Saturday, October 22, 2011

Stage Version of ‘Shakespeare in Love’ Moving Ahead

October 21, 2011, 1:09 pm

New York Times


“Shakespeare in Love,” the 1998 romantic comedy that won seven Academy Awards, including best picture and acting honors for Gwyneth Paltrow and Judi Dench, is the latest film being eyed for adaptation to the stage. Two leading producers, Disney Theatrical Productions and the British impresario Sonia Friedman, have been holding meetings with the playwright Tom Stoppard – who shared an original screenplay Oscar for “Shakespeare in Love” with Marc Norman – and the director Jack O’Brien about the project, according to theater executives familiar with the creative discussions.
The new version would be a straight play, an exception to the movie-to-stage trend; most films these days are turned into musicals, most recently “Catch Me If You Can,” “Ghost,” “Priscilla Queen of the Desert,” and “Sister Act.” Mr. Stoppard and Mr. O’Brien are long-time collaborators on plays: They won Tony Awards — for best play and best director — in 2007 for Mr. Stoppard’s Russian-history drama “The Coast of Utopia,” and they were both Tony nominees in 2001 for “The Invention of Love.”

No deals have been signed by the two men, but the producers want to collaborate with them as well as with the designer Bob Crowley on the project, according to the executives. They spoke on condition of anonymity because the project is meant to be confidential at this stage.

The plot centers on a young Shakespeare (played in the film by Joseph Fiennes), lovelorn and suffering from writer’s block. In a fit he destroys his latest play, “Romeo and Ethel, the Pirate’s Daughter,” and decides to rewrite it as “Romeo and Juliet,” while falling into a romance with a young would-be actress (Ms. Paltrow) who has disguised herself as a man to star in the new play. Ms. Paltrow won the Oscar for best actress, while Ms. Dench won a supporting actress Oscar for a few brief scenes as Queen Elizabeth I.

Thomas Schumacher, the president of Disney Theatrical, was scheduled to fly from Madrid – where a new production of “The Lion King” opened on Thursday night – to London for business meetings next week. It was not clear if he would be meeting with Mr. Stoppard, though executives described their talks about “Shakespeare in Love” as ongoing. Disney holds the rights to develop “Shakespeare in Love,” which was produced by Miramax Films, which at the time was a part of the Walt Disney Company.

A spokesman for Disney Theatrical on Friday declined to comment on the project. Ms. Friedman is one of the busiest producers in London and New York; she is currently represented on Broadway with “The Mountaintop” and “The Book of Mormon,” and last season was a producer of the Broadway revival of Mr. Stoppard’s “Arcadia” (as was Disney Theatrical) as well as “Jerusalem,” The House of Blue Leaves,” and “La Bete.”

Bridget Jones III Seeks Good Director with British Sense of Humor. Must Love Food




Somewhere along the line, a third Bridget Jones film has apparently gone from being a vaguely mooted development-hell project, to an actively going concern on its way into production at Universal. Deadline are reporting that Bridesmaids director Paul Feig has just withdrawn from the movie, which means that Universal and Working Title will need a new helmer ASAP if the plan is really to start shooting Bridget Jones 3 in January.

Despite Bridget being played by Renee Zellweger in the Diary (2001) and The Edge of Reason (2004), the series seems to be viewed as quintessentially British in Hollywood, which is the issue Feig cited for his departure: he apparently feels he has the wrong comedy sensibility.

The material he was dealing with isn't yet clear: there is no third Helen Fielding book on which to base a screenplay, although Fielding did continue Bridget's columns in The Independent beyond the two novels, and further developments saw Bridget getting pregnant with the dastardly Daniel Cleaver, without ever managing quite to ditch lovely Mark Darcy.

Deadline claim that Zellweger, Colin Firth and Hugh Grant are all "eager to return". We can't speak for Zellweger and Grant, but Firth did seem amenable last year, telling Mark Lawson that "Sometimes a third film is an improvement on a second," and that, with all the principle cast now a decade older than when the story began, "The idea of Mark and Daniel and Bridget in advanced stages of deterioration could be quite fun..."

