Showing posts with label birdsong. Show all posts
Showing posts with label birdsong. Show all posts

Monday, June 3, 2013

Eddie Redmayne takes flight from Birdsong (TELEGRAPH)

Eddie Redmayne in the BBC adaptation of Sebastian Faulks's Birdsong.
Eddie Redmayne, who made a big success of the television version of Birdsong, says he has no desire to star in the planned cinema version.

By Tim Walker7:15AM BST 02 Jun 2013

Rupert Wyatt may have announced to great fanfare that he was about to make a big-screen version of Sebastian Faulks’s bestselling novel Birdsong, but the author told me last month that he had not yet signed anything. “I only want to see it be made into a film if it is a very good one,” he said. “Nothing is definite.”
In what amounts to a further cold bird bath for Wyatt, Eddie Redmayne, who made such a success out of playing the central character Stephen Wraysford in the BBC television adaptation of the book, has now made it patently clear that, despite some early speculation, he never had any interest in reprising the role for the cinema.

“I wouldn’t have wanted to be in the film because I think when you’ve done it, you can’t come back,” the amiable 31-year-old actor told me at the first night of The Great Gatsby ballet at Sadler’s Wells. “Honestly, doing it once is enough.”

Redmayne, who has been on a roll with his film career after My Week with Marilyn and Les Misérables, added that he was happy to hear that Wyatt planned to cast fellow British actor Nicholas Hoult in the role of Wraysford. “I couldn’t think of a better actor for the role,” he said, generously. “I won’t be giving Nick any advice because he won’t need it.”

Redmayne didn’t think that the public had had its fill of Birdsong. “They have done it on television and on the stage now, and so it makes sense, too, to do it for the cinema. It is a really beautiful piece of writing and it deserves every adaptation it can get.”


Sunday, April 22, 2012

‘Birdsong,’ Eddie Redmayne could appeal to ‘Downton Abbey’ fans Masterpiece, PBS, WUCF — posted by hal boedeker on April, 21 2012 9:33 AM (ORLANDO SENTINEL)


How to hold fans until “Downton Abbey” returns in January?

“Masterpiece” is working furiously on that challenge. The PBS series has a strong candidate in ”Birdsong,” a lavish, two-part romance that airs at 9 p.m. this Sunday and April 29. Like the second season of “Downton,” “Birdsong” unfolds during World War I. Based on Sebastian Faulks’ novel, “Birdsong” follows British Lt. Stephen Wraysford (Eddie Redmayne).

As he struggles to survive harrowing battles in 1916, he thinks back to his love for a married woman, Isabelle Azaire (Clemence Poesy) in 1910. “Masterpiece” has long been a showcase for actors such as Helen Mirren in ”Prime Suspect,” Derek Jacobi in “I, Claudius” and Maggie Smith in “Downton.”

”Masterpiece” also has bolstered young performers, notably Keira Knightley, who played Lara in a 2002 version of “Doctor Zhivago.” “Birdsong” should win new fans for Redmayne, who played the young admirer in “My Week With Marilyn,” works as a Burberry model and won a Tony for the play “Red.”

“Birdsong” reveals Redmayne’s range: He conveys an appealing boyishness in the 1910 sections, and in the 1916 portions, he looks aged and battered by war and memories.

READ MORE:  http://blogs.orlandosentinel.com/entertainment_tv_tvblog/2012/04/birdsong-eddie-redmayne-could-appeal-to-downton-abbey-fans.html


Friday, April 20, 2012

Eddie Redmayne: "Birdsong" on Masterpiece Classic April 22 and 29


Watch Birdsong Preview on PBS. See more from Masterpiece.


In the ruinous trenches of northern France, Lieutenant Stephen Wraysford (Eddie Redmayne, My Week with Marilyn, Richard II) barely seems to register the death and destruction all around him. His eyes are fixed instead on his drawings and his deck of cards, and his mind is focused on the memory of his one love, Isabelle Azaire (Clémence Poesy, 127 Hours, Harry Potter). For Stephen, events unfolding on the Allied front in 1916 are eclipsed by his memories of the summer of 1910, when he met Isabelle in Amiens. When Isabelle leaves her oppressive husband René (Laurent Lafitte), the two lovers share a blissful existence that seems to make up for a lifetime of loneliness and isolation for Stephen. But their idyll is cut short when Isabelle leaves without explanation. Stephen battles the Germans on the front six years later, as he also battles his own internal grief and confusion over his loss. Adapted by Abi Morgan (Iron Lady, The Hour) from the Sebastian Faulks novel, Birdsong tells the story of Stephen's awakening to love and his determination to reclaim it.


READ MORE:  http://www.pbs.org/wgbh/masterpiece/birdsong/index.html?elq=f54272ab5c6c4a4fabffe30bf6ef3f2f&elqCampaignId=171




Wednesday, March 7, 2012

Benedict Cumberbatch, Henry Cavill: You don't have to be posh to be an actor (but it certainly helps) (THE GUARDIAN)

Kira Cochrane
The Guardian

They're all over the screen with their floppy fringes and cut-glass accents. Are posh actors edging out working-class talent?


