By Catherine Gee
3:05PM BST 25 Sep 2012
The BBC is exploring its darker side with a violent new eight-part crime drama set during the aftermath of Jack the Ripper, which takes in bare-knuckle boxing, early pornography and copycat murders.
The first episode is especially gruesome and sordid, exploring the very beginnings of pornography, which arrived hot on the heels of the first cameras.
Set in 1889, during the months following the murderer’s crime spree on the streets of Whitechapel, Ripper Street follows the police who have been left wondering if every new murder belongs to the man they never caught.
Matthew Macfadyen (Pride and Prejudice, Spooks) stars as upstanding Inspector Edmund Reid who is the brains to the brawn of colleague DS Bennett Drake (played by a gruff Jerome Flynn, once of Soldier, Soldier and Robson and Jerome, more recently seen exploring his inner brute as Game of Thrones’s Bronn).
Each week the pair, along with American surgeon Captain Homer Jackson (Adam Rothenberg), solve a different violent crime on the streets of Whitechapel, London.
“It’s not an area that was short of vicious murders and any woman found murdered with a knife in the consequent months was held up as a Ripper murder,” says director Tom Shankland. “So we’ll touch on Ripper in that way but not dig anybody up or change the canonical five.”
READ MORE: http://www.telegraph.co.uk/culture/tvandradio/9565354/Ripper-Street-gruesome-new-crime-drama-set-in-the-east-end-of-London.html
For those who love Jane Austen and all Historical Romance books, movies, or series
Showing posts with label 3 Musketeers. Show all posts
Showing posts with label 3 Musketeers. Show all posts
Tuesday, September 25, 2012
Matthew Macfadyen: Ripper Street: gruesome new crime drama set in the east end of London BBC One are due to show Ripper Street, a violent new crime drama set during the aftermath of Jack the Ripper in Whitechapel. (TELEGRAPH)
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Thursday, August 9, 2012
Matthew Macfadyen: BBC1 drama is a Ripper-ing yarn (SUN)
THIS is the first look at new drama Ripper Street – about the London police’s struggle to bring order to their beat after the 19th-Century serial killer’s reign of terror.
Spooks star Matthew Macfadyen stars alongside Jerome Flynn from Game Of Thrones and US actor Adam Rothenberg.
A trailer of the BBC1 period drama airs tonight and the eight-parter will screen in the autumn.
Creator Simon Vaughn said: “The Ripper hunt was the first global media manhunt. It still stirs a macabre fascination with the public.”
Read more: http://www.thesun.co.uk/sol/homepage/showbiz/tv/4480249/BBC1-drama-is-a-Ripper-ing-yarn.html
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Monday, April 23, 2012
Luke Evans greets fans at Staples Center (POP CANDIES VIDEO)
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Sunday, April 15, 2012
Reporting for daddy duty: Orlando Bloom straps son Flynn to his chest as pair jet off for some male bonding time By SARAH FITZMAURICE (MAIL ON LINE)
It is usually his wife who is often seen toting around their beautiful son. But with Miranda Kerr busy it was left to Orlando Bloom to report for daddy duty with Flynn. The actor, 35, was seen with his 15-month son strapped to his chest as he headed to LAX today.
Flynn appeared to be in great spirits, as ever, despite being in the hustle and bustle of the airport. But it’s hardly surprising given that at his tender young age he has earned his fair share of air miles travelling with his jet-set parents. Orlando was seen tenderly holding Flynn’s head as the pair made their way through the airport.
Flynn meanwhile seemed more than happy to nestle into his father’s chest. Miranda was not with her favourite boys at the airport, before before the caught their flight Orlando and Flynn managed to catch up with Miranda. Despite stepping out at the premiere of Sir Paul McCartney’s video My Valentine in Hollywood earlier in the evening the model made time for the two special men in her life later last night.
READ MORE: http://www.dailymail.co.uk/tvshowbiz/article-2129739/Orlando-Bloom-straps-son-Flynn-chest-pair-jet-Los-Angeles.html?ito=feeds-newsxml
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Saturday, April 14, 2012
Happy Birthday, Luke Evans, born April 15, 1979!
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Wednesday, April 11, 2012
Matthew Macfadyen: "I'm Sexy and I Know It" (The song was made for him I bet)
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Tuesday, March 20, 2012
Matthew Macfadyen: BBC America Stalks Period Crime Series ‘Ripper Street’ With Matthew Macfadyen DEADLINE LONDON
By NANCY TARTAGLIONE, International Editor |
Tuesday, 20 March 2012 11:16 UK
With British period drama all the rage, BBC America has boarded crime series Ripper Street as co-producer. Filming is already underway in Dublin on the 8-parter that’s set in 1899 London in the aftermath of the Jack The Ripper murders. Three Musketeers and Pride And Prejudice’s Matthew Macfadyen stars with Game Of Thrones’ Jerome Flynn and Alcatraz’s Adam Rothenberg. Twilight’s Myanna Buring and Luther’s David Dawson also star. An enduring and macabre fascination with Jack The Ripper, the never-identified serial killer who murdered prostitutes in London’s East End, has spurred films, books, TV shows – and some very popular walking tours of his stalking grounds.
Ripper Street’s action centers on the H Division group of detectives who investigated the murders and tried to keep the peace in a panicked section of east London. The series was created by Richard Warlow, a writer on Mistresses, the UK drama that ABC is remaking in the States. Ripper Street is produced for the BBC by Tiger Aspect Productions, Lookout Point and BBC America. Executive producers are Greg Brenman and Will Gould at Tiger Aspect and Simon Vaughan at Lookout Point.
READ MORE: http://www.deadline.com/2012/03/bbc-america-stalks-period-crime-series-ripper-street-with-matthew-macfadyen/
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Saturday, March 3, 2012
Thursday, January 12, 2012
Matthew Macfadyen lands lead in BBC's Ripper Street (IndieLondon)
Story by Jack Foley
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MATTHEW Macfadyen has won the lead role in new BBC drama Ripper Street.
Created by Waking The Dead‘s Richard Warlow, the new period drama will focus on the notorious police precinct known as H Division that was charged with keeping order in London’s Whitechapel in the aftermath of the Jack The Ripper murders.
Speaking at the recent Broadcasting Press Guild lunch, BBC One controller Danny Cohen described Ripper Street as “gripping new drama”.
He added: “Set against the backdrop of a fevered historical London, I believe it has the quality and intensity to be a hit with BBC One viewers.”
Macfadyen has previously starred in Spooks for the BBC, while also winning acclaim for his performance in Channel 4 mini-series Any Human Heart.
His recent film credits include last year’s revival of The Three Musketeers in 3D and Frost/Nixon.
Ripper Street will air later this year.
http://www.indielondon.co.uk/TV-Review/matthew-macfadyen-lands-lead-in-bbc-s-ripper-street
Created by Waking The Dead‘s Richard Warlow, the new period drama will focus on the notorious police precinct known as H Division that was charged with keeping order in London’s Whitechapel in the aftermath of the Jack The Ripper murders.
