Showing posts with label Hugh Grant. Show all posts
Showing posts with label Hugh Grant. Show all posts

Saturday, February 9, 2019

How Colin Firth and Hugh Grant devised their 'ineffectual' fight in Bridget Jones's Diary




Every day until Valentine’s Day, Entertainment Weekly is celebrating our special romantic-comedy-themed Untold Stories issue. Check out all our behind-the-scenes tidbits, reunions, and oral histories — and follow #LoveEWstyle on Twitter and Instagram.
It is a truth universally acknowledged that there’s nothing more swoony or hilarious than Hugh Grant and Colin Firth having an inept fistfight over everyone’s favorite verbally incontinent spinster.
But the famous brawl in Bridget Jones’s Diary between Daniel Cleaver (Grant) and Mark Darcy (Firth) — so beloved it even earned a retread in the 2004 sequel — only came after much deliberation. “We couldn’t think of a way to bring that end-of-act-2 climax. We spent ages on it,” director Sharon Maguire recalls to EW. “[Screenwriter] Richard Curtis said, ‘In Westerns and in the old days, it would have been a fight or a duel.’ We both thought, ‘Well, that’s it.’ Middle-class men fighting — they just don’t have a clue.”
The shooting script had few specifics, merely noting that “a fight ensues.” Maguire called in a stunt coordinator to choreograph, but Firth and Grant found that rang false, since their characters wouldn’t know any fighting moves. “I said, ‘Well, what would your characters do?’” Maguire says. “Then [Hugh] said, ‘Well, he would probably just bitch-slap him.’ And Colin said, ‘I’d probably kick him in a rather ineffectual way.’”
They ditched the stunt coordinator and let Grant and Firth infuse the scene with their own feeble attempts at violence. “We shot it with lots of action shots, but really the funniest bits were just the wide shots of them bitch-slapping each other,” Maguire says with a laugh. “All of it is the comedy of humiliation, really.” No stunt doubles were required, except for the final moment when the two crash through a restaurant window. (The stunt used sugar glass and was done in one take.)

Maureen Lee Lenker

Monday, March 13, 2017

Behind the scenes of Comic Relief’s Love Actually: Andrew Lincoln’s creepy cards return

GUARDIAN
 Tom Lamont
Sunday 12 March 2017 10.00 EDT Last modified on Sunday 12 March 2017 20.10 EDT


Being on the set of a Richard Curtis film is very like being in a Richard Curtis film. Everyone is good-looking and brisk and witty, here in the borrowed London townhouse where the 60-year-old director is shooting a short sequel to his movie Love Actually. Outside in the real world people are angry, at odds, ever more polarised. On Curtis’s closed set, a dungareed world of Lillies and Berties and Cols and Ems, trays of brownies circulate and the chat is about who slept with who once but stayed friends. Hugh Grant is present, roaming around and given licence to be caustic and urbane: “If anyone needs me I’ll be in my lair.” Otherwise the prevailing spirit is level-headedness and sympathy. “Richard likes it,” an assistant says to me, “when people are nice to each other. Plum?”

Curtis is making this short followup to Love Actually in aid of Comic Relief and Red Nose Day, causes he co-founded in the 1980s. Many of the actors from the original have agreed to return, including Grant, Colin Firth, Keira Knightley, Bill Nighy and Liam Neeson; charity tempting them back, after 14 years, to Curtisland, that preposterous and seductive fantasia-Britain that was established in a trilogy of famous romcoms: Four Weddings and a Funeral (1994), Notting Hill (1999) and Love Actually (2003). Of the three it was the last, a multi-narrative soup of soppy vignettes, written and directed by Curtis, that went on to have the most prodigious afterlife. Love Actually is now broadcast on TV with metronomic, Bond-movie regularity. In a single week last winter more than 1m copies of the film were sold on DVD in the US. At around the same time, in the UK, Love Actually was voted by the Radio Times “the nation’s favourite Christmas movie”.

On the set of the sequel, Firth ponders the movie’s substantial modern viewership and positions it in the culture somewhere alongside The Sound of Music. Grant, when asked to account for Love Actually’s enduring popularity, assumes his role as resident cynic and grumbles: “It’s unaccountable.”