KEIRA KNIGHTLEY'S FROSTY WELCOME TO JUDE LAW THAWS ON SET

Story Image
Keira Knightly co-stars with Jude Law in the film Anna Karenina
Sunday October 23,2011
WHEN he first arrived on the set of his current film Anna Karenina, Jude Law got something of a frosty welcome from his co-star Keira Knightley.
The cause of this tension goes back to Jude’s unchivalrous dumping of Sienna Miller after their affair, which ended with messy mudslinging (Law said he could no longer cope with her “chaotic” dogs, while she riposted that he had
become “boring”).

The trouble is that Keira Knightley is a loyal friend of Sienna’s and didn’t take too kindly to Jude’s treatment of her chum. Hence the froideur.

But that frost has now thawed thanks to the fact that both Jude and Keira had bothered to learn a smattering of Russian before filming, to help them understand aspects of Tolstoy’s novel.

“It was pretty awkward in the beginning but as they’re going to be having a rather passionate relationship in the film it had to change,” reports my man in the fur hat.

They bandied a few phrases about at each other, which broke the ice. It’s the Russian that’s really helped.

“You never know, they might end up falling in love for real.”

THE THREE MUSKETEERS - REVIEW THE OTTAWA CITIZEN



Movie Review: A swashbuckling good time

Latest stab at The Three Musketeers benefits from good looks and a solid cast
By Katherine Monk, Postmedia News October 20, 2011


Matthew Macfadyen, Logan Lerman, Ray Stevenson and Luke Evans star in a fun film that deftly delivers swordplay, friendship, romance and sexy guys in tights.

Starring: Logan Lerman, Milla Jovovich and Matthew Macfadyen

Directed by: Paul W.S. Anderson

Rating: PG (violence)

Playing at: AMC, Barrhaven, Coliseum, Galeries Aylmer, Gatineau 9, Empire Orléans, SilverCity, South Keys, StarCité


There are a lot of reasons why Alexandre Dumas’ story of three famed swashbucklers will always stand the test of time.

One has to do with the notion of underdogs with great skills who triumph over the forces of darkness, which is always sexy. Another revolves around the theme of friendship, and how mutual respect and a deep sense of brotherhood can bring out the very best in man.

Last, but not least, is the appeal of men with big swords in leather pants. It’s sexy, and appealing across cultures.

And why not? The whole thing comes with a ready-made slogan of “all for one, and one for all” — which seems to be increasingly true, especially in the world of international banking. And believe it or not, international banking is what forms the backdrop for this new stab at the musketeers.

A weak king sits on the throne of France. Louis XIII (Freddie Fox) doesn’t have control over the endlessly manoeuvering Cardinal Richelieu, which makes the nation vulnerable in the face of its most threatening enemy: England.

The two nations are in the midst of a peace negotiation, because their war coffers are hurting in their endless quest to gain the upper hand. Both would like a chance to recover, but they can’t risk a tactical misstep.

It’s a situation reminiscent of the Cold War, where leaders are forced to rely on bravado and military might to establish the world order.

Richelieu (Christoph Waltz) understands the way it is, but the king is a peacenik who is more interested in wooing his wife (Juno Temple) than conniving against the British emissary, Buckingham (Orlando Bloom).

He needs some manly backup, but his personal guard — the musketeers — have been disbanded by Richelieu. They live among the rabble, drinking and carousing.

At the top of the reel, they meet the man who will become their fourth musketeer, D’Artagnan (Logan Lerman). But he’s got a lot to prove before he becomes a bona fide swordsman for god and country.

This movie directed by Paul W.S. Anderson (Death Race, Resident Evil) gives the young blade ample screen time to make his mark as both a warrior and a man. And relative newcomer Lerman (Percy Jackson and the Olympians) does a standup job delivering both halves of the equation.

At a basic level, this film will appeal to tweens the world over, because it shows a young person doing incredible things in a credible way. But what makes this piece of matinee fluff more fun than your average poofy-pants movie is the veteran cast, which includes British character actors Luke Evans, Matthew Macfadyen and Ray Stevenson — Aramis, Athos and Porthos, respectively.

These three men can generate so much depth of emotion in such short strokes, we have to stand back and give them room to move. Every turn of phrase seems to come with a matching twist of the knife, ensuring all the swordplay is matched by verbal shadow moves.