Speaking at the recent Broadcasting Press Guild lunch, BBC One controller Danny Cohen described Ripper Street as “gripping new drama”.
He added: “Set against the backdrop of a fevered historical London, I believe it has the quality and intensity to be a hit with BBC One viewers.”
Macfadyen has previously starred in Spooks for the BBC, while also winning acclaim for his performance in Channel 4 mini-series Any Human Heart.
His recent film credits include last year’s revival of The Three Musketeers in 3D and Frost/Nixon.
Ripper Street will air later this year.
http://www.indielondon.co.uk/TV-Review/matthew-macfadyen-lands-lead-in-bbc-s-ripper-street
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Tuesday, January 10, 2012
LUKE EVANS IS HOLLYWOOD SPY'S BREAKTHROUGH STAR OF 2012! (New Poll below) (Hollywood Spy!)
TO VOTE FOR BEST ACTOR WHO NEVER GOT AN OSCAR CLICK HERE FOR HOLLYWOOD SPY SITE - GO AND VOTE, BUT READ THIS FIRST!
Tuesday, January 10, 2012

Welsh star Luke Evans really did have a great year in 2011 putting his name in golden letters on the movie map. He shined in two big roles - as super charming Aramis in THE THREE MUSKETEERS stealing the show from Orlando Bloom and Ray Stevenson, and then as proud and powerful Zeus, king of all Gods, in Tarsem's mindblowing epic IMMORTALS where he starred next to another breakthrough star and his good friend Henry Cavill. The introduction to this marvelous year of his career was year 2010 when he actually drew attention with delightful and expressive role in charming comedy TAMARA DREWE and with another of his Godly roles - Apollo in blockbuster epic CLASH OF THE TITANS. When it comes to 2012, he will appear in following projects: NO ONE LIVES, about a gang of ruthless highway killers who kidnap a wealthy couple traveling cross country only to shockingly discover that things are not what they seem, ASHES, in which he will appear alongside Jim Sturgess and Ray Winstone, THE RAVEN, next to John Cusack in this fictionalized
account of the last days of Edgar Allan Poe's life, in which the poet pursues a serial killer whose murders mirror those in the writer's stories, THE AMATEUR AMERICAN, about an American in Paris who is framed for murder, THE HOBBIT AND UNEXPECTED JOURNEY, in which he plays Bard, the leader of Men, and he will also appear in
the second one as well THE HOBBIT THERE AND BACK AGAIN which premieres only in 2013. This year he was also in the run for the royal role in ARTHUR AND LANCELOT but he didn't get it, and the film is currently on hold. His profoundly charismatic and almost magnetic presence in films has made him the breakthrough star of 2011 bringing him thousands of fans around the world. Surrounded with fame and glory, Luke has remained a very polite and warm person, which you can see if you read the comments of his biggest fans bellow. HOLLYWOOD SPY has himself seen this warmth and kindness of Luke's since Luke has offered us his support a number of times throughout last year. Here's why his biggest fans love him:
is this 'what you see is what you get' aspect about him, in my interactions with him on Twitter, he is always polite and gracious, and thankful for our support as fans. And his sense of humor is priceless! He's a special man and I wish him all the best!"
Tuesday, January 10, 2012

Welsh star Luke Evans really did have a great year in 2011 putting his name in golden letters on the movie map. He shined in two big roles - as super charming Aramis in THE THREE MUSKETEERS stealing the show from Orlando Bloom and Ray Stevenson, and then as proud and powerful Zeus, king of all Gods, in Tarsem's mindblowing epic IMMORTALS where he starred next to another breakthrough star and his good friend Henry Cavill. The introduction to this marvelous year of his career was year 2010 when he actually drew attention with delightful and expressive role in charming comedy TAMARA DREWE and with another of his Godly roles - Apollo in blockbuster epic CLASH OF THE TITANS. When it comes to 2012, he will appear in following projects: NO ONE LIVES, about a gang of ruthless highway killers who kidnap a wealthy couple traveling cross country only to shockingly discover that things are not what they seem, ASHES, in which he will appear alongside Jim Sturgess and Ray Winstone, THE RAVEN, next to John Cusack in this fictionalized
account of the last days of Edgar Allan Poe's life, in which the poet pursues a serial killer whose murders mirror those in the writer's stories, THE AMATEUR AMERICAN, about an American in Paris who is framed for murder, THE HOBBIT AND UNEXPECTED JOURNEY, in which he plays Bard, the leader of Men, and he will also appear in
the second one as well THE HOBBIT THERE AND BACK AGAIN which premieres only in 2013. This year he was also in the run for the royal role in ARTHUR AND LANCELOT but he didn't get it, and the film is currently on hold. His profoundly charismatic and almost magnetic presence in films has made him the breakthrough star of 2011 bringing him thousands of fans around the world. Surrounded with fame and glory, Luke has remained a very polite and warm person, which you can see if you read the comments of his biggest fans bellow. HOLLYWOOD SPY has himself seen this warmth and kindness of Luke's since Luke has offered us his support a number of times throughout last year. Here's why his biggest fans love him:
FANS ON LUKE EVANS
Pat Fuentes from The League of British Artists
"I love Luke first because of his talent, he can play so many different and varied characters brilliantly, from muscials to mythology. Not many can say that. Most importantly, I love the person he is, I think what I likeis this 'what you see is what you get' aspect about him, in my interactions with him on Twitter, he is always polite and gracious, and thankful for our support as fans. And his sense of humor is priceless! He's a special man and I wish him all the best!"
Astrid from LukeEvansNews
"Luke Evans is the entire package, immensly talented, breathtakingly handsome and an ever better person on the inside. A breakthrough star that stole every scene he was in."