Grant sips water and tries to catch his breath. He’s just shimmied his way around a bit of the set made up to look like 10 Downing Street, a grand marble staircase behind him hung with photographs of former prime ministers. His photo is among those on the wall, the actor today reprising his role as the Blair-ish PM who in the original film put aside duties of state to woo his secretary, played by Martine McCutcheon. Such is the power of love in a Richard Curtis film that Grant had to dance out his romantic vigour by wiggling up and down the halls of Downing Street to a Girls Aloud song. There’s another dance in the sequel. As with most of the new scenes in Curtis’s followup, an incident or encounter from the first film is referenced, with some sort of twist catching us up on what has happened to the character, a decade and a half on.


Curtis has Grant say something like this when they shoot a press conference scene, next. The fictional PM is asked to give the public his view on the future of world affairs, and with implausible but seductive simplicity (that patented Curtis mix) Grant insists: “Good’s going to win, I’m actually sure of it.” They do the line a few times before an assistant yells for a cut and everybody breaks for lunch. Lamb wraps.

There was a scene in Notting Hill, which also starred Grant, during which his character went along to a movie shoot: he got placed on the sidelines with a pair of headphones so that he could listen in on the actors’ dialogue. In this way he accidentally heard them mutter bitchy secrets to each other. It happens to me in eerie replication one day. A scene is being reset and a prominent actor fills the waiting with wicked chat. There is a dig at an absent castmate. Then the actor ranks by merit some of the films they have made since the last Love Actually, the one they had to be talked into, the “pay-day”. Blushing, absolutely fascinated, I listen for as long as decency and personal ethics allow before turning the volume down.


So there is a little darkness in Curtisland, after all. Commentators on the outside would suggest it has always been there. When Love Actually celebrated a 10th anniversary in 2013, various critical reappraisals appeared. Persuasive cases were made about the movie’s shaky treatment of women, especially. By this point I’d seen Love Actually enough times to have a demented familiarity with its dozen plots (Liam Neeson advising his stepson how to win the girl of his dreams, Alan Rickman cheating on his wife Emma Thompson, Andrew Lincoln declaring himself to the unattainable Keira Knightley by showing up at her doorstep with handwritten signs) but I was never able to watch it through with the same old naivety after reading Lindy West’s furious and brilliant essay for Jezebel. West pointed out how much of the plot depended on women falling in love with their male employers, suggested “Hostile Work Environment: The Movie” as an alternative title, and went as far as likening the romance between Colin Firth’s character and his Portuguese maid, played by Lucia Moniz, to sex trafficking.

READ MORE HERE: https://www.theguardian.com/film/2017/mar/12/behind-the-scenes-of-comic-reliefs-love-actually-andrew-lincolns-creepy-cards-return

Sunday, February 26, 2017

Emma Thompson Reveals Why She Won't Take Part in 'Love Actually' Sequel

by Jennifer Drysdale 3:24 PM PST, February 24, 2017
ET




Photo: Universal Pictures
Emma Thompson says she won't be participating in the upcoming Love Actually sequel because it's "too soon" after her co-star Alan Rickman's 2016 death.

The 57-year-old actress played Rickman's wife in the 2003 movie, which also starred Hugh Grant, Bill Nighy, Keira Knightley, Liam Neeson and Colin Firth.

Image result for love actually cast

RELATED: 'Love Actually' Cast to Reunite and Film a Mini Sequel for Charity

A short sequel to the film is in the works for charity, set to debut on March 24 for Red Nose Day. Neeson, Colin Firth, Hugh Grant, Rowan Atkinson, Thomas Brodie-Sangster, Martine McCutcheon, Knightley, Andrew Lincoln, Lucia Moniz, Chiwetel Ejiofor, Nighy, Marcus Brigstocke and Olivia Olson will all be a part of the upcoming project, with Neeson and Brodie-Sangster already photographed in character.

