Showing posts with label William Hurt. Show all posts
Showing posts with label William Hurt. Show all posts

Thursday, January 16, 2014

Jessica Brown Findlay, Colin Farrell, Russel Crowe: Magical A New York Winter’s Tale trailer arrives

FILMORIA
Posted by: Amanda Keats  in Trailers and Clips
January 16, 2014

A New York Winter’s Tale arrives in cinemas on 21st February 2014

A New York Winter’s Tale poster

A New York Winter’s Tale synopsis

Set in a mythic New York City and spanning more than a century, “A New York Winter’s Tale” is a story of miracles, crossed destinies, and the age-old battle between good and evil. The film stars Colin Farrell (“Total Recall”), Jessica Brown Findlay (TV’s “Downton Abbey”), and Oscar® winners Jennifer Connelly (“A Beautiful Mind”), William Hurt (“Kiss of the Spider Woman”), Eva Marie Saint (“On the Waterfront”) and Russell Crowe (“Gladiator”). “Winter’s Tale” also introduces young newcomers Ripley Sobo and Mckayla Twiggs (both from Broadway’s “Once”).


The film marks the directorial debut of Academy Award®-winning screenwriter Akiva Goldsman (“A Beautiful Mind”), who also wrote the screenplay, based on the acclaimed novel by Mark Helprin. Goldsman is also producing the film with Marc Platt (“Drive”), Michael Tadross (“Sherlock Holmes”) and Tony Allard (Showtime’s “The Baby Dance”). The executive producers are Kerry Foster and Bruce Berman.
The behind-the-scenes creative team includes five-time Oscar®-nominated director of photography Caleb Deschanel (“The Passion of the Christ,” “The Patriot”), production designer Naomi Shohan (“Constantine,” “I Am Legend”), costume designer Michael Kaplan (“Mission: Impossible – Ghost Protocol,” “Star Trek”) and editors Wayne Wahrman (“I Am Legend”) and Oscar® nominee Tim Squyres (“Life of Pi,” “Crouching Tiger, Hidden Dragon”). The music is composed by Oscar® winner Hans Zimmer (“The Lion King,” “Inception,” “Man of Steel”).




Tuesday, September 10, 2013

James McAvoy: TIFF Review: 'The Disappearance of Eleanor Rigby: Him & Her' Starring Jessica Chastain, James McAvoy, Viola Davis & More



INDIE WIRE
BY NIKOLA GROZDANOVIC
SEPTEMBER 10, 2013 10:55 AM

Akira Kurosawa’s masterpiece "Rashomon" heralded the term “Rashomon effect,” which refers to the contradictory nature of different perspectives telling the same story (something that has been employed endlessly in the years since, mostly in the context of twisty thrillers). Used effectively, it remains one of the most powerful ways interrogating truth and subjectivity? One of many strengths of Benson’s "Eleanor Rigby" is precisely that kind of exploration because it's built into the conceptual framework of the film and the structure alone allows the film(s) to become something much more than just another relationship film. The story revolves around a couple who have been together for 7 years; Connor (James McAvoy) is a 33-year-old bar-owner and Eleanor (Chastain) is struggling with unhappiness and needs a change. One day, she decides to start from scratch and disappear from Connor’s life, asking him not to contact her nor to try and find her. In “Him”, we follow Connor as he talks to his friends (including his chef played by the priceless Bill Hader) and his father (Ciaran Hinds, in a very nuanced and endearing performance), trying to understand the situation and dealing with such an impactful change in his life. In “Her” we see some of the same events that transpired in “Him” but from Eleanor’s vantage point, as she attempts to make some kind of meaningful change in her life with the help of her family (William Hurt and Isabelle Huppert are her parents and Weixler is her sister) and her teacher (Viola Davis, in easily her best role since "The Help"). How do you move on? Where does “you” stop and “us” begin? Can a person truly change? These questions and more percolate in Benson’s epic story of love, life, loss, happiness and family.



Perhaps it sounds all a bit too Hallmark (to use one of the characters phrases), and in the hands of some of other less talented artists these kinds of stories can nosedive straight into the territory of some bad made-for-cable Lifetime movie. But Benson’s multi-layered, organically paced, delicate and quite often hilarious screenplay holds it all together with wit and brio. He was also fortunate enough to land a perfect ensemble cast. McAvoy has never been better; obviously comfortable with the role and completely understanding of Connor’s confusion, he looks relaxed and is inherently likable from the very first frame. Chastain’s Eleanor is cold and distant compared to Connor, but as the delicate actress that she is, she gives all of herself and delivers another highly nuanced, human character. The rest of the supporting cast, including the perfect fathers Hinds and Hurt, the wine-drinking Huppert going through a “quiet crisis” and the cynically hilarious and gentle soul that is Viola Davis all just add to the overall strength of the film.