Hanna Ala-Kotila Luke's Twitter fan
"These are the reason why a part of my heart will belong to the awesome Luke Evans from here to eternity. His exeptional presence that makes him the king of any scene he's in, not to mention takes my breath away. Also because he seems like such a sweetheart and really a down-to-earth guy who just happens to be GINORMOUSLY talented... and yes, Luke Evans is also the cat's meaow."Sarah Sharp, Luke's fan from Sweden
"With Luke, you see instantly that he was born to act; every inch of him seems to glow, on screen and on stage, with the passion belonging to a man who loves what he does and doesn’t take it for granted. He astounds as much as he inspires, and he undoubtedly deserves any and all success coming his way." BEST ACTORS WHO'VE NEVER GOT AN OSCAR
Now, let us move to our new poll. Since Oscars are quite close, the atmosphere around the award show always makes you think of all
those great stars who have never won an Oscar even though they are amazingly talented and very often million times better than their fellow stars who were blessed with an academy award. This poll will have three parts, here are the candidates you can vote for in the first part: Emily Blunt (THE YOUNG VICTORIA, THE DEVIL WEARS PRADA), Jude Law (COLD MOUNTAIN, ENEMY AT THE GATES, CLOSER, THE AVIATOR ), Michelle Williams (BROKEBACK MOUNTAIN, MY WEEK MARILYN, BLUE VALENTINE), Michael Fassbander (FISH TANK, HUNGER, SHAME, A DANGEROUS METHOD, CENTURION), Cillian Murphy (WIND THAT SHAKES THE BARLEY, BREAKFAST ON PLUTO), Amy Adams (JULIE & JULIA, DOUBT, THE FIGHTER), Kenneth Branagh (HAMLET, FRANKENSTEIN, HENRY V, OTHELLO). Vote on people! New stars who never
those great stars who have never won an Oscar even though they are amazingly talented and very often million times better than their fellow stars who were blessed with an academy award. This poll will have three parts, here are the candidates you can vote for in the first part: Emily Blunt (THE YOUNG VICTORIA, THE DEVIL WEARS PRADA), Jude Law (COLD MOUNTAIN, ENEMY AT THE GATES, CLOSER, THE AVIATOR ), Michelle Williams (BROKEBACK MOUNTAIN, MY WEEK MARILYN, BLUE VALENTINE), Michael Fassbander (FISH TANK, HUNGER, SHAME, A DANGEROUS METHOD, CENTURION), Cillian Murphy (WIND THAT SHAKES THE BARLEY, BREAKFAST ON PLUTO), Amy Adams (JULIE & JULIA, DOUBT, THE FIGHTER), Kenneth Branagh (HAMLET, FRANKENSTEIN, HENRY V, OTHELLO). Vote on people! New stars who never
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Wednesday, January 4, 2012
Luke Evans: Another Great Youtube
Video by Nadine (@ScarredDreams)!
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Wednesday, December 28, 2011
MOVIE BLOG: Winners and losers of 2011 (The Sentinel)
By Naomi Creason, Sentinel ReporterThe Sentinel - cumberlink.com | Posted: Wednesday, December 28, 2011 7:49 am |
It's the end of the year again, and with it, my annual roundup of winners and losers of the year.
This year saw the end of a beloved franchise - "Harry Potter" - and the origin stories for superheroes who may together make a major franchise for "Marvel" next year - "The Avengers."
But for now, since this will be my last day at the office before the New Year, I'll give my breakdown of what I noticed in 2011 and what you can look forward to in 2012 in movies.
Critics are rather well known for their insatiable hatred for blockbusters that are obviously vying more for seats in a theater than awards at the Kodak Theatre. But this year, we saw many franchises dig themselves out of their respective graves to give us more than just a money-making movie.
When it comes to the last few sequels, "Shrek," "The Fast and the Furious," "Planet of the Apes," "X-Men" and "Mission: Impossible" haven't exactly hit the right marks with critics. Sure, most of the sequels made tons of money at the box office, but the sequels to "Shrek" were pretty awful, "Fast and Furious" pretty brainless (and usually not in a fun way), "Planet of the Apes" reboot unsuccessful, "X-Men" discouragingly terrible considering the first two movies and "Mission: Impossible" just not that thrilling.
All of that changed this year.
"Puss in Boots" gave "Shrek" its magic back (even if it was minus the original cast of characters), "Fast Five" didn't take itself too seriously and focused on action, "The Rise of the Planet of the Apes" brought in drama to what people thought of as a corny franchise, "X-Men: First Class" made us believe in mutants again, and "Mission: Impossible - Ghost Protocol" brought all the thrills and gadgets back to the spy movie.
Add onto the fact that critics also loved "The Muppets," "Thor," "Captain America" and even "Footloose" of all things, and it was a fairly good year for blockbuster movies with only a few exceptions ("The Green Lantern," "The Hangover 2" and the "Pirates" sequel).
No matter how much love movies got from critics, however, it doesn't mean a whole lot to major blockbusters and studio tentpoles if no one sees it.
The Top 10 movies of 2011 were all sequels, prequels or comic book movies, and the top "you knew they were going to make money" movies were successful. "Harry Potter and the Deathly Hallows Part 2" topped the list, followed by "Transformers: Dark of the Moon" and "Twilight: Breaking Dawn Part 1." But when it came to a lot of the other blockbusters, many weren't all that successful.
Many of the movies that critics were predicting would see a lot of attention at the box office failed to get much notice. Big action movies like "Cowboys & Aliens," "Battle: Los Angeles," "Immortals," "Conan the Barbarian," "The Three Musketeers" and "Sucker Punch" failed pretty miserably at the box office. Even some family films weren't exempt from the cold shoulder of audiences. "Puss in Boots" had a weak opening, though it did stay near the top of the box office for a decent amount of time, and "Happy Feet Two" fell under everyone's expectations.
And then there's December.
I'm not sure what happened this month, but apparently, movie watching wasn't really on the minds of audiences. Ticket sales were slow, even though there were a lot of films opening, some of which critics actually liked. Even usual top contenders "Sherlock Holmes" and "Alvin and the Chipmunks" couldn't really manage to attract enough people to the theater. Add on a pretty slow wide release of "M:I4," "New Year's Eve" and "The Adventures of Tintin" which were predicted to be huge, and "The Girl with the Dragon Tattoo," which could've attracted a crowd (though it is more Oscar bait than a blockbuster), and December turned out to be pretty uninspiring.
Only "War Horse" may come out of this fairly unscathed, considering it took $7.5 million Sunday and another $7 million on Monday, which far exceeds what people were predicting for the war drama.
There are a lot of Top 10 lists for movies on the Internet right now, and I think I can safely bet that each and every one of them will mention Michael Fassbender and Jessica Chastain.
Fassbender has been in a few movies already ("Inglourious Basterds," "Centurion" and "Eden Lake" to name a few), but he and Chastain pretty much took over this year by starring in multiple well-received movies. It was actually a bit of a challenge for critics to think about just which of their films they would be nominated for during the awards season.
"Shame" ended up being Fassbender's ticket to awards shows, though he also astounded critics and audiences with his work in "Jane Eyre" as Mr. Rochester, "X-Men: First Class" as Magneto and "A Dangerous Method" as Carl Jung. It looks like "The Help" may be what Chastain is remembered for this year with awards, but she also worked in a number of other critically acclaimed movies, including "Take Shelter," "The Tree of Life," "The Debt" and "Coriolanus" (she was also in "Texas Killing Fields," but it didn't get much of a wide release this year).
You'll see both of them next year as well, with Fassbender in "Haywire" and Ridley Scott's "Prometheus" and Chastain in "Tar," "Mama," "Wettest Country" and the untitled Terrence Malick movie, which co-stars Ben Affleck, Rachel McAdams, Rachel Weisz, Michael Sheen and Javier Bardem.
