Showing posts with label victorian era. Show all posts
Showing posts with label victorian era. Show all posts

Saturday, March 9, 2013

Matthew Macfadyen: Critic’s corner: What’s on TV tonight By Matthew Gilbert | BOSTON GLOBE STAFF



Ripper Street Saturday at 9 p.m., BBC America

I’ve enjoyed this series, which wraps for the season on Saturday night. “Ripper Street” is yet another TV crime procedural, but the primitive forensics and the Victorian setting, with its killing poverty and moral hypocrisies, make it stand out. The writers manage to turn each murder case into more than just a whodunit, with themes about the brutality of war, labor strikes, and psychiatry. And Matthew Macfadyen has been a formidable lead. The series has been renewed for a second season.

http://bostonglobe.com/arts/television/2013/03/07/critic-corner-march/tvyrIEKpwRcALTX2YYVUQL/story.html

Monday, February 25, 2013

(SPOILERS) Ripper Street, Series Finale, BBC One Powerful climax to 19th century detective series by Adam Sweeting Monday, 25 February 2013 (THE ARTS DESK)

Victorian villains beware: it's DI Reid (Matthew Macfadyen, left) with DS Drake (Jerome Flynn)

Last week we left Homer Jackson, the raffish ex-Pinkerton detective with the exceedingly chequered past, languishing in jail, after being fitted up for a Ripper-style killing by the murderous Frank Goodnight (played by cultish US actor Edoardo Ballerini). For this week's finale, Matthew Macfadyen's DI Reid urgently needed to get Jackson out again in order to apply his advanced forensic skills to unravelling a white slaving racket.

Jackson was slickly able to prove his own innocence, then quickly extracted crucial clues about the gang who were drugging and kidnapping young women. His medical know-how and boffinly mucking about with test tubes, chemicals and tissue samples have made him a kind of Victorian prototype of CSI's Gil Grissom, and it's reflective of Ripper Street's wider interest in new trends and fashions of its era (Adam Rothenberg as Jackson and MyAnna Buring as Long Susan, pictured below).



Strong characters, generally dynamic stories and a powerful sense of period have meant that Ripper Street has grown steadily as it's gone along. Series two is already under construction


READ MORE: http://www.theartsdesk.com/tv/ripper-street-series-finale-bbc-one

Friday, January 25, 2013

Ripper Street: BBC gets it right again with this ripping good unsettling yarn JOHN DOYLE The Globe and Mail Published Friday, Jan. 25 2013, 5:00 PM EST Last updated Friday, Jan. 25 2013, 7:23 PM EST



The good, gruesome new Brit drama Ripper Street (Saturday, Space, 9 p.m.) is set in 1889 and yet feels both contemporary and very familiar.

For the umpteenth time in movies and TV, we’re taken back to the era of Jack the Ripper – the filthy, teeming streets of London, brothels, bodices and earnest police officers trying to use new technology and forensic evidence to solve crimes.


The sense of the contemporary was emphatic in the opening episode. The setting was the period when Jack the Ripper seemed to have stopped his killing spree, and viewers first saw a ghoulish bit of tourism unfold – people were being led around East London to see the exact spots where the Ripper’s victims were found. At the same time, there was an avid tabloid press competing for new information about the serial killer.

A body was found. It looked like the Ripper’s work, but was it? It was the task of Police Inspector Edmund Reid (Matthew Macfadyen), his Detective Sergeant Drake (Jerome Flynn from Game of Thrones) and Captain Homer Jackson (Adam Rothenberg), a former Pinkerton detective and U.S. Army surgeon, to determine what was going on.


The seediness and depravity of London during the period was on full display (in the U.K., where Ripper Street has been airing recently on the BBC, there were many complaints from viewers about some gory, blood-soaked scenes), and the series continues to be unafraid to disturb.

The second episode airs on Saturday – you can find the pilot on demand – and it becomes clear that each episode is both an excellent mystery and highlights a key aspect of the period in which it is set. The first episode dwelt much on the arrival of commercial pornography. This one deals with the role of children in the late Victorian period.