There are endless winks to genre, but Macfadyen deserves extra praise for selling the subplot of the double-dealing romantic interest, played by Milla Jovovich, in yet another scenery-swallowing encounter. Macfadyen almost tears up when the woman he loves sells him out for diplomatic immunity and a diamond necklace.

It’s a nice bit in a movie that looks to action sequences and computer-generated effects for most of its thrills.

The Three Musketeers is effective formula, and this good-looking, big-budget feature with a veteran cast gets the core ideas right. Not only are we immersed in a story of good versus evil, the director is smart enough to hint that, despite the difference in fashion and weaponry, the world still looks very much the same.


© Copyright (c) The Ottawa Citizen

Queen to lunch in Canberra with Goeffrey Rush, the man who played her father's speech therapist

Queen to dine with Australian icons

Updated October 23, 2011 08:46:18
Queen Elizabeth inspects the guard during the presentation of new Queens colours at the Royal Military College DuntroonPhoto: Queen Elizabeth inspecting the guard at the Presentation of Colours at the Royal Military College Duntroon in Canberra yesterday.
 
The Queen will go to church today before attending a lunch at Government House in Canberra where one of the guests will be Australian Oscar winner Geoffrey Rush, who played the monarch's father's speech therapist in a 2010 movie.

Her Majesty and the Duke of Edinburgh will attend the service at St John's in the Canberra suburb of Reid around 11.15am (AEDT).

It will be the Queen's sixth visit to the historic Anglican church dedicated to St John the Baptist, which was consecrated in 1845 and predates the nation's capital by 70 years.

About 120 people will be in the specially-invited congregation.

However, crowds are expected outside the church for one of the few remaining opportunities to see the Queen in Canberra.

After the service, the royal couple return to Government House, where Governor-General Quentin Bryce will host a lunch for 50 guests in their honour.

The 50 guests attending the luncheon represent a wide cross-section of Australian society, including figures from sport, the arts and the community sector.

The founder of the Addis Abbaba Fistula Hospital, Dr Catherine Hamlin, will attend, as will Rush, who starred in The King's Speech.

The historical drama is about Australian speech therapist Lionel Logue, who helped King George VI to cope with a stammer which had afflicted him since childhood.

With Logue's support, the film shows the Queen's father, played by Colin Firth, delivering the most important speech of his life - Britain's declaration of war on Germany in 1939.

Firth was awarded the best actor Oscar for his role.

Paralympian Kurt Fearnley, the 30-year-old marathon man of wheelchair sports, who crawled the Kokoda Track in 2009, and his wife Sheridan will also be at the invitation-only lunch.

The Royal couple have been enjoying a warm response from the public during a series of engagements including yesterday's garden party at Duntroon, following the Royal Military College's Presentation of Colours ceremony.

The Duke of Endinburgh also hosted a reception for the Commonwealth Studies Conference yesterday evening.

After today's events, the Queen and Prince Philip will prepare for a trip to Brisbane on Monday where they will attend a reception for people who were affected by the floods and cyclone last summer.
Their final day in Canberra will on Tuesday, after which they visit Melbourne on Wednesday before flying in the afternoon to Perth.

ABC/AAP

Vintage (2000) Gerard Butler as Dracula - sooo young looking

Celebuzz



Even before Gerard Butler gave the whole word an inferiority complex with his perfectly sculpted six-pack in 300, he was still making movies with a dark edge.

Cut to: A dark, dramatic night in New Orleans as the ultimate bloodsucker seeks revenge on his nemesis in Dracula 2000!

In this vintage video, the action hero shows he can play a pretty convincing, yet sexy, bad guy.
Celebuzz uncovered Gerard’s audition reel — thanks YouTube! — that landed him the role. Just press play for your weekly celebrity flashback!

The actor is currently working on a new movie (and showing off his hot body) in California.

Henry Cavill, Kellan Lutz - Behind the scenes of Immortals

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ACCESS HOLLYWOD - BEHIND THE SCENES OF IMMORTALS

Milla Jovovich slams summit on twitter over 3 Musketeers promotion


Milla_blood
"All for one and one for all."

Actress Milla Jovovich went all "Resident Evil" on Summit Entertainment today, tweeting that "The Three Musketeers" distributor is hardly promoting the family adventure pic, which opens today in the U.S.

