When a madman begins committing horrific murders inspired by Edgar Allan Poe’s darkest works, young Baltimore detective Emmett Fields (Evans) joins forces with Poe (Cusack) in a quest to get inside the killer’s mind in order to stop him from making every one of Poe’s brutal stories a blood chilling reality. A deadly game of cat and mouse ensues, which escalates when Poe’s love (Alice Eve) becomes the next target.
Evans talks about “The Raven” in the following interview:
When you’re playing in the world of Edgar Allan Poe, did you feel the need to do a lot of research and learning about the period?
Luke Evans: Well what’s great about when you do something that has an essence of history or factual evidence or anything like that, which this movie does, even though it’s a fictionalized story of the last five days of his life, they are talking about a real person. There is so much information and fantastic biographies out there on Poe, and obviously his work. So I had plenty of reference.
Talk a little bit about working with John Cusack. Did you guys develop a rapport off set? Were you able to enjoy hanging out?
Evans: John’s such a versatile actor, he’s worked on everything. He does comedy, drama, thrillers; he can turn his hand to any sort of genre. When he took on the role of Poe, you can see from his performance in the film that he really did his work and he did a huge amount of research on the character of Poe and his personality and in the way he spoke and all the idiosyncracies that made up Edgar Allen Poe. And as an actor—I still think of myself as new to this film business, it’s only been like 3 and a half years, maybe 4 years—to be able to work opposite somebody like John is a gift. It’s just a gift. It’s like sitting in a Master class and watching how slight nuances in their performance can change the whole scene. So for me it was a real pleasure to work with him. The guy is great on and off the screen. We had great dinners when we weren’t working, good chats. He’s a real great guy. I hope we get to work together again one day.
One of the things I admire about the film is there is some blood and guts, especially with the fact the Poe wrote a lot of pulp, he was a blood and guts guy. Are you happy that the rating is an R and that they are not shying away from blood in the film?
Evans: I think it’s absolutely essential, out of respect for Poe’s work, that this fictionalized story of those murders were told in the graphic portrayal that they have been. I think that it would have been such a—it would have been dishonorable if we had done anything but make it an R and allow people to squirm in their seats.
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