But for Thompson, revisiting her role would be "too sad."

http://www.etonline.com/news/211341_emma_thompson_reveals_why_she_won_t_take_part_love_actually_sequel/

Wednesday, February 11, 2015

Henry Cavill & Armie Hammer in The Man from U.N.C.L.E. Sneak Peek

PEOPLE MAGAZINE
BY DANA ROSE FALCONE @DanaRoseFalcone 02/11/2015 AT 11:00 AM EST


Henry Cavill ditches his Superman suit for a sleek tux in this summer's silver-screen adaptation of the 1960s TV series The Man from U.N.C.L.E.

The Man of Steel actor calls the film, which is directed by Guy Ritchie, "a cool, sexy and especially not heavy Cold War spy thriller."

Cavill, 31, stars as CIA agent Napoleon Solo alongside Armie Hammer, who plays KGB agent Illya Kuryakin. The two put aside their longstanding hostilities to stop a mysterious international criminal organization and prevent worldwide catastrophe.

Anna Karenina's Alicia Vikander takes the lead female spot as the daughter of a mysteriously vanished German scientist who helps Cavill and Hammer's characters infiltrate the international criminal organization. Elizabeth Debicki (The Great Gatsby) joins the cast as Victoria Vinciguerra, the driving force behind a worldwide shipping company with a questionable past.

Henry Cavill & Armie Hammer in The Man from U.N.C.L.E.: Photo

And Hugh Grant takes on the role of Waverly, the head of the U.N.C.L.E. (United Network Command for Law and Enforcement) organization.

"They're both wonderful people and a pleasure to work with," Cavill says of Hammer and Grant, whom he enjoyed joking around with on set. "Any funny stories I'm going to keep to myself, though. No telling tales out of school."

The film displays some of the era's most distinct fashions, designed by Oscar-nominated Joanna Johnston.

Cavill says the film's unique style helped him get into character, adding that "it's very defining" to act in costume.

Still, his favorite part was working with Ritchie.



Henry Cavill and Elizabeth Debicki in The Man from U.N.C.L.E.
DANIEL SMITH; WARNER BROS.

READ MORE HERE: http://www.people.com/article/man-from-uncle-henry-cavill-armie-hammer-photo







Wednesday, October 15, 2014

Emma Thompson 'brought on board to rewrite script for nightmare third Bridget Jones movie'

MAIL ON LINE
By SARAH ROBERTSON FOR MAILONLINE
PUBLISHED: 09:53 EST, 13 October 2014 | UPDATED: 10:30 EST, 13 October 2014


She won an Oscar for her adaptation of Sense And Sensibility, and now Emma Thompson is reportedly set to turn her hand to saving the third Bridget Jones film.

The 55-year-old actress is said to have been recruited to rescue the ailing movie after cast members gave the proposed storyline the thumbs down.

Bosses at Working Title Films have called in the British star to 'rewrite the first draft' of Bridget Jones Baby, which was originally penned by Bridget creator Helen Fielding and One Day author David Nicholls.




As well as no Hugh Grant, it's unclear whether the film's lead actress Reneé Zellweger would reprise her famous role after writer Fielding admitted she had lost touch with her.

The third film is expected to be very different from Fielding's novel Mad About The Boy, which sees a widowed Bridget in her early 50's raising her two young children as a single mother following the death of Darcy.

Bridget Jones’ Diary, the first installment in the franchise, was a box office smash in 2001, taking $281m around the world and breaking UK box office records.

Rewrite: Bridget author Helen Fielding killed Mark Darcy, pictured left, in her third book, but there are said to be plans to bring him back in the new film

Its sequel The Edge of Reason maintained its predecessor’s blockbuster takings with $262m in 2004 - but was panned by critics.

Instead the new screenplay is said to spare the life of Colin Firth’s Mark Darcy character and look at Bridget’s desire to become a mother in her early forties.


Read more: http://www.dailymail.co.uk/tvshowbiz/article-2790845/emma-thompson-brought-board-rewrite-script-nightmare-bridget-jones-movie.html#ixzz3GFALdeoj 
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Saturday, October 11, 2014

Hugh Grant has dished on working with Julia Roberts, Renée Zellweger, Sandra Bullock and Sarah Jessica Parker

CELEBRITY LIFE
October 12, 2014

Got on well ... Hugh Grant and Sandra Bullock starred together in Two Weeks Notice.