"Are they resting on their laurels from 'Twilight' n making no effort?" she tweeted. "SHAME ON U 'SUMMIT'! SHAME ON U!"

Summit had no comment.

Jovovich, who co-stars with Luke Evans and Matthew Macfayden in the pic, was on her way to the Japanese Film Festival to promote the "Musketeers" when she made the allegations.
"The Three Musketeers," directed by Paul W.S. Anderson, bows on 2,200 3D screens today.

Read the tweets below:
Milla_boffo


Read more: http://www.boffo.com/2011/10/milla-jovovich-slams-summit-on-twitter-over-three-musketeers-promotion.html#ixzz1bYEBzzSQ
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My week: Dan Stevens

The Telegraph

Racing finely tuned Lamborghinis and getting to know the 'virtual assistant' on my new phone has this week given me hope that 'the future' might finally be upon us. Then again, I am still waiting for my hoverboard

Dan Stevens
Dan Stevens Photo: REX FEATURES
I’m still waiting for the future. In my lifetime I’ve witnessed computers wrested from the preserve of the programmers and phased into every hand and home, I’ve seen entire music collections shrunk to the size of a packet of chewing gum, and I now have a shiny new phone, which houses Siri, my new “virtual assistant”, who talks, writes my texts and tells me what the weather’s like in Glasgow. With every release of a new Apple product it feels as though we edge a little closer. But I’m still waiting for my hoverboard.
It is nearly 2012 and you did promise. Maybe I was too impressionable when the Back to the Future films were released, but my “HG Wells moment”, if you will, the point when I can say “Lo! As it was foretold, here is The Future!” will not come until I can hover to a local café, kick up my board and pick a fight with a man called Biff.
I nearly did take off last week when for my birthday I got to drive Lamborghinis very, very fast for a day at Millbrook. I’m not what some might term a “petrolhead” – I learnt to drive relatively late and I still couldn’t tell you exactly where a sparkplug goes – but I do love to drive and I do like my cars.
And my word these are beautiful cars: mini stealth-bombers, so immaculately finished inside it’s like driving a finely hand-stitched bespoke shoe.

But there was something I’d misunderstood until I’d driven one. You see, I’d always assumed that the flash guy pulling up at the lights in his “lambo” was purposefully revving his machine, showing off: “Roar! Look at me! Man drive car!” In actual fact, packed inside each one is an erotically-engineered bull that, upon being asked to slow down, stamps and rages quite independently of its driver, demanding to be let out of its pen to mate with every other car on the road, especially that cute little Nissan Figaro over there. Even Siri was scared.
I was delighted and proud to share my birthday this week with the launch of a new online quarterly called The Junket for which I am editor-at-large (my grandest role to date). It’s an eclectic barrel of words, with pieces on breastfeeding, the Berlin techno scene, opera, shooting squirrels, and more. I commend it to your curiosity.

 

My Week With Marilyn - Review

Miami Herald

 

Goodbye Norma Jean - still

 

Eddie Redmayne (left) and Michelle Williams (center) in 'My Week With Marilyn.'
Eddie Redmayne (left) and Michelle Williams (center) in 'My Week With Marilyn.'
The Weinstein Co.


Movie Info
Rating: ★ ★ ★
Cast: Michelle Williams, Eddie Redmayne, Kenneth Branagh, Judi Dench, Emma Watson, Dominic Cooper, Zoe Wanamaker, Toby Jones, Julia Ormond, Dougray Scott, Derek Jacobi.
Director: Simon Curtis.
Screenwriter: Adrien Hodges. Based on the books “My Week with Marilyn” and “The Prince, The Showgirl and Me” by Colin Clark.
Producer: David Parfitt.
A Weinstein Co. release. Running time: 101 minutes. Vulgar language, brief nudity, adult themes.