READ MORE:  http://www.theglobeandmail.com/arts/television/ripper-street-a-ripping-good-unsettling-yarn/article7861512/

Tuesday, January 15, 2013

Victorian sex & violence is gRIPPING - Says Matthew MacFadyen (THE SUN)


EXCLUSIVE By LAURA ARMSTRONG


MATTHEW MacFADYEN has defended Ripper Street against claims it is too graphic – insisting that most Brits RELISH Victorian sex and violence.

Nearly 90 viewers have complained since the BBC1 crime series, set in east London in the Jack The Ripper era, started two weeks ago.

But former Spooks actor Matthew, who plays detective inspector Edmund Reid, reckons the gritty reality shown on screen is an essential part of the show’s appeal.

He told TV Biz: “I think people are fascinated by Victorian attitudes towards sex and society. And back then in the East End there was enormous poverty.

“Actually, it was the Ripper murders that brought to light the dire poverty in the East End. They showed them up to a greater audience.”



He added: “Ripper Street is a very original thing really. The script grabs you because it is bombastic, big and colourful and grimy as well. There’s lots of stuff in there.

“And being able to go back to seedy Whitechapel is brilliant.

“The show designer is a supremely talented man and his team have been fantastic.

“All of the sets are as it was back then. There’s a toymaker’s shop, a pub, an orphanage and an asylum and all kinds of different things, so it’s great.”

He said: “My character, Reid, is a very dedicated and forward-thinking policeman. What I find interesting is that there’s nothing jaded about him.

“I wanted to get away from the classic ‘seen it all, done it all’ copper and he’s definitely not that.

“He’s progressive and interested in the innovations of the age.

“But he has also got quite a lot of anger and a fairly dark past.





Monday, December 31, 2012

Ripper Street: episode two plot and picture preview Find out what's in store for Reid and the team in the next instalment of BBC1's new crime drama (RADIO TIMES)


David Brown
9:37 PM, 30 December 2012


The new Victorian-set crime drama continues next Sunday with a case centring around Ernest Manby (David Coon), a 60-year-old toy maker beaten to death for the coins in his pocket and a mysterious brass box.


The Whitechapel Vigilance Committee offers up 14-year-old Thomas Gower (Giacomo Mancini) as a culprit, with the youth refusing to deny the charge. Reid (Matthew Macfadyen) – his conscience pricked by a radical lawyer called Eagles (Hugh O'Conor) and orphanage governess Deborah Goren (Lucy Cohu) – tests the validity of the investigation.

READ MORE:http://www.radiotimes.com/news/2012-12-30/ripper-street-episode-two-plot-and-picture-preview

Saturday, September 22, 2012

BBC Worldwide’s Ripper Street sends shivers along the Croisette Date: 20.09.2012Last updated: 20.09.2012 at 15.08 (bbc)



Canada and Norway pre buy Ripper Street ahead of MIPCOM 2012

Click to tweet: @BBCWpress announce Ripper Street launch with the 3 lead actors @mipcom 8 Oct plus 2 new pre sales to Canada & Norway http://bbc.in/Qll8tU

BBC Worldwide will be hosting the stars of the brilliant new crime drama Ripper Street at MIPCOM 2012 as Matthew Macfadyen (Pride and Prejudice, Spooks), Jerome Flynn (Game of Thrones) and Adam Rothenberg (Alcatraz) fly down to Cannes to launch the series at a special event on 8th October.  Ahead of MIPCOM, BBC Worldwide is pleased to announce two more pre-sales of the title with Canada’s SPACE and NRK in Norway picking up the 8-part series.

IMAGES FROM RIPPER STREET TUMBLER
http://ripperstreet.tumblr.com/ 



Steve Macallister, President & Managing Director for BBC Worldwide Sales & Distribution, says:  “Acclaimed writers, superb acting talent and the highest of production values are all evident in our rich and varied MIPCOM drama slate.  With such shows as  Ripper Street and The Paradise,  set in the Victorian era;  WW2 drama Spies of Warsaw;  Jane Campion’s Top of the Lake set in modern day New Zealand and the futuristic Doctor Who (S7) we can offer truly unrivalled storytelling spanning three centuries and beyond.”