I'd also be remiss if I didn't mention Tom Hiddleston in this list. The British thesp wasn't really well known outside of theater circles in England, but he landed the role of Loki in "Thor," which put him in the spotlight. He also managed to snag some roles in other sought-after movies this year, including Woody Allen's "Midnight in Paris," Steven Spielberg's "War Horse" and Terence Davies' "The Deep Blue Sea." He won't be featured in as many movies as Fassbender or Chastain in 2012, but he will be returning as Loki in "The Avengers" and also take part in a British TV movie of "Henry IV" Part 1 and Part 2 as the future Henry V.
Given that almost all of the blockbusters that did well revolved around already established franchises, I think it's safe to say that it's not necessarily the actor that pulls audiences in, but the franchise. And it appears that even A-list actors couldn't quite pull in bit audiences.
If you look at some of the "surprise" hits of the year, you'll notice there's not a lot of "star power." Some of the movies that lasted the longest in theaters included "Rise of the Planet of the Apes," "The Help," "Bridesmaids," "Dolphin Tale" and "Horrible Bosses." They each had surprising No. 1 openings and raked in a lot more money than what was predicted. And yet, each of those movies didn't really have that A-lister that studios count on for movies. They had people you recognized - James Franco, Emma Stone, Kristen Wiig, Morgan Freeman and Jennifer Aniston/Kevin Spacey/Colin Farrell - but they often aren't the kind of stars that you see get charged with carrying a big budget blockbuster. You can't say that any one of those people were really the reason why those movies were popular, either, considering Franco's "Your Highness," Farrell's "Fright Night" and Stone's "Crazy Stupid Love" didn't do remarkably well in theaters, either.
It instead appeared as though people actually wanted to see movies for their stories or comedy rather than the stars in it.
So, this year, we ended up seeing stars, who are tasked with carrying a big budget movie, unable to really follow through with that. As mentioned above, Tom Cruise wasn't able to save "M:I4" from a poor wide release, Daniel Craig didn't earn much for "Dream House" or "The Girl with the Dragon Tattoo," Robert Downey Jr. didn't help "Sherlock Holmes: A Game of Shadows" and pretty much the entire cast of "New Year's Eve" couldn't save that from bombing.
I can't say I'm particularly displeased with this trend, since it may mean more movies with good stories or comedy and less star-vehicle movies like Taylor Lautner's abysmal "Abduction."
There are a lot of big movies coming your way in 2012 - "The Dark Knight Rises," "The Avengers," "The Amazing Spider-Man" and "The Hunger Games" - but I thought I'd concentrate on who you'll be seeing a lot of next year.
After finally getting recognized by the public for his movie work in "Inception," Joseph Gordon-Levitt has become a pretty hot item for directors. Even though "50/50" was his only big movie this year (though it was a good one), you'll see much more of him in 2012. In addition to "Premium Rush" and "Looper," Gordon-Levitt will be working with some pretty famous directors next year. He'll rejoin director Christopher Nolan for a role in "The Dark Knight Rises" and will be seen in a pretty impressive cast for Spielberg's "Lincoln," which includes Daniel Day Lewis, Tommy Lee Jones, Jackie Earle Haley, John Hawkes and David Straithairn. He'll also star in a Quentin Tarantino movie, "Django Unchained," alongside "Inception" co-star Leonardo DiCaprio, as well as a pretty broad actor list including Christoph Waltz, Sacha Baron Cohen, Samuel L. Jackson, Jamie Foxx, Kurt Russell, Don Johnson and Anthony LaPaglia.
Next year, you'll also see a lot of Gordon-Levitt's "Looper" co-star Bruce Willis. Willis is in an insane number of movies next year that includes "Lay the Favorite" (with Vince Vaughn, Catherine Zeta-Jones, Rebecca Hall and Joshua Jackson), "The Cold Light of Day" (with Henry Cavill and Sigourney Weaver), "Fire with Fire" (with Josh Duhamel, Rosario Dawson and Vinnie Jones), "Moonrise Kingdom" (a Wes Anderson film with Edward Norton, Bill Murray, Tilda Swinton, Frances McDormand and, of course, Jason Schwartzman), "G.I. Joe: Retaliation" (with Channing Tatum, Dwayne Johnson, Ray Park, Ray Stevenson and Adrianne Palicki) and finally with "The Expendables 2" with the original cast, plus some additions (Liam Hemsworth, Jean-Claude Van Damme, and, yes, Chuck Norris).
While Liam Hemsworth will be in "The Expendables" sequel and "The Hunger Games," his brother Chris Hemsworth will be seen in a few movies as well, including "Snow White and the Huntsman," "The Avengers" and "Rush." He'll actually have two other movies that will finally be coming out next year. For years, both "Cabin in the Woods" and "Red Dawn" were put on hold, but both have release dates for next year (though the death of Kim John Il has people wondering if "Red Dawn" will still come out late next year).
The other big star that's probably going to be in a lot of films to come, given how many roles he's been accepting recently, is Jeremy Renner. He had a cameo in "Thor" (of Hawkeye, who he'll portray in "The Avengers") and starred in "M:I4," a series that he will reportedly take over as the lead, but 2012 will be a busy year for him. Along with "The Avengers," he'll also star in "Hansel and Gretel: Witch Hunters" alongside Gemma Arterton and Famke Janssen, an untitled movie from James Gray starring Marion Cotillard and Joaquin Phoenix and another franchise he'll take over - "The Bourne Legacy," which co-stars Rachel Weisz and Edward Norton.
Overall, things were a little up and down for major motion pictures at the box office, and not every Oscar hopeful got its critical acclaim ("J. Edgar"), but 2011 proved to be a good year for some new actors, and I look forward to who 2012 will have to offer.
This year saw the end of a beloved franchise - "Harry Potter" - and the origin stories for superheroes who may together make a major franchise for "Marvel" next year - "The Avengers."
But for now, since this will be my last day at the office before the New Year, I'll give my breakdown of what I noticed in 2011 and what you can look forward to in 2012 in movies.
Winner: Blockbusters with critics
When it comes to the last few sequels, "Shrek," "The Fast and the Furious," "Planet of the Apes," "X-Men" and "Mission: Impossible" haven't exactly hit the right marks with critics. Sure, most of the sequels made tons of money at the box office, but the sequels to "Shrek" were pretty awful, "Fast and Furious" pretty brainless (and usually not in a fun way), "Planet of the Apes" reboot unsuccessful, "X-Men" discouragingly terrible considering the first two movies and "Mission: Impossible" just not that thrilling.
All of that changed this year.
"Puss in Boots" gave "Shrek" its magic back (even if it was minus the original cast of characters), "Fast Five" didn't take itself too seriously and focused on action, "The Rise of the Planet of the Apes" brought in drama to what people thought of as a corny franchise, "X-Men: First Class" made us believe in mutants again, and "Mission: Impossible - Ghost Protocol" brought all the thrills and gadgets back to the spy movie.
Add onto the fact that critics also loved "The Muppets," "Thor," "Captain America" and even "Footloose" of all things, and it was a fairly good year for blockbuster movies with only a few exceptions ("The Green Lantern," "The Hangover 2" and the "Pirates" sequel).
