Showing posts with label joseph fiennes. Show all posts
Showing posts with label joseph fiennes. Show all posts

Monday, February 4, 2013

Men of Downton Abbey BEFORE Downton Abbey...Posted on February 3, 2013 by Cathy Chester

Mr. Carson, Jim Carter


http://www.youtube.com/watch?feature=player_embedded&v=WfUTDlmLMFk#!


Matthew Crawley, Dan Stevens


http://www.youtube.com/watch?feature=player_embedded&v=MMogFYhaHeA

Mr. Bates, Brendan Coyle


http://www.youtube.com/watch?feature=player_embedded&v=NU6o4Ticx-c

His Lordship, Hugh Bonneville

http://www.youtube.com/watch?feature=player_embedded&v=JexO-N39Nzg


http://anempoweredspirit.com/category/hugh-bonneville

Sunday, June 3, 2012

Hugh Grant, Ralph Fiennes, Robert Pattinson - Celebrities Related to Royalty (XFINITY)


Hugh Grant

Hugh Grant has two royal connections. The British actor descends from Henry VII, the first monarch of the House of Tudor, through his mother’s side of the family. Grant also counts James IV, the King of Scotland from 1488 to 1513, as an ancestor. —Xfinity Entertainment Staff (Photo by Ben Pruchnie/Getty Images)


Ralph and Joseph Fiennes


Brothers Ralph and Joseph Fiennes are thought to be related to King James II of Scotland, who ruled from 1437 until his death in 1460. Former Presidential candidate John Kerry can also trace his bloodline back to King James II. —Xfinity Entertainment Staff (Photo by Kevin Winter/Getty Images)



Robert Pattinson

“Twilight” actor Robert Pattinson just got a little more dreamy. Pattinson is not only a distant cousin of Prince William and Prince Harry (through his father’s side), he is also a descendant of Vlad the Impaler, the real-life inspiration behind Dracula.

“Tracing Pattinson’s family back to Vlad was difficult research, but the pieces that unraveled created the perfect accompaniment to the 'Twilight Saga,'” said Anastasia Tyler, a genealogist at Ancestry.com. “Without any myth or magic, we find royalty and vampires lurking in Pattinson’s life – making his story just as supernatural as the one he’s playing on screen.” —Xfinity Entertainment Staff (Photo by Francois Durand/Getty Images)


READ MORE:  http://xfinity.comcast.net/slideshow/entertainment-royalrelated/12/




Thursday, November 10, 2011

Forty years that forged the Crucible’s theatrical reputation


The people in charge have been referring to it as a year-long celebration – but it is tonight that the party really gets started.

The world-famous Sheffield Crucible Theatre turns 40 today and celebrates with a series of events, from a gathering of former artistic directors to the thing that all birthday parties need – a huge, specially-made cake.

In some parts of the world the venue is most famous as the home of the World Snooker Championships – but over the past four decades the famous stage has hosted serious drama of a much more theatrical nature.

Kenneth Branagh in Richard III, the premiere of Stephen Poliakoff’s The Summer Party, and Joseph Fiennes in Edward II have all played their part in the building’s history and they are anything but the only star names to have trod one of the country’s most beloved stages.

Ian McDiarmid, Marti Caine, Antony Sher, Derek Jacobi, Joanna Lumley – just in the last year John Simms, Dominic West and Clarke Peters. Such a galaxy of stars could scarcely have been imagined when the Crucible doors first opened back in 1971.

In a new book to mark the anniversary, the theatre’s first artistic director, and the man who helped to bring the building into being, Colin George remembers the day permission for the theatre was granted – and how it was anything but popular with the local community.

“One sunny spring day in 1966 I was walking to the Sheffield Town Hall, to ask the council for a subsidy,” he said. “At the town hall we were ushered into the main council chamber – empty, but for a formidable northern lady, seated at one end, on her Lord Mayor’s throne – Alderman Grace Tebbutt. She looked us over for a minute and then dropped her thunderbolt. ‘Nah then, where do you want your new theatre?’”

With Alderman Tebbutt’s backing, Mr George began working with the newly formed Sheffield Theatre Trust to begin drawing up the plans for the space that would become The Crucible.
In deciding the shape of the stage Mr George travelled to America with theatre director Sir Tyrone Guthrie and was convinced that the thrust – in which the audience envelop the stage on three sides – was the natural choice. Architect Tanya Moiseiwitsch was appointed and with the plans finalised building work began. However, the objections grew louder. “Not anticipated was the howl of anguish from a vociferous minority in Sheffield,” writes Mr George. “Criticisms made then now seem incredible 40 years later – ‘this theatre is a freak, it will be blacklisted by all reputable dramatists, no big names will consent to appear on such a stage’.”

