song of Lunch (check local listings). This intimate and endlessly droll two-character teleplay, starring the withering Alan Rickman and the delectable Emma Thompson, is adapted from a narrative poem by Christopher Reid, and we spend much of the hour drunk on words inside the head of Rickman's unnamed character, an embittered editor and failed poet who obsessively self-analyzes every detail of this awkward lunch date with a long-ago ex-lover (Thompson) who has been happily married for years and now lives in Paris. With occasional cutaways to erotic memories from the past, the camera mostly focuses on close-ups of these two remarkable actors, as the besotted Rickman slips further into an alcoholic haze while Thompson struggles to keep things civil, though she can't help observing he's "out to lunch at your own lunch." It's an awfully tasty aperitif.

Road trips provide much of the action on Showtime's powerhouse combo of Dexter (9/8c) and Homeland (10/9c). This is an especially pivotal and revealing hour of Homeland, as Carrie and her target Brody (Claire Danes and Damian Lewis, equally impressive) impulsively and recklessly spend the weekend together at her family's country cabin. What they're doing is so wrong and yet so audaciously fascinating. Meanwhile, Carrie's CIA overseer Saul (a restrained Mandy Patinkin) goes in pursuit of "runaway terrorist" Aileen (Marin Ireland), figuring he's the most likely person to be able to crack her shell as they drive back cross-country to deliver her to the feds. What they all ultimately discover makes for truly shattering drama.

The GPS is set for small-town Nebraska on Dexter, as Dex takes some time off from the Doomsday Killer investigation (to Deb's chagrin) when some apparently unfinished business from the Trinity case — a callback to the show's very best season, the one that starred John Lithgow — calls him away to look into the possibility of a second-generation serial killer. He's accompanied on this joyride by a new "passenger," the ghost of his brother, former "Ice Pick Killer" Brian Moser (Christian Camargo). In a season dominated by religious imagery, including angels, as Dexter struggles with the concept of faith, Brian is more than happy to act as the devil on Dexter's shoulder, egging him on to a path of darkness.

Also being haunted by a lost brother: The Walking Dead's resident redneck Daryl Dixon (Norman Reedus), who goes off on horseback to continue the search for missing little Sophia, and after a harrowing mishap, gets a delirious earful from his scary brother Merle (Michael Rooker), last seen handcuffed atop a building during a zombie attack in Atlanta. Daryl's homecoming at Hershel's farm isn't quite what he expected, and as Hershel says of these interlopers, "It's a wonder you people have survived this long." This is one of the season's quieter episodes, but you won't believe how it ends.

This week's TV history lesson on PBS' America in Primetime (check local listings) involves the evolution of "The Misfit," and as producer/entertainer Larry Wilmore notes in an interview, "They're all of us and none of us at the same time." He's talking of those wacky workers from The Office, in whom we sometimes see ourselves, even when we'd rather not. But the sentiment applies just as well to a long line of eccentric breakout characters from Taxi to Seinfeld to the narcissists of Arrested Development. (Too bad the chronology stops before the arrival of Community's class clowns.) There's a real charge of nostalgia when The Sopranos's David Chase shakes his head in wonder over the surreal kookiness of Twin Peaks. "I bow down to that," he says of the legendary dream sequences. "We never got close to it." As with the best TV, once seen, never forgot.

So what else is on? ... As CBS' The Amazing Race (8/7c) travels for the first time to Copenhagen, Denmark, a double U-turn looms. Maybe this time some of the teams will actually use it for strategic advantage. It was wasted last week, resulting in yet another forgettable episode. ... The always-electrifying Robert Carlyle takes center stage on ABC's Once Upon a Time (8/7c) in parallel storylines as Rumplestiltskin, who tangles with Cinderella in Fairy Tale World, and as Storybrooke's powerful Mr. Gold, whose interest in a pregnant woman sets off Emma's alarms. ... Master chefs Gordon Ramsay, Anthony Bourdain and Mario Batali are guest voices on Fox's The Simpsons (8/7c), in a dream sequence after Marge, Lisa and Bart become food bloggers. ... In the "Back to the Pilot" episode of Fox's Family Guy (9/8c), Brian and Stewie time-travel back to the show's pilot episode in order to change history. This I gotta see. ... TLC hopes to erase preconceived stereotypes and ungrounded prejudices in its new series All-American Muslim (10/9c), which follows five American Muslim families as they go about their lives in Dearborn, Mich.


TV Guide

Song of Lunch - Alan Rickman, Emma Thompson, Masterpiece Contemporary

Former lovers meet for lunch in London after having lost touch for more than a decade.
The reunion doesn’t end well.

Don’t worry: I’m not giving anything away. You’ll figure that out within the first minutes of The Song of Lunch, a Masterpiece Contemporary presentation set for Sunday on PBS.

The man, a sadly self-aggrandizing copy editor for a publishing house in London, leaves his office at midday to meet his former lover for lunch at what used to be their favorite Italian restaurant.
Narrating his every step, he is taken aback when he walks into the place. Instead of checkered tablecloths and wax-encrusted Chianti-bottle candleholders, he finds a stark, crisply minimalist restaurant staffed with surly young waiters and waitresses.

He, played by Alan Rickman, begins drinking even before the arrival of his former flame, played by Emma Thompson.

The characters have no names.

She now lives in Paris, married to a successful writer, and the fact that her companion, ogling waitresses as he downs glass after glass of Chianti, is still single is hardly a surprise.
Christopher Reid has adapted his own narrative poem, which, in turn, was inspired by a scene in Ulysses. Oh, and the story takes place in the Bloomsbury section of London.

Our small amusement at the conceit of having the man narrate his thoughts and actions evaporates as soon as we peg him as pompous and ill-suited to anyone’s company, including that of a lover.
But the narration continues, more or less, throughout the film.

Only the fact that Thompson’s character once loved him makes us consider the possibility that he wasn’t always such a drunken jackass.

Thompson and Rickman are enjoyable enough in otherwise-unbelievable roles.
Yes, TheSong of Lunch is loaded with intentional irony, including Rickman’s self-narration. It is also a clever but not especially engaging construct.

That doesn’t make it terribly interesting, but the special lasts only an hour.

The Columbus Dispatch

ALAN RICKMAN

September 16th, 2011

Alan Rickman sings The Song of Lunch

As Alan Rickman recently triumphed as Top British leading man in BBC America’s first Anglo Fan Favorites tournament, this is a great time to talk about The Song of Lunch, coming to Masterpiece this November. Clocking in at just under 50 minutes, the one-act poem from the point of view of a man meeting a former lover for lunch after fifteen years of estrangement makes a cinematic tour-de-force for Rickman. She (Emma Thompson) looks fabulous and serenely satisfied with her marriage to a bestselling author, with her affluent life and even with the radical makeover of what had once been their favorite Italian restaurant. He is the promising poet fifteen years on, dissatisfied with his dead-end job in publishing. His observations reveal less and less of the lyrical poet and more and more of the burgeoning curmudgeon. Beautifully filmed and very funny, The Song of Lunch is what Masterpiece executive producer Rebecca Eaton calls one of the “little jewels in the crown.” Little as this jewel may be, it’s flawless. The DVD will follow early next year.

 

BBC America