Loser: Blockbusters at the box office
The Top 10 movies of 2011 were all sequels, prequels or comic book movies, and the top "you knew they were going to make money" movies were successful. "Harry Potter and the Deathly Hallows Part 2" topped the list, followed by "Transformers: Dark of the Moon" and "Twilight: Breaking Dawn Part 1." But when it came to a lot of the other blockbusters, many weren't all that successful.
Many of the movies that critics were predicting would see a lot of attention at the box office failed to get much notice. Big action movies like "Cowboys & Aliens," "Battle: Los Angeles," "Immortals," "Conan the Barbarian," "The Three Musketeers" and "Sucker Punch" failed pretty miserably at the box office. Even some family films weren't exempt from the cold shoulder of audiences. "Puss in Boots" had a weak opening, though it did stay near the top of the box office for a decent amount of time, and "Happy Feet Two" fell under everyone's expectations.
And then there's December.
I'm not sure what happened this month, but apparently, movie watching wasn't really on the minds of audiences. Ticket sales were slow, even though there were a lot of films opening, some of which critics actually liked. Even usual top contenders "Sherlock Holmes" and "Alvin and the Chipmunks" couldn't really manage to attract enough people to the theater. Add on a pretty slow wide release of "M:I4," "New Year's Eve" and "The Adventures of Tintin" which were predicted to be huge, and "The Girl with the Dragon Tattoo," which could've attracted a crowd (though it is more Oscar bait than a blockbuster), and December turned out to be pretty uninspiring.
Only "War Horse" may come out of this fairly unscathed, considering it took $7.5 million Sunday and another $7 million on Monday, which far exceeds what people were predicting for the war drama.
Winner: New faces
Fassbender has been in a few movies already ("Inglourious Basterds," "Centurion" and "Eden Lake" to name a few), but he and Chastain pretty much took over this year by starring in multiple well-received movies. It was actually a bit of a challenge for critics to think about just which of their films they would be nominated for during the awards season.
"Shame" ended up being Fassbender's ticket to awards shows, though he also astounded critics and audiences with his work in "Jane Eyre" as Mr. Rochester, "X-Men: First Class" as Magneto and "A Dangerous Method" as Carl Jung. It looks like "The Help" may be what Chastain is remembered for this year with awards, but she also worked in a number of other critically acclaimed movies, including "Take Shelter," "The Tree of Life," "The Debt" and "Coriolanus" (she was also in "Texas Killing Fields," but it didn't get much of a wide release this year).
You'll see both of them next year as well, with Fassbender in "Haywire" and Ridley Scott's "Prometheus" and Chastain in "Tar," "Mama," "Wettest Country" and the untitled Terrence Malick movie, which co-stars Ben Affleck, Rachel McAdams, Rachel Weisz, Michael Sheen and Javier Bardem.
I'd also be remiss if I didn't mention Tom Hiddleston in this list. The British thesp wasn't really well known outside of theater circles in England, but he landed the role of Loki in "Thor," which put him in the spotlight. He also managed to snag some roles in other sought-after movies this year, including Woody Allen's "Midnight in Paris," Steven Spielberg's "War Horse" and Terence Davies' "The Deep Blue Sea." He won't be featured in as many movies as Fassbender or Chastain in 2012, but he will be returning as Loki in "The Avengers" and also take part in a British TV movie of "Henry IV" Part 1 and Part 2 as the future Henry V.
Loser: Recognizable faces
If you look at some of the "surprise" hits of the year, you'll notice there's not a lot of "star power." Some of the movies that lasted the longest in theaters included "Rise of the Planet of the Apes," "The Help," "Bridesmaids," "Dolphin Tale" and "Horrible Bosses." They each had surprising No. 1 openings and raked in a lot more money than what was predicted. And yet, each of those movies didn't really have that A-lister that studios count on for movies. They had people you recognized - James Franco, Emma Stone, Kristen Wiig, Morgan Freeman and Jennifer Aniston/Kevin Spacey/Colin Farrell - but they often aren't the kind of stars that you see get charged with carrying a big budget blockbuster. You can't say that any one of those people were really the reason why those movies were popular, either, considering Franco's "Your Highness," Farrell's "Fright Night" and Stone's "Crazy Stupid Love" didn't do remarkably well in theaters, either.
It instead appeared as though people actually wanted to see movies for their stories or comedy rather than the stars in it.
So, this year, we ended up seeing stars, who are tasked with carrying a big budget movie, unable to really follow through with that. As mentioned above, Tom Cruise wasn't able to save "M:I4" from a poor wide release, Daniel Craig didn't earn much for "Dream House" or "The Girl with the Dragon Tattoo," Robert Downey Jr. didn't help "Sherlock Holmes: A Game of Shadows" and pretty much the entire cast of "New Year's Eve" couldn't save that from bombing.
I can't say I'm particularly displeased with this trend, since it may mean more movies with good stories or comedy and less star-vehicle movies like Taylor Lautner's abysmal "Abduction."
2012
After finally getting recognized by the public for his movie work in "Inception," Joseph Gordon-Levitt has become a pretty hot item for directors. Even though "50/50" was his only big movie this year (though it was a good one), you'll see much more of him in 2012. In addition to "Premium Rush" and "Looper," Gordon-Levitt will be working with some pretty famous directors next year. He'll rejoin director Christopher Nolan for a role in "The Dark Knight Rises" and will be seen in a pretty impressive cast for Spielberg's "Lincoln," which includes Daniel Day Lewis, Tommy Lee Jones, Jackie Earle Haley, John Hawkes and David Straithairn. He'll also star in a Quentin Tarantino movie, "Django Unchained," alongside "Inception" co-star Leonardo DiCaprio, as well as a pretty broad actor list including Christoph Waltz, Sacha Baron Cohen, Samuel L. Jackson, Jamie Foxx, Kurt Russell, Don Johnson and Anthony LaPaglia.
Next year, you'll also see a lot of Gordon-Levitt's "Looper" co-star Bruce Willis. Willis is in an insane number of movies next year that includes "Lay the Favorite" (with Vince Vaughn, Catherine Zeta-Jones, Rebecca Hall and Joshua Jackson), "The Cold Light of Day" (with Henry Cavill and Sigourney Weaver), "Fire with Fire" (with Josh Duhamel, Rosario Dawson and Vinnie Jones), "Moonrise Kingdom" (a Wes Anderson film with Edward Norton, Bill Murray, Tilda Swinton, Frances McDormand and, of course, Jason Schwartzman), "G.I. Joe: Retaliation" (with Channing Tatum, Dwayne Johnson, Ray Park, Ray Stevenson and Adrianne Palicki) and finally with "The Expendables 2" with the original cast, plus some additions (Liam Hemsworth, Jean-Claude Van Damme, and, yes, Chuck Norris).