Ripper Street, written by Richard Warlow (Waking the Dead, Mistresses) and produced by Tiger Aspect Productions and Lookout Point for the BBC, has already pre-sold to Network Ten in Australia and is a co production with BBC AMERICA.  The drama is set in and around Whitechapel in London’s East End in 1889, during the aftermath of the Jack the Ripper murders.  The action centres on the notorious H Division, which is charged with keeping order in the chaotic dark streets of London.

READ MORE: http://www.bbc.co.uk/mediacentre/worldwide/200912ripper.html

Thursday, August 9, 2012

Benedict Cumberbatch: Personal Appearance at The Times Cheltenham Literature Festival (SCOOP IT!)



"Saturday, October 6, 2012 - 20:45 at 8.45-10pm

"What are the challenges of re-imagining a great Victorian classic for the modern age? The actor Benedict Cumberbatch discusses Sherlock, BBC TV’s triumphant remake, and shares fascinating insights into the creative process that brought this new detective for the 21st century to our screens. Chaired by journalist and Sherlock co-star Louise Brealey.

"Tickets for this event go on sale on 20th August 10:30am".



Wednesday, November 30, 2011

Like a Downton Abbey plot, Victorian diary reveals tales of promiscuity, addiction and loneliness


The diary of Rees Thomas of Dol-llan, Llandysul
The diary of Rees Thomas of Dol-llan, Llandysul

ITS tales of raucous behaviour and affairs with servants sound like something from the plot of Downton Abbey.

But a newly-discovered diary of a Victorian landowner in rural Wales, written 150 years ago, has revealed a vivid insight into a personal tale of promiscuity, addiction and loneliness.

My Failings and Imperfections is a Victorian gentleman’s confessional diary of his life in the countryside of the mid 19th century.

Journalist Steve Dubé, the former farming editor of the Western Mail, came across the diary of Rees Thomas of Dol-llan, Llandysul, by chance in the Pembrokeshire Record Office in Haverfordwest several years ago.

He was surprised by its bluntly honest revelations.

Now the diary is the first joint publication by Carmarthenshire Antiquarian Society and Ceredigion Historical Society.

Antiquarian society Vice-President Thomas Lloyd, Wales Herald Extraordinary and High Sheriff of Dyfed, describes it as “remarkable”.

“It gives a vivid insight into a lifestyle far from unique but seldom recorded, and especially not in such searing honesty and detail,” he said.

The cast of TV's Downton Abbey

Rees Thomas was wealthy by the standards of his time, with tenant farmers on a small estate alongside the River Teifi in the north Carmarthenshire parish of Llanfihangel ar Arth.
He lived and wrote his diary in a mansion across the river from Llandysul parish church that is almost unchanged since his day.

Mr Lloyd, a leading architectural historian and author of the classic Lost Houses of Wales, believes the mansion may have been altered by the famous Regency architect John Nash in the late 18th century.

Thomas was a younger son of an important family closely connected with Unitarianism, and a cousin of the great American architect Frank Lloyd Wright.

Dol-llan, the house of Rees Thomas

Many forbears and relatives were ministers of religion, and he was directly descended from a Welsh royal family.

But his antecedents were only burdens for an unhappy man struggling with the family’s financial and legal affairs and the intransigence and even mental derangement of his close relatives, and torn between his good intentions and his demons.

“After the death of his two elder brothers, Rees becomes head of a family that includes five orphaned children, three spendthrift younger brothers with drink problems and a sister unhappily married to a drunken vicar,” said Mr Dubé, who edited the book.

“They are all on his back, and his unsympathetic mother, who lives next door, makes matters worse.
“It’s a situation that forces him into the clutches of the demon drink and the arms of his not always willing servants, who react rebelliously. And Rees Thomas writes it all down, plainly and honestly, over a period of two years and eight months from 1860.”

Mr Lloyd said: “the lifestyle of the grandest of society is well recorded. But further down the scale, where most people lived, the less we have.

“From watching period dramas on television we naturally imagine gentleman to be finely turned out and mannered, yet in the deeper country, such as in this instance around Llandysul, there would be respectable tenant farmers whose lifestyle was more comfortable than the poorer gentry.

“Rees talks to his dairy as a way of finding solace and to set in words his promises for self-improvement, which alas, never happen.”