Eddie Redmayne, seen here in the television adaptation of Birdsong, went to Eton. 
Photograph: Giles Keytes/BBC/Working Title 


He appears in Downton Abbey, one of a wave of TV dramas centred on class, and in the Radio Times this week the actor Rob James-Collier was asked whether working-class talent was being squeezed out of the profession.

James-Collier was born in Stockport, and defines himself as working class, and his answer was direct. As with so many other jobs at the moment, he said, you have to work for no money when starting out, and "how on earth are you going to finance that" if you don't come from a wealthy background?

His comments tapped into a question that has arisen repeatedly this year. Can anyone but the exceptionally well-heeled, wealthy, connected upper classes now make it in the arts?

In acting, in particular, the question was thrown into sharp relief in January, when the shortlist for the Bafta rising star award was announced. The list was remarkable for two reasons. All five nominees were men, and two were contemporaries at one school.

Tom Hiddleston and Eddie Redmayne are both old Etonians, and their nomination led to articles highlighting just how their schoolmates are dominating our stages and screens. There's Harry Lloyd, who starred in Great Expectations and The Iron Lady; Harry Hadden-Paton, currently in She Stoops to Conquer at the National Theatre; Damian Lewis, appearing in the hit TV drama Homeland; and Dominic West, star of The Wire and The Hour.

That's not to mention Benedict Cumberbatch, who went to Harrow, and Henry Cavill, star of the latest Superman film, who went to Stowe. Their success raises these issues. Do you need family wealth in order to become an actor? And is there currently a bias towards a certain class in casting? (Are we, to put it simply, buried deep in an era of floppy-fringed costume drama?)

Read more:  http://www.guardian.co.uk/stage/2012/mar/07/being-posh-helps-actors?newsfeed=true



Monday, January 30, 2012

SPEAK UP! Or why mumbling actors are ruining TV drama (Daily Mail)


(I thought I was the only one having this problem!  I can't understand half of what is said anymore.  And it can't be my hearing - I can understand old movies perfectly well)





By Leo Mckinstry

Last updated at 11:20 AM on 30th January 2012


At first, I thought something had gone wrong with my hearing. Having sat down to watch the BBC’s much-hyped period drama Birdsong, I found myself struggling to understand the dialogue.


As one incomprehensible line followed another, I quickly began to lose the plot — and my patience. Then my wife, whose aural sense is so acute that she could hear a bat squeak at 300 yards, turned to me and asked: ‘What on earth did he just say?’

A temporary sense of relief came over me. So it was not my advancing decrepitude that was responsible.

Nor was it our TV set. We fiddled with the volume and the settings on the remote control, to no avail — the actors remained inaudible.

Our frustration mounted. Like millions of others, we had eagerly looked forward to this drama, a love story set against the backdrop of World War I.

But our enjoyment was ruined by the dismal sound quality. Even the Glaswegian comic character Rab C. Nesbitt at his lager-fuelled worst is not as difficult to follow as some parts of Birdsong. After less than an hour of this auditory ordeal, we switched it off.


Read more: http://www.dailymail.co.uk/news/article-2093648/SPEAK-UP-Or-mumbling-actors-ruining-TV-drama.html#ixzz1kxaWUvkf

Monday, January 16, 2012

Masterpiece Classic 2012 Season (Masterpiece Classic)

Highlights from the 2012 Masterpiece Classic Season


  • January 8 to February 19, 2012
    Downton Abbey Season 2
    Downton Abbey season 2 resumes the story of aristocrats and servants in the tumultuous World War I era. The international hit is written by Julian Fellowes and stars Maggie Smith, Elizabeth McGovern, and Hugh Bonneville among others.    
  • April 1 & 8, 2012
    Great Expectations
    Gillian Anderson, David Suchet and Ray Winstone star in this new adaptation of Great Expectations, widely considered one of the greatest novels by Charles Dickens. Great Expectations follows orphan boy Pip as he rises from an apprentice to a gentleman.

  • April 15, 2012
    The Mystery of Edwin Drood
    The Mystery Of Edwin Drood is a psychological thriller about a provincial choirmaster's obsession with 17-year-old Rosa Bud and the lengths he will go to to attain her. The cast includes Matthew Rhys (Brothers & Sisters) and Julia MacKenzie (Miss Marple).

  • April 22 & 29, 2012
    Birdsong
    An adaptation of Sebastian Faulk's novel about lovers torn apart by World War I. Eddie Redmayne (The Pillars of the Earth) plays Stephen Wrayford, whose pre-war affair with Isabelle Azaire (Clemence Poesy, Harry Potter films) has an enduring effect on him as he fights in the trenches.

http://www.pbs.org/wgbh/masterpiece/classic/index.html