While Liam Hemsworth will be in "The Expendables" sequel and "The Hunger Games," his brother Chris Hemsworth will be seen in a few movies as well, including "Snow White and the Huntsman," "The Avengers" and "Rush." He'll actually have two other movies that will finally be coming out next year. For years, both "Cabin in the Woods" and "Red Dawn" were put on hold, but both have release dates for next year (though the death of Kim John Il has people wondering if "Red Dawn" will still come out late next year).
The other big star that's probably going to be in a lot of films to come, given how many roles he's been accepting recently, is Jeremy Renner. He had a cameo in "Thor" (of Hawkeye, who he'll portray in "The Avengers") and starred in "M:I4," a series that he will reportedly take over as the lead, but 2012 will be a busy year for him. Along with "The Avengers," he'll also star in "Hansel and Gretel: Witch Hunters" alongside Gemma Arterton and Famke Janssen, an untitled movie from James Gray starring Marion Cotillard and Joaquin Phoenix and another franchise he'll take over - "The Bourne Legacy," which co-stars Rachel Weisz and Edward Norton.
Overall, things were a little up and down for major motion pictures at the box office, and not every Oscar hopeful got its critical acclaim ("J. Edgar"), but 2011 proved to be a good year for some new actors, and I look forward to who 2012 will have to offer.
Read more: http://cumberlink.com/news/opinion/blogs/now_showing/movie-blog-winners-and-losers-of/article_e21c3010-3152-11e1-87b4-001871e3ce6c.html#ixzz1hsM9kD3z
Labels:
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the twilight saga: breaking dawn part 1,
tom hiddleston
Wednesday, December 14, 2011
THE NEW ACTION MAN: LUKE EVANS: (BLACK BOOK)
Before glimpsing a single paycheck, every actor dreams of being christened “a rising star.” It’s a universally acknowledged stamp of industry approval, and more often than not, a prelude to big money. But for Luke Evans, whose star is undoubtedly rocketing skyward, the label is losing its luster. “I’m wondering how long it’s going to last,” says the 32-year-old Welsh actor, “because I find it quite funny. How long can you stay ‘rising’?”
In Evans’ case, not much longer. For starters, he has been working since his early twenties, leading the 2002 West End production of Boy George’s musical, Taboo. He’d eclipsed 30 when he scored his first film audition, thanks to casting directors who took notice of his focused and sensitive performance in Peter Gill’s Donmar Warehouse production of Small Change. “It wasn’t me searching out movies, it just sort of happened,” Evans recalls. “I was very content working in the theater. It’s where I learnt my craft.”
Then, quite suddenly, he morphed into an action star. In October, he appeared as Aramis, one of the titular swashbucklers in Paul W. S. Anderson’s chop-socky thriller The Three Musketeers, and three weeks later, as a vengeful Zeus in Tarsem Singh’s phantasmagorical myth redux, Immortals. This March, he’ll travel as inspector Emmett Fields to 19th-century Baltimore, where he’ll help John Cusack’s Edgar Allan Poe track a serial killer in -The Raven. “I’m not quite sure how it happened, to be honest,” Evans says of his macho screen personas. “I never thought this Welsh boy who liked to sing would end up doing action roles.”
Over the next year, he will jet back and forth to New Zealand, where Peter Jackson is shooting consecutive films based on J.R.R. Tolkien’s The Hobbit. Evans will play Bard the Bowman, the eagle-eyed archer. The last time Jackson put a bow and arrow into the hands of a dashing young Brit, the Brit became the global star known as Orlando Bloom. Is Evans worried that The Hobbit will wipe out what remains of his anonymity? “My saving grace is that I live in London,” he says, “where people don’t really give a fuck.” —Ben Barna. Photo by Iain McKell.
http://www.blackbookmag.com/movies/next-year-s-best-brightest-in-movies-music-art-more-1.42793
BLACK BOOK
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luke evans,
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Thursday, December 1, 2011
Matthew Macfadyen - We need much more Matthew Macfadyen
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robin hood
Thursday, November 10, 2011
Luke Evans - 'Hobbit' Star on Edge of Celebrity Takes on Zeus in 'Immortals'
Luke Evans likes to remind folks that he is from Wales, not England. After all, both are completely separate countries within the United Kingdom, not to be confused for one and the same. Equally, do not confuse his roles in Immortals and The Hobbit as placing the thespian on the cusp of mass stardom. Sure, he is portraying the Greek God Zeus in Tarsem Singh’s Immortals -- which also stars Mickey Rourke, Freida Pinto, Henry Cavill, Stephen Dorff, and Isabel Lucas. Yet, Mr. Evans insists he still enjoys a good ole fashioned hangout at the local pub.
Parimal M. Rohit: Between Immortals and several other big-name projects, such as The Hobbit, are you ready for stardom?
Luke Evans: It is what it is, and you have to just try to keep it real and keep going to the pub. You can’t get too wrapped up in all that.
PMR: Zeus looks very modern and hip and young. What are you trying to bring to Zeus?
LE: It was a very different take on the King of the Gods. In movie history, when Zeus has been portrayed, he’s been portrayed by Lawrence Olivier, and Liam Neeson quite recently. So Tarsem had to convince me. He gave me the idea, he sold it to me. He said, "If you were a god, why on Earth would you want to be an old, wrinkly, smelly, achy (being) and do very little?" He said, "You'd choose to be young, proud, fit, and if you needed to pick up a sword and fight, you could." It was a mental challenge to think of myself as being the father of Isabel Lucas. That was a very weird thing. But I just thought of my granddad, basically. I just thought, "Well, how did he talk to me as a kid?" I just sort of imbued my granddad -- that’s where I went with it.
PMR: What was it like working with Tarsem?
LE: He has an incredible enthusiasm which I’ve never experienced in a human being, nevermind a director. He’d deliver 150% every single day, and you just felt like you had to try to match it. You always felt like you owed it to him to come to the table with as much passion and energy as he did.
PMR: Tell us about the look of Zeus. Did you feel objectified at all? How do you think you are portrayed in this film?
LE: When you take on a job like this, you know what you are getting yourself into. We had to trust Tarsem and believe he was going to make us look right. I think he managed to do it. I think Tarsem knew he could achieve the right effect if we just let him do it.
PMR: What can you tell us of The Hobbit?
LE: I can’t say much or I’ll be strung up. I’ve been in New Zealand, I’ve done eight weeks of shooting, and I’ve had a break to press for this (Immortals) and Musketeers. I return in three weeks to carry on. It’s an extraordinary experience. I already feel like I am part of a family there.
Relativity Media's 'Immortals' is released on November 11, 2011.
Buzzine
Labels:
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immortals,
luke evans,
The hobbit
Monday, November 7, 2011
Damage Report: The Three Musketeers
Coming Soon
Source: Edward Douglas
November 7, 2011
You may notice that there wasn't a review of the movie on the site, but that's because Summit Entertainment decided not to screen it for critics and it took us a few weeks to get around to seeing it. It's not a great movie and has problems--like the 20 minutes where none of the 3 Musketeers appear on screen--but you can tell that it certainly has potential, and it deserved to do more business than the $16 to 17 million it's made so far.