We’ve tip-toed carefully around the pivotal incident which is at the core of the film, because it’s something that is best discovered within the journey, layer by layer. What makes “The Disappearance of Eleanor Rigby” truly stand apart from all the other films of its kind, be they French art-house award winners, your mother’s favorite Meg Ryan movie or the myriad of romantic comedies out there, is the emotional depth that is allowed to be dug by the film’s premise and length, executed almost perfectly. There are many meandering moments where you might find yourself thinking, “where is this going” and you will be forming opinions about these people which undoubtedly affect your judgment of the movie, but that’s all part of the bigger picture Benson is painting. Like an epic sonnet, with beautiful accompanying music and songs, “Eleanor Rigby” deals with memory, perception and the emotional toll a relationship can have on an individual as much as it deals with the more grandiose themes of love and loss. It’s a finely tuned and tenderly detailed love story of two people told on a cosmic scale, and it’s one of the year’s greatest relationship films. [A-]


READ MORE HERE: http://blogs.indiewire.com/theplaylist/the-disappearance-of-eleanor-rigby-him-her-starring-jessica-chastain-james-mcavoy-cirian-hinds-william-hurt-viola-davis-bill-hader-and-isabelle-huppert-20130910

Tuesday, July 10, 2012

James McAvoy Takes Coffee Break Filming 'The Disappearance Of Eleanor Rigby (INTERVIEW NEWS)



James McAvoy, 33, has just kicked off production of his new film, directed by Ned Benson and costarring Jessica Chastain (The Help, The Tree of Life) and William Hurt, The Disappearance of Eleanor Rigby — a movie that will be released by Myriad Pictures as a double feature in two parts: The Disappearance of Eleanor Rigby: Him and The Disappearance of Eleanor Rigby: Her.

The film, which is currently filming in New York City, features McAvoy as restaurateur Conor Ludlow and Chastain as Eleanor Rigby, who decides to go back to college — an event that creates the backdrop for the marital problems the couple experiences. Chastain and McAvoy's characters will provide their relative different points of view in each half of the double feature.

READ MORE: http://www.uinterview.com/news/james-mcavoy-takes-coffee-break-on-set-of-new-film-the-disappearance-of-eleanor-rigby-4900


Thursday, June 7, 2012

Five Fun Facts about 'Prometheus' Actor Idris Elba (OH NO THEY DIDNT)



Ridley Scott’s Prometheus comes out this Friday, reminding us of the buzz that surrounded his originalAlien film back in 1979. Much like he did with that film, Scott has cast this science fiction piece with well-established actors including Academy Award winner Charlize Theron, Guy Pearce, and Michael Fassbender. Fans of the HBO series “The Wire” or the BBC series “Luther” will be pleased to see Idris Elba take on the role as the captain of Prometheus, giving us a good excuse to dig up five fun facts on the sexiest man to ever work at Dunder Mifflin.


1) A working actor since 1999, it wasn’t until the 2012 Golden Globes that Elba won a major acting award, beating out William Hurt, Hugh Bonneville, Bill Nighy and former ‘Wire’ co-star Dominic West for his role as DCI John Luther.





Read about the other four at ONTD:  http://ohnotheydidnt.livejournal.com/69556868.html


Thursday, December 22, 2011

Dominic West - Dominic West Eyeing Golden Globes Glory (Contact Music)

22 December 2011 08:12

Dominic West

Dominic West Eyeing Golden Globes Glory


Dominic West is gunning for Golden Globes glory next month (Jan12) because he is "yet to win an award" during his lengthy career.

The British actor has been nominated for Best Performance in a Miniseries or Television Film for his role in drama The Hour.

He is going head-to-head with his The Wire co-star Idris Elba (Luther) for the trophy, and also faces tough competition from Hugh Bonneville (Downton Abbey), William Hurt (Too Big to Fail) and Bill Nighy (Page Eight) - but he is determined to claim victory at the ceremony in Los Angeles on 15 January (12).

West tells the Associated Press, "In my 37 years in showbusiness I've yet to win an award. So yes, we had a little jump up and down at home, cracked open another bottle (to celebrate).

"It's always nice to know that what you're doing is actually being watched and appreciated by people. Especially when audience figures aren't so big. And in England, we were on over the summer holidays, so I wasn't ever sure if anyone saw it."

http://www.contactmusic.com/news/dominic-west-eyeing-golden-globes-glory_1278908

Wednesday, November 2, 2011

Gillian Anderson: From pop culture icon to Any Human Heart, costume drama queen

Gold Derby

By Rob Licuria
Nov 02 2011 | 08:28 am


Gillian Anderson recently sat down with Gold Derby to talk about two of her latest projects, PBS' "Masterpiece" miniseries "Any Human Heart" co-starring Matthew MacFadyen and Tom Hollander, and the Encore miniseries "Moby Dick" win which she stars alongside William Hurt, Ethan Hawke and Donald Sutherland. Both programs are in strong contenders for nominations at the upcoming Golden Globes and Screen Actors Guild Awards.