HUGH Grant may be discreet about the women in his private life but the actor has spilled on which of his female co-stars was the best kisser and who he actually enjoyed working with.

Grant dished the dirt on Alan Carr’s Chatty Man show while promoting his new romantic comedy The Rewrite in which he stars opposite Marissa Tomei.

He said you never quite know when you are cast whether the chemistry will work.

“Sometimes you loathe each other. Sometimes hate comes over as love. I’ve had some amazing leading ladies,” he said. “The ones I really got on with are Sandra Bullock and Sarah Jessica Parker.”



When it comes to kissing however he said he struggled smooching Julia Roberts in Notting Hill.

“It’s a big mouth. I was aware of a faint echo when I was kissing her,” he said.

Grant said no one can beat Bridget Jones’ Diary co-star Renée Zellweger when it comes to kissing, saying she is definitely “top snogger”.

He said that he and Colin Firth engaged in a “competitive snogging” contest to try and outdo each other.

“You will have to ask Renee who she preferred. I think Colin tried too hard,” he said.


READ MORE HERE: http://www.news.com.au/entertainment/celebrity-life/hugh-grant-has-dished-on-working-with-julia-roberts-rene-zellweger-sandra-bullock-and-sarah-jessica-parker/story-fn907478-1227087684456

Friday, October 10, 2014

Hugh Grant pulls out of the third Bridget Jones’s Diary film

The Telegraph
By Tim Walker



Two years after Hugh Grant told Mandrake that filming of the second sequel to Bridget Jones’s Diary was on hold until the writers had made the script more to his liking, I can disclose that the capricious actor has quit the project for good.

“I decided not to do it,” says Grant, who played the love rat Daniel Cleaver in the first two films, in an interview today with Free Radio in the Midlands. “But I think they’re going to go ahead and do it without Daniel. The book’s excellent, by the way, but the script is completely different – well, the script as I last saw it a few years ago.”



It is likely that the 54-year-old actor will be conspicuous by his absence in the long-mooted film which is being written with the active involvement of Helen Fielding – who created the character Bridget – and offers what is described as an alternative version of events to what she tells in her third book in the series, Mad About The Boy.

colin firth animated GIF

While Mark Darcy – played by Colin Firth – is killed off in Fielding’s latest book, it is understood that he will be spared in the forthcoming film, which will take up Bridget’s story after she has turned 40 and is yearning for a baby. Renée Zellweger – who played Bridget in the first two films – is believed to be signed up for the project, along with Firth.

READ MORE HERE: http://www.msn.com/en-ie/entertainment/news/hugh-grant-pulls-out-of-the-third-bridget-jones%E2%80%99s-diary-film/ar-BB8v639



Monday, August 18, 2014

Colin Firth sets heart racing in Drumquinna Mannor, Kenmare

INDEPENDENT
Barry Egan
August 17, 2014

 

They don't just do weddings in Kerry - they live them. And so it proved at Drumquinna Manor in Kenmare last Saturday at the nuptials for stunning Tonya Meli and her dreamboat beau Gerald Casey.

Not only are they an incredibly trendy duo (the bride is from county Down and is a London-based super-agent to the stars, while the groom is a top businessman who hails from Tipperary), but they are obviously two of the most popular and well-connected Mr and Mrs on the planet.


This I say without fear of contradiction because the guests at the wedding included at least three international superstars - Colin Firth, Hugh Grant and Michelle Rodriguez to say nothing of Naomie Harris, gun-toting MI6 agent in the recent James Bond film Skyfall.

The 200 or so guests' mouths were perhaps falling open when the star of Lost, Michelle Rodriguez, got up at some point and sang Fly Me To The Moon with Shane McGrath's legendary wedding band Harlequin. The wedding band are no strangers to superstar wedding hoolies, of course, having played at David and Victoria Beckham's do in 1999 at Luttrellstown Castle.

It was clearly one of those weddings to remember. But there were two jarring notes. There was no Oliver Callan to send up all the celebrity guests and there was a team from OK! magazine. 
Apart from those minor glitches, it all sounded like a right Kerry on.


