Showing posts with label drew barrymore. Show all posts
Showing posts with label drew barrymore. Show all posts

Thursday, February 6, 2014

Hugh Grant: Love child revelations reveal a man who needs to grow up

THE VANCOUVER SUN
BY WILLIAM LANGLEY, LONDON DAILY TELEGRAPH

hugh grant

Ten long years have passed since Hugh Grant announced his retirement from the movie business.

“This is the last film I will ever do,” he promised the fans at the London premiere of Bridget Jones: The Edge of Reason. “I’ve completely lost interest. I was never a very committed actor. Now I can just stop.”

Like a lot of what 53-year-old Grant says, this turned out to be something less than the gospel truth, and his latest effort, The Reluctant Professor, yet another romantic comedy, is due to reach our screens shortly.

Admittedly, things have changed in the old boy’s life, and with three “love children” to support, he perhaps needs to keep the bumbling, cod-roue screen shtick going for a little longer.Grant’s off-set romances are clearly something else. Two years ago, it emerged that he had sired a daughter, Tabitha, whom he chivalrously characterized as the product of a “fleeting affair” with little-known Chinese actress Tinglan Hong. Soon the pair were fleeting again, and in February last year, Grant announced that they had produced a son, Felix Chang.

But before the second baby came along, the actor had switched his attentions to thirtysomething Swedish TV producer, Anna Eberstein, who, it was revealed last week, bore him a son in September 2012.


Both women and their children now live in expensive West London properties, although Grant, who apparently picks up the bills, doesn’t live with either of them. It is possible that he doesn’t want to show favouritism, but equally likely, given his lengthy record of embroilment-avoidance, that he prefers doing his daddying from a distance.

This seems puzzling. Born into a close, secure family, Grant has frequently spoken of his longing to have children.

“Much as I adore myself”, he once told Vogue magazine, “I’m quite keen to have someone else to care about”.

Ruminative by nature, much of his ruminating has been about his inability to find love or permanence, with the result that his life — now in deep middle age — is “boring to the point of embarrassment”.

Or the point of self-parody. Yet, however gladly he sends himself up, it is hard to escape the suspicion that Britain’s most bankable actor is an authentically troubled soul.

“He is like a complete cynic, self-tortured and dark,” says Drew Barrymore, who starred with him in Music and Lyrics, yet another romcom. “You’d go into his trailer and he’d be sitting there on the couch, chopping salad alone, an angry Englishman.”

In December 2012, Grant was castigated by the US talk show host Jon Stewart, who described him as “a big pain in the ass” and his “least favourite guest of all time”.

He doesn’t take issue with these judgments, yet there’s no doubt of his high intelligence or his ability to charm and entertain in the broader sense. As frontman for Hacked Off, the group lobbying for stricter press controls, he has shown a politician’s flair and an undeniable measure of personal courage.

What should be an irresistible package unravels with the rackety nature of his personal life and the clod-footedness with which he conducts himself. It doesn’t seem to have occurred to this Oxford-educated dreamboat that it might one day be painful for his daughter to know that he saw her as the by-product of a fling, or for Felix to learn that, by the time he was born, his father had impregnated someone else.

It isn’t that Grant is uncaring — he has made generous provision for these children and their mothers — but that his behaviour suggests an inbuilt deficiency of something he has long aspired to: class.


As a young man, Hugh John Mungo Grant was keenly aware that there was a richer, more refined world waiting to be discovered. A New College contemporary recalls him dressing in a tweed jacket to hold traditional tea parties where egg-and-cress and cucumber sandwiches and Earl Grey tea were served on college crockery. “Here were all the OEs [Old Etonians] pretending that they hadn’t been to Eton, because, of course, it wasn’t quite the slightest bit cool. And here was Hugh, acting as though he had been there. It was all pretty confusing.”


READ MORE HERE: http://www.vancouversun.com/entertainment/movie-guide/Hugh+Grant+Love+child+revelations+reveal+needs+grow/9468336/story.html

Sunday, June 24, 2012

Drew Barrymore and Christian Bale Had The Date From Hell BY CATE MEIGHAN ON JUNE 22, 2012 (CELEB DIRTY LAUNDRY)







Drew Barrymore and Christian Bale dated? Yes, but only for a hot minute. Apparently Bale asked Barrymore out as teenagers and the duo survived only one ill-fated date together. Bale rarely discusses his personal life with the press but in an interview for Australian GQ he admitted, “We went to see some bloody awful horror film, and that was the end of it. She never called again.”