More information
“My Week with Marilyn” screens at 2 p.m. Saturday at Bailey Hall as part of the Fort Lauderdale International Film Festival. For more information, visit www.fliff.com The movie opens in South Florida theaters in December.

rrodriguez@MiamiHerald.com

You don’t really buy Michelle Williams as Marilyn Monroe the first time you see her in My Week with Marilyn. Singing and dancing to a medley of When Love Goes Wrong and Heat Wave, Williams has the legendary icon’s body language down, but she doesn’t really look like Monroe and she doesn’t have her voluptuous curves, either. In that opening scene, you can only see Williams, a supremely gifted actress, trying really hard.
But just wait a little while. One of the chief pleasures of My Week with Marilyn — which should not be approached as anything other than fluffy entertainment — is watching Williams bring to life Monroe’s inner demons and her movie-star allure with equal aplomb. By the time the film’s book-ending closing musical number comes around ( That Old Black Magic), the illusion is astounding and complete.
Monroe has been portrayed in fictional films as often as James Dean: Hollywood loves its tragedies even more than its successes. But Williams, finally getting a chance to glam it up after a career of playing ordinary women with dirt under their fingernails ( Blue Valentine, Meek’s Cutoff, Wendy and Lucy), does something marvelous with Monroe. She channels every facet of the legend’s persona — her seductiveness, her neuroses, her candle-in-the-wind vulnerability and sometimes breathtaking naïveté — while keeping her feet planted firmly on the ground. Williams makes Monroe simultaneously seem larger than life and heartbreakingly human. She shows you why practically everyone who met Monroe fell under her spell — and why she was an endless source of frustration and unfulfilled potential.
Few were more frustrated than Sir Laurence Olivier (smashingly played by Kenneth Branagh), who hopes to benefit from Monroe’s popularity when he invites her to co-star with him in The Prince and the Showgirl, a comedy he directed in 1956. Olivier is also planning to have an affair with Monroe if at all possible, but that is quickly forgotten when Monroe arrives and Olivier realizes the depth of her insecurities (she clings to her Method acting coach like a blanket) and her lack of professionalism (she was often late to the set, constantly flubbed lines and some days never even showed up).
Their contentious relationship, which is played primarily for laughs, is seen through the eyes of Colin Clark (Eddie Redmayne), the 23-year-old assistant director whose two memoirs formed the basis of the film. Although the veracity of Clark’s books has been contested, they have been adapted by screenwriter Adrien Hodges with complete earnestness.
My Week with Marilyn marks the directorial debut of British TV and theater veteran Simon Curtis, who has used his industry connections to fill practically every role in the film with a famous face. Judi Dench plays Dame Sybil Thorndike, who co-starred with Olivier and Monroe in the film and took a liking to the nervous American star; Dougray Scott plays Arthur Miller, who had just married Monroe before their trip to England (he was her third husband, even though she was only 30); and Harry Potter’s Emma Watson plays a wardrobe assistant who catches Clark’s eye.
Of course, she couldn’t compete with Monroe, who relies increasingly on Clark as the situation on the set grows more tense (“Whose side are you on?” she asks him) and eventually takes him into her confidence. Their platonic romance forms the heart of My Week with Marilyn, but it’s Williams’ uncanny performance that gives the movie its soul. Whether she’s conveying Monroe’s initial delight at the flash mob that forms on the street when she tries to go shopping (a delight that quickly turns into terror) or reenacting the self-destructive habits that would eventually consume her, Williams does the icon right — she humanizes an untouchable legend.


Read more: http://www.miamiherald.com/2011/10/20/2463257/goodbye-norma-jean-still.html#ixzz1bW4LMVwe

As Spooks ends its nine-year run on TV, a spy writer reflects on the lure of the second oldest profession.

The Telegraph





 

What’s the secret of Britain's love affair with spies?

 

So that’s it, then. No more breathless meetings on the Grid, starch-dry quips from Harry Pearce or agents being plunged into deep-fat fryers. After 10 series, 86 episodes, three Baftas and some of the silliest plots on television, the BBC drama Spooks finally comes in from the cold tomorrow night, mission over. What to do? As a self-confessed espionage junkie, I haven’t missed an episode since the programme began back in the spring of 2002. That’s three and a half days of my life spent watching Section D, a team of improbably goodlooking MI5 officers, battle against Al-Qaeda, white supremacists, Russians, Chinese, Iranians, pro-lifers, Columbian drug cartels, Iraqis, Irish dissidents, Israelis and, of course, themselves.