This was supposed to be one of Summit Entertainment's bigger non-"Twilight" movies of the year and clearly, they thought they were getting a lower-budget "Pirates of the Caribbean," but probably the first mistake they made was trying to open it against Paranormal Activity 3, which made sure that it would be completely overshadowed. It ended up making just 8.6 million its opening weekend, not the worst opening of the last couple months, but absolutely terrible when you realize the movie cost $90 million to make.
I'm pretty sure that director Paul W.S. Anderson and the entire cast also thought they were making "Pirates of the Caribbean" as well, and while Anderson is a visionary filmmaker, he hasn't proven he can deliver the quality of films as Gore Verbinski, nor did he have Johnny Depp. Other than Anderson's baby mama Milla Jovovich and possibly Christoph Waltz, there really wasn't a star of any size caliber that could get people into theaters.
Sure, Logan Lerman had starred in Chris Columbus' Percy Jackson & the Olympians and others like Ray Stevenson and Matthew Macfadyen had at least appeared in relatively popular movies even if few would recognize them. Really, the casting of the Musketeers themselves weren't bad but there were quite a few other bad performances, most notably Orlando Bloom, who was playing a villain for once... and badly at that. Jovovich herself tried to play a nodding and winking character called Milady, who was constantly trying to make the movie look "Fun! Fun! Fun!" but really just came off as quite annoying.
Even though the movie clearly didn't have a strong enough cast to get people into theaters, the fans of the Alexandre Dumas books probably saw the movie as an aberration with all its newfangled tech that made the movie look a bit too much like a Wild Wild West, and that hurt any sort of namebrand value that having the title "The Three Musketeers" might have had in bringing in fans of the books or the previous movies.
The pushing of the 3D probably didn't help, because audiences are still very dubious of the format after being ripped off all year - in fact, the theater I saw it at completely forgot to hand out 3D glasses and those of us who realized this had to go back down three flights to get them. One older couple watched the entire movie without glasses, never realizing why it was so blurry! So yeah, 3D hasn't really caught on, at least not in the way that many (including yours truly) have hoped, and if theater employees don't seem to realize they have to give out glasses for people to see the movie properly, who knows why dumber moviegoers who don't realize they're paying a premium when they go to see 3D movies don't also realize they need glasses to watch them properly?
That may have been an isolated incident, although certainly, there never seemed to be any sort of incentive to pay extra to see the movie in 3D and it was immediately removed as soon as stronger movies came along.
At least the movie is doing much better in other regions, including Germany, UK, Russia, and Brazil where it's grossed more than the domestic gross with $94.7 million internationally. Fortunately for Summit, they didn't pay for the movie to get made and were only distributing domestically, but they also don't see any of that money from international either. Chances are that selling off the distribution rights has helped the movie make back its money (or it will once DVD sales and rentals come into play) but this was clearly an experiment gone wrong, and it's doubtful Anderson will be able to turn this into a successful franchise ala the "Resident Evil" movies (which they've already gone back to make a fifth movie.)
You can read regular box office, awards and festival coverage on the new Weekend Warrior Blog and to keep up with the latest articles and posts, you can follow the brand-new Twitter feed.
Read more: Damage Report: The Three Musketeers - ComingSoon.net http://www.comingsoon.net/news/weekendwarriornews.php?id=83985#ixzz1d3x30ixF
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luke evans,
Matthew Macfadyen,
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Thursday, November 3, 2011
Swashbuckling Musketeers featured in must-see film: St. Lawrence EMC
St. Lawrence EMC
MOVIE: The Three Musketeers
STARRING: Logan Lerman, Ray Stevenson, Luke Evans, Matthew Macfadyen, Mila Jovovich, Christopher Waltz, and Orlando Bloom
DIRECTOR: Paul W.S. Anderson
RATING: PG-13
EMC Entertainment - Intrigue, adventure, evil machinations, romance, sword fights, and just a hint of steampunk, The Three Musketeers has it all.
After a failed mission where they were betrayed by Milady de Winter (Mila Jovovich) the Three Musketeers, The King of France's elite warriors, find themselves out of favour. As it seems their country doesn't need them Porthos (Ray Stevenson), Aramis (Luke Evans) and Athos (Matthew Macfadyen) have found other pursuits. Mostly brawling with and embarrassing Cardinal Richelieu's (Christopher Waltz) guards. That is until they meet D'Artagnan (Logan Lerman).
D'Artagnan has come to Paris to become a Musketeer like his father. In the short time since he's left home D'Artagnan has had a run-in with The Cardinal's enforcer Rochefort (Mads Mikkelsen), and managed to insult each of the Three Musketeers. D'Artagnan was just about to duel Athos when 40 of the Cardinal's Guard showed up to arrest them. Unfortunately for the Cardinal's Guard they didn't bring quite enough men.
With the introductions out of the way The Musketeers take D'Artagnan under their wings. From there it isn't long before they find themselves embroiled in the intrigues of the court. The Cardinal, using Milady de Winter as his agent, hatches a plot to implicate improprieties between the Queen of France and England's Duke of Buckingham (Orlando Bloom). This would plunge both countries into war, and allow the Cardinal to seize the throne. It's up to The Musketeers to expose the plot, clear the good name of the Queen, and save France.
I absolutely loved The Three Musketeers. The wild gadgets, the costumes, the backdrops, the intricately-filmed sword fights, and the dazzling special effects were all gorgeous. It's a stunningly beautiful film, but it isn't all just eye candy. The story is tightly written full of wit and humour as well as action and adventure.
The cast is exceptional. Ray Stevenson, Luke Evans, and Matthew Macfadyen are perfect as the Three Musketeers. They give the kind of performances that makes it hard to imagine anyone else playing their roles. I was thoroughly impressed with Logan Lerman who, as D'Artagnan, has just the right blend of arrogance, heroism, and wit. As manipulative, power hungry villains go Cardinal Richelieu ranks near the top, and I can't think of a better actor than Christopher Waltz to step into the role.
Milady de Winter is perhaps the most dangerous double agent and assassin in Europe. She's a force to be reckoned with as much as she's an object of men's desires, and Jovovich plays the part like she was born to.
When I hear the name Orlando Bloom I don't think villain. However, Bloom is outstanding throwing himself into the role of Buckingham with an undisguised zeal.
While it is a little odd that no one in the film seemed to have a French accent The Three Musketeers is still very much a must-see film.
Mark Haskins' column is a regular feature of the EMC.
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Matthew Macfadyen,
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Wednesday, November 2, 2011
Ray Stevenson Loves Life On Ibiza
Contact Music
The Three Musketeers star Ray Stevenson loves island life on Ibiza, insisting it conjures up romantic notions of life as a pirate.
The British actor, who plays Porthos in the new movie adaptation of the Alexandre Dumas novel, has been at home on the fabled Mediterranean party isle for years - and he wouldn't trade it for anything.