I guess at the time it seemed like a no-brainer for the duo to hang out. They both worked with Steven Spielberg and both were child stars that had a difficult time coping with fame and all its’ trappings as they entered adulthood.

The notoriously private Bale has been married to Sandra Blazic, since 2000 and they have a seven year old daughter. He rarely speaks of anything other than his work, but the press has still done a hatchet job on him at times. There has been the rumored trouble in his marriage, drama with his other family members, meltdowns while on set- we’ve kind of heard it all.

READ MORE: http://www.celebdirtylaundry.com/2012/drew-barrymore-and-christian-bale-had-the-date-from-hell/


Tuesday, January 10, 2012

Steven Spielberg on War Horse: America has less regard for history (The Telegraph)

War Horse director Steven Spielberg talks about Hollywood, history lessons and why his friend Clint Eastwood calls the shots when it comes to retirement.

Steven Spielberg on War Horse: I'll retire when Clint hangs up his spurs
Steven Spielberg and Jeremy Irvine at the UK premiere of War Horse Photo: GETTY
On making his first British film
"This [War Horse] could only have been shot in England. After I heard the reaction last night at the Odeon in Leicester Square, I realised that I'd made my first British film with War Horse. Through and through."
On history
"I think my regard for history is more of a European regard for history. Social media has taken over in America to such an extreme that to get my own kids to look back a week in their history is a miracle, let alone 100 years. Europe is closer to history."

On War Horse
"We did a lot of research behind the story of War Horse and the thing that struck me was the vast number of casualties among the horses, not just the men. This was the horse as an instrument of warfare. I hope the film raises awareness of the contribution animals make."

On casting newcomer Jeremy Irvine as Albert
"I looked at hundreds of potential Alberts. What made Jeremy stand out was that ineffable quality that certain people have, they just stand out and rise above the rest. Nobody had the heart or spirit or the communication skills that Jeremy had. Even in silence, even without speaking, every time I saw him and he tested five times, he just got better and better and better.

I’m very used to working with first time actors - you can just look back at E.T. with Drew Barrymore, and Christian Bale from Empire of the Sun, who'd never made a movie before. That's the career that could be in store for Jeremy."

On the War Horse stage play
"It made me cry, I loved it so much. My daughter said, 'You have to make War Horse, and you have to make it for me'."

On Joey the horse
“Joey represents common sense. If more people had the common horse sense of Joey, we wouldn’t be having wars.

On the English countryside
“There is nothing like the landscape of Devon. The location has some of the most natural wonders in all of England. We couldn’t believe it.

“The original script didn’t have the budget to go to Devon but we stretched it to go there and it was worth every penny. This is the first British film I’ve ever made and it could only have been made in your country.

“A question I’m asked quite often is, ‘How did you get the special effects on the sunsets?’ But not a single sky we had in there was through special effects.”

On his career
“The turning point in my career was Jaws. I was a director for hire before Jaws and after Jaws was such a big hit I could do anything I wanted. Hollywood wrote me a cheque. I wanted to do this crazy movie about flying saucers; I kept saying, 'Oh, this mothership comes down at the end, you're going to love it!' And people thought I was crazy and wouldn't give me the time of day.

"The second Jaws was a hit, people said, ‘What about that flying saucers movie you had? You still want to make that?’"

On movie-making in Hollywood
"So much ink is spilt and the media is obsessed with the numbers and the studios. But the film-makers don't feel that way, we just go off and tell our stories. It's the same torture for us and as the torture our forefathers endured making movies in the Golden Era."

On retirement
“I’ve no plans to quit. Clint Eastwood is one of my best friends. I’ve known Clint for 40 years and we have almost a joking relationship about retirement. He’s 81 and I say, ‘Are you thinking about retiring, Clint?’ and he says, ‘No, are you?’ and I say no. I’m waiting for the call when Clint says he’s hanging up his spurs. If it doesn’t happen for Clint, it doesn’t happen for me.”


http://www.telegraph.co.uk/culture/film/film-news/9003454/Steven-Spielberg-on-War-Horse-America-has-less-regard-for-history.html