How wrong they were.

In 1971 the appropriately named Fanfare announced the opening of the building. This week, 40 years on, a new production will echo that opening moment. Bradford-based theatre company Invisible Flock are staging Fanfared, a show that will literally take audiences on a journey around the Crucible in a show inspired by the venue’s history.

Running until November 12, it will be performed at the theatre tonight, along with Lives in Art, the debut production from Sheffield People’s Theatre, a new community ensemble.

Current artistic director of the theatre Daniel Evans, said: “I’m thrilled. Over the coming weeks we’ll see a whole host of events that not only chronicle the history of our iconic building but also look forward to the next 40 years.

“As the Crucible enters its fifth decade, it is a genuine privilege to be leading the organisation during this special time.”

As well as the performances, tonight sees a unique event at The Crucible as previous artistic directors Colin George, Deborah Paige, Michael Rudman and Peter James are joined on stage by Mark Lawson for a discussion about the famous old building and its significance.

Paige explains the particular hold the Crucible has on audiences and artists alike.

“From the moment I walked on to the stage I couldn’t wait to direct my first show at The Crucible. The auditorium invites the actor and the audience to connect completely and there will never be a better reason to work in theatre than that. It remains, for me, the best, the most enduring and dynamic space I’ve ever worked in. I love it.”

The birthday celebrations continue with shows until November 12. For full details of all of tonight’s events call 0114 249 6000.

A book charting the history of the Crucible, Crucible 40, is on sale at the theatre’s box office and cafe, priced £25.

Yorkshire Post

Saturday, October 22, 2011

Stage Version of ‘Shakespeare in Love’ Moving Ahead

October 21, 2011, 1:09 pm

New York Times


“Shakespeare in Love,” the 1998 romantic comedy that won seven Academy Awards, including best picture and acting honors for Gwyneth Paltrow and Judi Dench, is the latest film being eyed for adaptation to the stage. Two leading producers, Disney Theatrical Productions and the British impresario Sonia Friedman, have been holding meetings with the playwright Tom Stoppard – who shared an original screenplay Oscar for “Shakespeare in Love” with Marc Norman – and the director Jack O’Brien about the project, according to theater executives familiar with the creative discussions.
The new version would be a straight play, an exception to the movie-to-stage trend; most films these days are turned into musicals, most recently “Catch Me If You Can,” “Ghost,” “Priscilla Queen of the Desert,” and “Sister Act.” Mr. Stoppard and Mr. O’Brien are long-time collaborators on plays: They won Tony Awards — for best play and best director — in 2007 for Mr. Stoppard’s Russian-history drama “The Coast of Utopia,” and they were both Tony nominees in 2001 for “The Invention of Love.”

No deals have been signed by the two men, but the producers want to collaborate with them as well as with the designer Bob Crowley on the project, according to the executives. They spoke on condition of anonymity because the project is meant to be confidential at this stage.

The plot centers on a young Shakespeare (played in the film by Joseph Fiennes), lovelorn and suffering from writer’s block. In a fit he destroys his latest play, “Romeo and Ethel, the Pirate’s Daughter,” and decides to rewrite it as “Romeo and Juliet,” while falling into a romance with a young would-be actress (Ms. Paltrow) who has disguised herself as a man to star in the new play. Ms. Paltrow won the Oscar for best actress, while Ms. Dench won a supporting actress Oscar for a few brief scenes as Queen Elizabeth I.

Thomas Schumacher, the president of Disney Theatrical, was scheduled to fly from Madrid – where a new production of “The Lion King” opened on Thursday night – to London for business meetings next week. It was not clear if he would be meeting with Mr. Stoppard, though executives described their talks about “Shakespeare in Love” as ongoing. Disney holds the rights to develop “Shakespeare in Love,” which was produced by Miramax Films, which at the time was a part of the Walt Disney Company.

A spokesman for Disney Theatrical on Friday declined to comment on the project. Ms. Friedman is one of the busiest producers in London and New York; she is currently represented on Broadway with “The Mountaintop” and “The Book of Mormon,” and last season was a producer of the Broadway revival of Mr. Stoppard’s “Arcadia” (as was Disney Theatrical) as well as “Jerusalem,” The House of Blue Leaves,” and “La Bete.”