Spooks was good on the enemy within, particularly when actors wanted out. It was one reason why the programme attracted more than 7 million viewers at the height of its popularity, and why it’s been exported around the world. (In America, it’s shown as MI5, in Slovenia as Tajni Agenti.) Who can forget when Tom Quinn, played by Matthew Macfadyen, shot Pearce, his boss, in the shoulder and walked off into the North Sea? Quinn returns tomorrow night for a fleeting appearance. Macfadyen was the best of the lead actors and audiences dropped below five million after he left in 2004. It took a while for his successor, Rupert Penry-Jones, to find his feet on the Grid, the office where they endlessly fretted in front of sleek computers.
His character, former MI6 officer Adam Carter, was an Arabic-speaking toff from south of the river. But he went on to provide some of the best Spooks moments when he was paired up with the steely Ros Myers, played by Hermione Norris, who waltzed onto the show in 2006 wearing her Belstaff black leather jacket. That year’s final episode ended on a typical cliffhanger, with us fearing that Myers and Carter had drowned while trying to save London from flooding (all in a day’s work).
Despite its high ratings, split screens and satellite graphics, Spooks has not been to everyone’s liking and there are those who won’t mourn its demise. David Cornwell, whose penname John le Carré is synonymous with the coolest espionage fiction, turned 80 this week. I doubt he will be on tenterhooks, waiting to see if Harry walks into the sunset with GCHQ linguist Ruth Evershed – surely the longest running on-off screen romance in television history.
“I don’t watch Spooks, it’s crap,” le Carré said last month. “I’m sorry. I have been in that world for almost half a century and once in it, you get a notion of what constrains you and what doesn’t. The idea that people just go around shooting and killing people and so on is crazy.” Ouch. Let’s hope he has never seen the US drama 24, that other seminal post-9/11 spy series, which had far more killings than Spooks.
The final episode of 'Spooks’ is at 9pm tomorrow on BBC1

Rhys Ifans from "Notting Hill"

 


I’ve been a fan of Rhys Ifans since watching him steal scenes from Hugh Grant in “Notting Hill,” and (as an imported Euro-kicker) in “The Replacements.”


He’s done period pieces (“Vanity Fair,” “Elizabeth: The Golden Age”) and comedies, straight dramas (Enduring Love,” with Daniel Craig, is his best) and big budget films.

He had a small but crucial role, as Luna Lovegood’s journalist dad in “Harry Potter and the Deathly Hallows.” But his immersion in big budget blockbusters came from the film we will see him in next year. Ifans, 44, is Dr. Curt Connors, “The Lizard,” in “The Amazing Spider Man.” He’s the main villain.

“I dipped my toe into ‘Harry Potter,’ but I put my whole body into ‘Spider-Man.’ It was a thrill to work with Marc Webb [ of "(500) Days of Summer). He's like Roland Emmerich (his "Anonymous" director, famed for spectacles like "Independence Day" and "2012"). He's doing blockbusters, but he has an 'indie' heart, an indie character-oriented sensibility.

"That was a very telling thing on the set. We knew it would be action-packed and epic and all that. But Marc made sure that the human dynamic was paramount, and that’s going to elevate the film possibly to a place that the other [ Spider Man] films got to.”

Like everyone else, Ifans was blown away by Emmerich’s painstaking and spare-no-expense efforts to recreate Elizabethan England for “Anonymous.”

“Often period films have budgets that keep us from seeing London in full. There are several helicopter-like shots which Roland, the master of CGI, made sure our film has. It liberates the film to see that. I really got a sense of London, a very old city that becomes a character in the film, as it was in Elizabethan times.


“Roland does paint with a big brush. But what separates him from blockbuster film contemporaries is his attention to the emotional dynamics between characters. It’s FORENSIC. Very detailed. In his films, the strand you see running across these huge canvases, through these huge universes he creates is that they’re populated by very real human relationships. That’s the ace in his deck of cards.”
One oddball question I posed to Ifans was the connection between playing an artist in the shadows — he is Edward De Vere, whom “Anonymous” says is the “true author” of Shakespeare’s plays — and the last thing we heard him in, as narrator of “Exit Through the Gift Shop,” the documentary about underground artist Banksy.