He tells Black Book magazine, "It's like a gypsy island. Ibiza is like a port where you sail in on your boat, scrape the barnacles off, and take off again."
And he insists the place isn't all parties and nightclubs: "Most people who share that view of the island have never been. It's got the biggest clubs in the world, sure, but you don't have to be part of that scene."
Labels:
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celebrity couples,
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Saturday, October 29, 2011
THREE MUSKETEERS PACKS ACTION AND LOTS OF FUN - REVIEW
THE INKWELL
At first glance, Paul W.S. Anderson's "The Three Musketeers" seems like a dim, unintelligent movie featuring plenty of action but no substance — this is a correct assumption. However, what really matters with a movie like this is it's ability to thrill the audience.
Alexandre Dumas's tale of three swashbucklers whose sole allegiance is to the king of France is over 150 years old and has been adapted for the screen countless times. With studios cashing in on recent film versions of literary classics like "Sherlock Holmes," "The Lord of the Rings" and "The Chronicles of Narnia," it only makes sense to move on to Dumas's work. Unfortunately with "Resident Evil" and "Alien vs. Predator" director Anderson at the helm, the film's direction becomes quite clear.
The story is painfully simple. France is under control by Cardinal Richelieu (Christoph Waltz) who allies himself with the deadly Milady de Winter (Milla Jovovich) to completely take over the throne.
Matthew MacFayden, Luke Evans and Ray Stevenson star as Athos, Aramis and Porthos, the three musketeers, who have given up their noble cause after a failed mission in Italy.
D'Artagnan (Logan Lerman), who grew up trained for fighting by his ex-musketeer father, is sent to Paris to become a musketeer himself. On his way, he encounters Rochefort (Mads Mikkelsen), the captain of Richelieu's guards, who nearly kills him purely out of sport. After finally arriving in Paris, D'Artagnan finds the musketeers and adventures ensue.
The only thing complicated about the film is keeping up with all the characters.
The acting is gleefully over-the-top. MacFayden, Evans and Stevenson are well cast as the title characters and closest resemble the original source material.
Waltz and Mikkelsen are both great actors doing what they can with what they are given, which isn't much. Jovovich's performance isn't bad, but her character becomes so repetitive that by the fourth time there's a slow-motion shot of her dodging objects in midair, it is silly and tiresome. Orlando Bloom has a part as the Duke of Buckingham, another villain, and is surprisingly enjoyable to watch. He seems like he's having so much fun playing the ridiculous part of an eccentric designer of an ‘air ship' equipped with canons and machine guns that audiences forget how unnecessary his character actually is.
Visually, the film succeeds on almost every level. Every shot looks like a CGI rendered painting. The costumes and set pieces are almost as colorful and elaborate as the men's facial hair. The action sequences are simply amazing, with some of the most entertaining choreography I've seen in a fight scene since "The Matrix."
Unfortunately, the writing and dialogue are absolutely atrocious. The story goes places I never expected, but only because I never expected the plot to be this dumb. At times I was actually shocked at how stolid and imbecilic the words coming out of the actor's mouths were.
Though the film isn't original or clever, it does provide viewers with thrills and adventure. The film begins with a bang and never slows down. If you're looking for an entertaining, albeit dim, movie, "The Three Musketeers" delivers.
At first glance, Paul W.S. Anderson's "The Three Musketeers" seems like a dim, unintelligent movie featuring plenty of action but no substance — this is a correct assumption. However, what really matters with a movie like this is it's ability to thrill the audience.
Alexandre Dumas's tale of three swashbucklers whose sole allegiance is to the king of France is over 150 years old and has been adapted for the screen countless times. With studios cashing in on recent film versions of literary classics like "Sherlock Holmes," "The Lord of the Rings" and "The Chronicles of Narnia," it only makes sense to move on to Dumas's work. Unfortunately with "Resident Evil" and "Alien vs. Predator" director Anderson at the helm, the film's direction becomes quite clear.
The story is painfully simple. France is under control by Cardinal Richelieu (Christoph Waltz) who allies himself with the deadly Milady de Winter (Milla Jovovich) to completely take over the throne.
Matthew MacFayden, Luke Evans and Ray Stevenson star as Athos, Aramis and Porthos, the three musketeers, who have given up their noble cause after a failed mission in Italy.
D'Artagnan (Logan Lerman), who grew up trained for fighting by his ex-musketeer father, is sent to Paris to become a musketeer himself. On his way, he encounters Rochefort (Mads Mikkelsen), the captain of Richelieu's guards, who nearly kills him purely out of sport. After finally arriving in Paris, D'Artagnan finds the musketeers and adventures ensue.
The only thing complicated about the film is keeping up with all the characters.
The acting is gleefully over-the-top. MacFayden, Evans and Stevenson are well cast as the title characters and closest resemble the original source material.
Waltz and Mikkelsen are both great actors doing what they can with what they are given, which isn't much. Jovovich's performance isn't bad, but her character becomes so repetitive that by the fourth time there's a slow-motion shot of her dodging objects in midair, it is silly and tiresome. Orlando Bloom has a part as the Duke of Buckingham, another villain, and is surprisingly enjoyable to watch. He seems like he's having so much fun playing the ridiculous part of an eccentric designer of an ‘air ship' equipped with canons and machine guns that audiences forget how unnecessary his character actually is.
Visually, the film succeeds on almost every level. Every shot looks like a CGI rendered painting. The costumes and set pieces are almost as colorful and elaborate as the men's facial hair. The action sequences are simply amazing, with some of the most entertaining choreography I've seen in a fight scene since "The Matrix."
Unfortunately, the writing and dialogue are absolutely atrocious. The story goes places I never expected, but only because I never expected the plot to be this dumb. At times I was actually shocked at how stolid and imbecilic the words coming out of the actor's mouths were.
Though the film isn't original or clever, it does provide viewers with thrills and adventure. The film begins with a bang and never slows down. If you're looking for an entertaining, albeit dim, movie, "The Three Musketeers" delivers.
Labels:
3 Musketeers,
Film review,
luke evans,
Matthew Macfadyen,
orlando bloom,
Ray Stevenson,
The Three Musketeers in 3D
Friday, October 28, 2011
Ray Stevenson slams movie critics
FanShare
The Three Musketeers actor Ray Stevenson has hit out at movie critics claiming that actors and filmmakers do not aim their movies at the critics. Ray also stated that if they could not get past this and accept movies for what they are then they are in the wrong profession.
Stevenson explained, “Are critics our target demographic? No, they certainly aren’t. We make movies for the audience. It’s like Shakespeare said: ‘The play’s the thing wherein I’ll catch the conscience of the king.’ The king, in this case, is 14 years old. The Three Musketeers is never going to be Chekhov.”
He added, “If critics can’t step outside of their boxes and judge the film for what it is, then that’s their problem. What can you really say against it, ‘the buttons on the tunic weren’t properly aligned.’ Bollocks!” You can see Ray Stevenson in The Three Musketeers, now.
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