In "Moby Dick," a re-imagining of the Herman Melville classic, Gillian plays Captain Ahab's heretofore little known wife Elizabeth, who until now has been little more than a footnote to the main story. "It's an interesting juxtaposition to see [Captain Ahab] on the home front before he embarks on his journey; and the intimacy and delicacy with which he is a father and a husband, but at the same time being completely, obviously obsessed and passionate about the voyage and also this dastardly whale." Gillian jokes that "he's always had a wife, but I think she gets left behind a lot sooner in the book than she gets left behind in the miniseries."

In "Any Human Heart," Gillian plays the ubiquitous Wallis Simpson, who has recently featured in Best Picture Oscar winner "The King's Speech" (played by Eve Best) and Madonna's "W.E." (played by Andrea Riseborough), which recently premiered in Venice to mixed reviews. "Any Human Heart," spanning the twentieth century as it follows the journey of a writer who lives through a myriad of historical events, garnered four creative arts Emmy Award nominations earlier this year, and received eight BAFTA nominations (winning for Best Drama Serial), including a nod for Gillian as Best Supporting Actress.

On playing such an instantly recognisable historical figure, Gillian says that "it's kind of an obvious choice; an American living in London ... but it's quite daunting taking on somebody that people are obsessed with and have been obsessed with for a long time ... you do put yourself on the line a little bit when you agree to play somebody like that."

Gillian has certainly seen a complete career turnaround since the late nineties, when the hysteria and fanaticism surrounding the worldwide phenomenon that was "The X-Files" reached fever pitch. Back then, it would have been difficult to imagine Gillian Anderson as anything other than the iconic FBI Special Agent Dana Scully alongside her co-star David Duchovny in the hit Fox sci-fi series that became a multi-million dollar global franchise as it spanned nine television seasons and two feature films.

"I think there was definitely a period of time right after [the show] finished that I just couldn't even hear about it anymore; I couldn't have that conversation for a while" Gillian reveals. However, Gillian now fondly recalls her time in the shining spotlight that came along with such a breakout success, and is happy to reminisce about the show's incredible success.

"The X-Files" has an impressive awards pedigree, especially given the usual bias against genre series. Over the course of its run on Fox, "The X-Files" won 16 Emmy Awards out of a total 61 nominations (including four consecutive Drama Series bids from 1995 to 1998). It was also nominated for 14 SAG Awards and 12 Golden Globe Awards, including three wins for Drama Series - a record that stood until "Mad Men" won its third consecutive Globe for Drama Series in 2010.

Gillian herself was nominated for four Emmys as Drama Actress (winning in 1997), nine SAG Awards, including three as part of the show's ensemble (winning twice as TV Actress in 1996 and 1997), and four Golden Globe Awards (winning in 1997), achieving the rare feat of winning the Golden Globe, SAG and Emmy trifecta in the same year.


Recalling her amazing awards success, Gillian was honest about how it all became a bit too overwhelming for the young actress at the time. "I think I've always had trouble in my life with feeling the importance of the moment, and I think that had certainly come into play at the time" Gillian reveals.
"It was kind of too much for me to fathom or to handle at that time. I remember feeling that I couldn't smile anymore. Either my face was too tired, or I was so scared and confused and [thinking] 'what does this mean?' and 'should this really matter this much' ... and I look back at that time and there's part of me that wants to walk up to myself and shake myself and say 'wake up! You're asleep right now! Feel this! Be proud of this! Show people that you're excited about this, because it's really cool and it doesn't happen all the time'."
Since "The X-Files" concluded in 2002, Gillian has been steadily making a name for herself in smaller independent features (such as "The House of Mirth" and "The Last King of Scotland") and on television in the UK (where she now calls home), where she racked up an impressive list of credits on English costume dramas. Clearly adept at fitting into various periods, Gillian has garnered acclaim for inhabiting these very English women with ease and confidence. But Gillian maintains that when choosing her next role, it is not necessarily its genre that is her deciding factor. "I respond to script above everything else ... and I think that's where it really begins for me" Gillian says. "If I feel like there's an aspect of a character that I haven't done before or is challenging in some way."
Going in a completely new direction after years on network TV saw Gillian return to the red carpet in 2006 as a nominee for perhaps one of her most acclaimed roles to date -- Lady Dedlock in "Bleak House." She was cited with Golden Globe, BAFTA and Emmy nominations. Gillian recalls that she was heavily pregnant and didn't think she had any chance of winning. "I remember sitting there, and I think that was the time when I weighed about 600 pounds. I'm glad I didn't win and have to go up on the stage because that would have been horrifying" she jokes. "I remember thinking, 'I don't think anyone here has seen 'Bleak House' and I should've just stayed home in London in my fat suit!"
This year, her BAFTA-nominated role in "Any Human Heart" as well as her role in "Moby Dick" are in the running for nominations in the Supporting TV Actress category at the Golden Globes. She could also contend in the TV Movie/Miniseries Actress race at the Screen Actors Guild Awards for both.

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