READ MORE HERE: http://www.independent.ie/entertainment/movies/movie-news/the-edge-colin-firth-sets-heart-racing-in-kingdom-30511333.html


Thursday, February 6, 2014

Hugh Grant: Love child revelations reveal a man who needs to grow up

THE VANCOUVER SUN
BY WILLIAM LANGLEY, LONDON DAILY TELEGRAPH

hugh grant

Ten long years have passed since Hugh Grant announced his retirement from the movie business.

“This is the last film I will ever do,” he promised the fans at the London premiere of Bridget Jones: The Edge of Reason. “I’ve completely lost interest. I was never a very committed actor. Now I can just stop.”

Like a lot of what 53-year-old Grant says, this turned out to be something less than the gospel truth, and his latest effort, The Reluctant Professor, yet another romantic comedy, is due to reach our screens shortly.

Admittedly, things have changed in the old boy’s life, and with three “love children” to support, he perhaps needs to keep the bumbling, cod-roue screen shtick going for a little longer.Grant’s off-set romances are clearly something else. Two years ago, it emerged that he had sired a daughter, Tabitha, whom he chivalrously characterized as the product of a “fleeting affair” with little-known Chinese actress Tinglan Hong. Soon the pair were fleeting again, and in February last year, Grant announced that they had produced a son, Felix Chang.

But before the second baby came along, the actor had switched his attentions to thirtysomething Swedish TV producer, Anna Eberstein, who, it was revealed last week, bore him a son in September 2012.


Both women and their children now live in expensive West London properties, although Grant, who apparently picks up the bills, doesn’t live with either of them. It is possible that he doesn’t want to show favouritism, but equally likely, given his lengthy record of embroilment-avoidance, that he prefers doing his daddying from a distance.

This seems puzzling. Born into a close, secure family, Grant has frequently spoken of his longing to have children.

“Much as I adore myself”, he once told Vogue magazine, “I’m quite keen to have someone else to care about”.

Ruminative by nature, much of his ruminating has been about his inability to find love or permanence, with the result that his life — now in deep middle age — is “boring to the point of embarrassment”.

Or the point of self-parody. Yet, however gladly he sends himself up, it is hard to escape the suspicion that Britain’s most bankable actor is an authentically troubled soul.

“He is like a complete cynic, self-tortured and dark,” says Drew Barrymore, who starred with him in Music and Lyrics, yet another romcom. “You’d go into his trailer and he’d be sitting there on the couch, chopping salad alone, an angry Englishman.”

In December 2012, Grant was castigated by the US talk show host Jon Stewart, who described him as “a big pain in the ass” and his “least favourite guest of all time”.

He doesn’t take issue with these judgments, yet there’s no doubt of his high intelligence or his ability to charm and entertain in the broader sense. As frontman for Hacked Off, the group lobbying for stricter press controls, he has shown a politician’s flair and an undeniable measure of personal courage.

What should be an irresistible package unravels with the rackety nature of his personal life and the clod-footedness with which he conducts himself. It doesn’t seem to have occurred to this Oxford-educated dreamboat that it might one day be painful for his daughter to know that he saw her as the by-product of a fling, or for Felix to learn that, by the time he was born, his father had impregnated someone else.

It isn’t that Grant is uncaring — he has made generous provision for these children and their mothers — but that his behaviour suggests an inbuilt deficiency of something he has long aspired to: class.


As a young man, Hugh John Mungo Grant was keenly aware that there was a richer, more refined world waiting to be discovered. A New College contemporary recalls him dressing in a tweed jacket to hold traditional tea parties where egg-and-cress and cucumber sandwiches and Earl Grey tea were served on college crockery. “Here were all the OEs [Old Etonians] pretending that they hadn’t been to Eton, because, of course, it wasn’t quite the slightest bit cool. And here was Hugh, acting as though he had been there. It was all pretty confusing.”


