Quartet, review

By Robbie Collin, Chief Film Critic12:43PM GMT 01 Jan 2013

http://www.youtube.com/watch?v=cNYJZbci31c

Dir: Dustin Hoffman; Starring: Maggie Smith, Billy Connolly, Tom Courtenay, Pauline Collins, Michael Gambon. 12A cert, 98 min.

Quartet is a lovely old lolloping Labrador of a film. It bounds over to you, eyes bright and tail wagging, and you smilingly allow it curl up on your feet, despite the faint smell of damp fur and digestive biscuits.

This lighthearted drama, savvily adapted by Ronald Harwood from his own 1999 play, marks the directorial debut of Dustin Hoffman, 75, which is as strong an argument as any offered by the film itself for the good work we can still accomplish in our dotage. Hoffman may have won two acting Oscars for his roles in Kramer vs. Kramer (1979) and Rain Man (1988), but Quartet has nothing of those films’ high-strung intensity: instead this is the work of Hoffman the twinkly oldster, of Meet The Fockers (2004) and Last Chance Harvey (2008).

Quartet is smarter and better acted than both of those projects, thank goodness. It’s a film about the pressure of performance, centred on four actors who appear to be feeling next-to-none. Maggie Smith, Billy Connolly, Tom Courtenay and Pauline Collins play inhabitants of Beecham House, a plush retirement castle for classical musicians. (The magnificent Hedsor House in Buckinghamshire, where the film was shot, deserves some kind of best supporting mansion award.)

READ MORE: http://www.telegraph.co.uk/culture/film/filmreviews/9774158/Quartet-review.html