“It’s purely by chance, that. But there is high irony in that I guess Banksy is that rare artist working today in near total anonymity is Banksy. Perhaps there was some sort of subliminal marriage there that I made.”

“Anonymous” opens Oct. 28, nationwide. More from

Sherpa's Top 10: Best Helena Bonham Carter movies

Yakkin' with the Sherpa

 
Life Sherpa Best Helena Bonham Carter movies
 
The career of Helena Bonham Carter -- who stars in "Toast," a movie opening today in St. Louis -- can almost be divided into two distinct halves.
First, she excelled in what I call the "Merchant-Ivory" roles (director James Ivory/producer Ismail Merchant), young women in romantic but dramatically sophisticated period pieces of high quality. Second, possibly due to her long and continuing relationship with director Tim Burton, she has worked as an eccentric, alluring supporting character.
(Interesting family-tree note: Bonham's great-grandfather was H.H. Asquith, Great Britain's prime minister from 1908 to 1916.)
Either way, her combination of sultry good looks and substantial acting talents makes the 45-year-old Bonham Carter hard not to notice. So let's notice her 10 best movies:
10. Sweeney Todd (2007) Mrs. Lovett: In Tim Burton's delicious telling of the tale of the Demon Barber of Fleet Street, Bonham Carter plays the owner of the meat-pie shop who is good friends with the barber (Johnny Depp) who takes the job of "cutting heads" to a new level.
9. Charlie and the Chocolate Factory (2005)Mrs. Bucket: Burton also directed this adaptation of Roald Dahl's story about a young boy touring a candy plant. Johnny Depp excelled as candy king Willy Wonka, while Bonham Carter played the mother of adorable Freddie Highsmith.
8. Mighty Aphrodite (1995) Amanda: Bonham Carter and Woody Allen are the adoptive parents of a young genius and Allen sets out to find the birth parents, who he assumes are brilliant as well. To his dismay, Allen discovers the boy's mother (Mira Sorvino) is a prostitute/porn star.
7. King's Speech (2010) Queen Elizabeth: She was good, but I'm not sure it was worth of her Oscar nomination. Still, it was one of the two best films of 2010 (along with "Winter's Bone") and it was nice to see Bonham Carter in a role requiring a normal amount of eye makeup.
6. Harry Potter movies (2007-2011)Bellatrix Lestrange: We rolled all the roles into one entry, for her sometimes small role -- as the wonderfully evil, hintingly kinky maidservant to Voldemort -- was a delight. Bonham Carter appeared in the last four of the eight movies.
5. The Wings of the Dove (1997) Kate Croy: Bonham Carter earned a best-actress Oscar nomination playing an aristocratic British woman whose father lost the family fortune. But when she meets an American actress, she devises a plot to have both love and money.
4. Howard's End (1992) Helen Schlegel: A Merchant-Ivory work about class war in England, Bonham Carter and Emma Thompson (who won the best-actress Oscar) play middle-class English sisters who become involved with families from both the aristocracy and the lower classes.
3. A Room with a View (1985) Lucy Honeychurch: Bonham Carter's first movie role was in this superior film from the Merchant-Ivory gang. She plays a young woman who along with her chaperone (Maggie Smith), meet an intriguing man in Florence. Julian Sands was the rising star, not the unknown player who played nerdy Cecil, Daniel Day-Lewis.
2. Big Fish (2003) Jenny/The Witch: An off-beat movie, skillfully directed by Tim Burton, that tells the tale of a larger-than-life patriarch whose life is recounted in myths as he nears death. Albert Finney is superb in the lead and there's strong support from Bonham Carter, Ewan McGregor, Billy Crudup and Jessica Lange.
1. Fight Club (1999) Marla Singer: So I've mentioned -- every chance I get -- that this is one of my favorite movies of the last 20 years. Brad Pitt and Edward Norton get lofty marks for their alter-egoness, but let's not forget that Bonham Carter's turn as the seriously, comically disturbed girlfriend is another key to the movie's success


Read more: http://www.stltoday.com/lifestyles/columns/joe-holleman/article_06ceea12-fa97-11e0-be14-0019bb30f31a.html#ixzz1bW04V5OF

30 Hi-Res IMMORTALS Photos and Traitor Clip

FILMOFILIA