But it’s not all demons, drink and damsels. Rees Thomas, according to a newspaper obituary after his death in 1865 at the age of 42, was an agricultural improver who bred livestock, planted orchards and woodlands and was regarded as an influential public benefactor.

“The diary records a different age of farming, where men planted orchards and corn and built coracles to cross rivers on their land, and where women churned butter,” said Mr Dubé.

“The people of Llandysul wander across these pages, and towards the end they take an excursion train from Carmarthen to see the sights of London. We encounter old traditions like the vigilante mob justice of the ceffyl pren, funeral customs, otter baiting and fox hunting.

“It’s a window on a lost world as well as an unflinching insight into the timelessness of the human condition and its all-too-common weaknesses.”

The book is being launched at the Porth Hotel, Llandysul tonight at 7pm.


Read More http://www.walesonline.co.uk/news/need-to-read/2011/11/30/just-like-a-plot-from-downton-abbey-victorian-diary-reveals-tales-of-promiscuity-addiction-and-loneliness-91466-29865598/#ixzz1fC6bwRfs

Monday, October 24, 2011

'Whitechapel': A ripping good show on BBC America - Rupert Penry-Jones

SF Gate




Read more: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/10/24/DD841LIDG8.DTL#ixzz1blJT0mfq



It's impossible to count the number of films, books and TV shows inspired by England's notorious Victorian Era serial killer, Jack the Ripper. You wouldn't think there'd be much left to repurpose at this point, but BBC America's new nail-biter "Whitechapel" may disabuse you of that notion.
The series, premiering Wednesdayon the cable channel, begins with a three-episode arc introducing us to the main characters who reluctantly team up to solve a string of apparent copy-cat Ripper killings in the Whitechapel area of East London. The three subsequent episodes of the first season will link another notorious part of area's past - the 1960s organized-crime spree of twins Ronnie and Reggie Kray - to present-day crimes.

Rupert Penry-Jones stars as DI Joe Chandler, an ambitious young cop on the career path to a plush administrative position, once he puts in some time in an actual squad room. He doesn't make a winning impression on the rough-and-tumble cops when he makes his debut at the police station wearing black tie to lead the investigation into the death of a young woman found in Whitechapel. In addition to being a neat freak whose response to pressure is to rub Tiger Balm on his temples, Chandler initially shows nothing but disdain for the his disheveled, under-motivated staff, especially Detective Sergeant Miles (Phil Davis), the grizzled veteran of the unit.

All Chandler wants is to put in his time and get his promotion. And as far as Miles is concerned, the sooner "his nibs" gets promoted out of the unit, the sooner the real cops can get back to doing what they know how to do. Yes, we know where this is going, but that doesn't detract from the fun of watching these two worthy adversaries slowly begin to allow themselves grudging respect for each other as further bodies are discovered.

And as far as earning the respect of his men is concerned, Chandler doesn't win any points by being the only one to take seriously a self-admitted "Ripperologist," Edward Buchan (Steve Pemberton), who believes the killings are meant to replicate the Ripper's murders 120 years ago.

Created and written by Ben Court and Caroline Ip, "Whitechapel" defies the odds against finding new material in the Ripper story through solid writing with careful attention to character nuance and realistic detail (notwithstanding a few moments when the writers fall back on a bit of convenient coincidence to maintain the link to the original killings). The series also benefits from taught direction by SJ Clarkson (David Evans directs the other three episodes this season) and great performances by the three leads as well as the supporting cast. Chandler, Miles and Buchan all undergo significant transformations during the often frustrating process of trying to solve the new string of murders, and each actor is more than up to the challenge.

"Whitechapel" may not reinvent the police procedural, but it's great fun, and the third episode is a heart-stopping race against time. The only drawback is that, as with other BBC America series such as "The Hour" and "Bedlam," a "season" is just six episodes. It speaks to how addicting the channel's shows can be that we so often want some more, please.

Four stars out of five: Whitechapel: Dramatic series. 10 p.m. ET/PT Weds, Oct. 26, on BBC America.
E-mail David Wiegand at dwiegand@sfchronicle.com.


Read more: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/10/24/DD841LIDG8.DTL#ixzz1blJFHE30