READ MORE HERE: http://www.vancouversun.com/entertainment/movie-guide/Hugh+Grant+Love+child+revelations+reveal+needs+grow/9468336/story.html

Tuesday, November 5, 2013

Colin Firth, Hugh Grant: The Love Actually Cast Reveal 10 Things You Didn’t Know About The Film



VH1
Stacy Lambe and Emily Exton (@sllambe)


As the tenth anniversary of theatrical release of Love Actually nears, VH1 takes a look back on the now classic holiday film. After talking with cast members and digging through old interviews, we learned some interesting things about ensemble film starring Colin Firth, Hugh Grant and Emma Thompson. For starters, it was never supposed to be a Christmas film! Say what?! We can’t even imagine our holidays without an annual viewing of this movie.


1. Love Actually was never meant to be a holiday movie.


While talking to VH1, director Richard Curtis admits that LA was never intended to have a Christmas theme. But the director loves Christmas films, so it seemed natural for the director to make one of his own.

“I’m so surprised and delighted by the Love Actually thing, because when I first started the movie it wasn’t set at Christmas then I love Christmas movies so I thought I’ll make a Christmas movie, but it didn’t occur to me that it might be one of those Christmas movies where people actually watch it again and again and it’s a delightful surprise to me,” Curtis explains. “And I think maybe it’s because it’s got so many plots that people can’t remember what’s going to happen next, so it’s sort of satisfying–it’s not like watching a thriller where you know he’s about to get killed, I think you can’t quite remember where you are. But Love Actually, ’tis like a gift that my past has given me that people still like it.”

2. Love Actually came out of two different films written for Hugh Grant and Colin Firth’s characters.




In an interview with Vulture, Curtis explains how LA wasn’t originally written as an ensemble film. Curtis wrote two scripts before switching gears and opting to write an Atlman-esque movie. After Notting Hill, I took my time, and I thought that I might write the film that turned out being Hugh’s story [in Love Actually] and the film that turned out being Colin’s story [in Love Actually] as whole films,” Curtis says. “I’d worked out whole films on those subjects, and then I thought, Oh, I don’t want to do these because they are just turning out to be a shape I know. And I said, ‘I’d be more interested in writing a film about love and what love sort of means, and how, you know, about the subject than rather than one example of a story about that subject.’ And then I remembered how much I loved Robert Altman’s movies with lots of stories — Nashville and Short Cuts. And how much I loved those Woody Allen movies with three or four stories. And Pulp Fiction. And Smoke. And I suddenly thought, Oh, I’ll write one of those. And then if I write one of those, I can not only deal with the Jolly-People-Fall-in-Love-and-Kiss ones, but I can also deal with the Emma Thompson story and the Laura Linney story and the father and son story and stuff.”

3. Richard Curtis originally thought Love Actually was a catastrophe. 

la10

“I’m immensely critical and uninterested in what I wrote in the first place,” Curtis tells Variety of the creation of the film. “It read really well, seemed to go well when we shot, then we watched it — catastrophe!”

It turns out, Curtis had to reassemble a number of vignettes and story lines to make sure audiences actually cared about the characters in the film. Even though they are woven together, Curtis is not sure it all comes together. “I’m not sure all the stories are from the same universe,” he jokes.

4. Claudia Schiffer was never supposed to be in the film. 




In an interview with VH1, Elisha Cuthbert revealed that Schiffer was someone who came in last minute after the director had difficulty finding someone who matched her appearance. “If I’m not mistaken, Richard Curtis wanted to have someone who looks like [Schiffer] and couldn’t find anyone that was right, and then actually calling her and getting her,” Cuthbert says. “So that’s amazing… I think in the script, it was always, I remember reading it being, you know, just a version of and then I don’t know if they were able to find anyone, I mean, how could you find another Claudia Schiffer? If you found another Claudia Schiffer, we’d all be rich. But yeah, so it was funny how it ended up, you know, him getting the real deal. I just thought it was brilliant.” 

 5. Little did Andrew Lincoln know, but he was actually playing Richard Curtis.

la1

Thursday, October 31, 2013

Renee Zellweger chopped from Bridget Jones? (No Bridget Jones...in Bridget Jones?)

XPOSE
October  31, 2013



Author Helen Fielding is thought to not be on good terms with Renee. The actress may subsequently be dropped from the Mad About The Boy film, which could have two different scripts.

"They didn't really stay in touch after the last film, though Hugh, Colin and Helen all did and have a great working relationship," a source told Britain's Daily Mirror newspaper. "Everyone expected Helen to thank Renee but it wouldn't have been sincere because they aren't good friends.

"The main problem was that Helen, understandably, was very protective over the screenplay and how she saw the role of Bridget being played. But Renee had her own very definite views. There was simply a clash of working personalities."

In the latest book Bridget is a 51-year-old widow with two young kids who dates a toy boy before finding love with a teacher at her son's school.

The newest Bridget Jones installment sees key character Mark Darcy, played by Colin Firth in the films, killed off. The possibility of a third flick is in doubt as producers have yet to claim rights to the book.


However they have been working on an independent script called Bridget Jones' Baby. Although it was written by Helen, it allegedly has little connection to the third novel.

Now it's being suggested an actress other than Renee could play the famous character.

READ MORE HERE: http://www.tv3.ie/entertainment_article.php?locID=1.803.874&article=117453

Friday, October 18, 2013

Colin Firth: Bridget Jones film is in the works w/Colin Firth - it's just not the third Bridget Jones book???

"Bridget Jones: Mad About the Boy looks unlikely to get film" however...


Mark Darcy (Colin Firth) and Bridget Jones (Renee Zellweger) in Bridget Jones: The Edge of Reason.

THE INDEPENDENT
DAISY WYATT  Author Biography   
THURSDAY 17 OCTOBER 2013

Would a Bridget Jones film be the same without Colin Firth? Movie producers seem to think not.

Film rights to Helen Fielding’s latest novel Bridget Jones: Mad About the Boy are yet to be snapped up despite strong book sales, according to The Hollywood Reporter.

The new book sees Bridget Jones widowed at the age of 51, following the death of her former love Mark Darcy, played by Colin Firth in the film franchise.





The production companies are instead working on Bridget Jones’s Baby, a film based on an original screenplay by Fielding, which will include Colin Firth.

The film, which will star Renee Zellweger and Hugh Grant alongside Firth, was due to start filming in 2012 but has been delayed.

Tim Bevan of Working Title told The Hollywood Reporter: “We are still working on the script, hence the delay to the start of production, but the film is going ahead as planned.”


Tuesday, October 15, 2013

Hugh Grant Joins Breathing Campaign For Premature Babies

CONTACT MUSIC
by WENN
14 October 2013

Hugh Grant

British actor Hugh Grant has joined a campaign to save the lives of premature babies.

The Notting Hill star has teamed up with bosses of the Be A Breath Giver campaign to help raise money to provide U.K. hospitals with specialist breathing equipment.


Grant took to Twitter.com to share the news with his fans, writing, "I am supporting be a breath giver in raising money for specialist breathing equipment for premature babies."

Thursday, October 10, 2013

Colin Firth stunned by Mark Darcy's death in Bridget Jones


Colin Firth stunned by Mark Darcy's death in Bridget Jones

BLOCKBUSTER
October 9, 2013


Colin Firth was stunned when he was told Mark Darcy was being killed off in 'Bridget Jones 3'.

The Oscar-winning actor played the gentlemanly love interest of bumbling heroine Bridget (Renee Zellweger) in the first two film adaptations of Helen Fielding's bestselling novels and was fully expecting to reprise the popular role in the next film.

However, Fielding was forced to break the news to Firth over the phone that his alter-ego doesn't feature in her long-awaited third book, 'Mad About The Boy', and instead leaves Bridget a widower.

She told TIME magazine: ''I did want to tell Colin in person but we were trying to have lunch, and I couldn't really tell him why I was trying to meet him, and he was in a different place. So I ended up telling him he died on the phone.

''I had to ask him if he had someone with him and if he was sitting down. It was like someone actually had died. We had to process it. And I was almost saying, 'I'm so sorry for your loss'.''

The next romantic comedy will see Bridget, now 51, struggling to raises their children Mabel and Billy alone, but Fielding appeared to hint at the possibility of a cameo role for Firth in the form of a ghost.

The author added: ''His presence is very much there in the book and in the child. As I told him, his memory will live on and he will rise from the dead rather like Jesus.''

READ MORE HERE:  http://www.blockbuster.co.uk/article/674407/colin-firth-stunned-by-mark-darcys-death-in.htm