Showing posts with label aaron taylor-johnson. Show all posts
Showing posts with label aaron taylor-johnson. Show all posts

Saturday, June 22, 2013

Fifty Shades Of Grey Movie Drops Henry Cavill as Christian Grey (CELEBRITY DIRTY LAUNDERY) BY SIYANA RILEY ON JUNE 22, 201

Fifty Shades Of Grey Movie Drops Henry Cavill as Christian Grey
Photo Credit: FameFlynet

According to reports, Henry Cavill might be out of the running to play Christian Grey in the upcoming Fifty Shades of Grey adaptation because of scheduling conflicts. I just heard a million women start crying. Calm down ladies, nothing’s set in stone yet.

Since a director has now been chosen for the film, casting will be the next major step. Everyone’s favorite choice, Henry Cavill, is just coming off a massive success with Man of Steel this past weekend. Of course, this just reinforces his status as the frontrunner for the role – if he wants it. However, that might not even be an issue anymore since he might not be available to film the movie.

According to a report from Variety, Aaron Johnson – who was initially rumored to possibly be cast as Christian Grey – will be staying home with the kids while his wife, Sam Taylor-Johnson, is directing the film this fall. Although the report doesn’t specifically state the production timeline, the fact that they single out ‘fall’ means that they’re most likely planning on shooting the film during that time period. Of course, it also makes sense from a logistical point of view since the film has to be ready by next summer, and there’s absolutely no way they can film anything later than this fall and have the footage be ready.

Monday, June 3, 2013

Leonardo DiCaprio is reportedly being lined up to play the villain in 'The Secret Service', starring opposite Colin Firth. (CONTACT MUSIC)


The 'Great Gatsby' actor is reportedly tipped to star alongside Colin Firth in Matthew Vaughn's new action thriller, based on the comic book series by Mark Millar and Dave Gibbons.

The star is being lined up to play a villainous character opposite Firth's secret agent and if a deal is made, the project would mark DiCaprio's first foray into comic bookmovies.


A source told The Sun newspaper: ''Leo is the perfect bad guy. Comic book films aren't usually associated with him but this could be a great fit.''

The movie centres on a London hoodlum who is recruited by his uncle into a secret British spy school that transforms young troublemakers into refined, charming secret agents in the mould of James Bond.

Firth is set to play the uncle who teaches his nephew the tricks of the spy trade, while casting is under way for the other lead role after Aaron Taylor-Johnson - who starred in Vaughn's hit 2009 movie 'Kick-Ass' - turned down the part.

READ MORE: http://www.contactmusic.com/news/leonardo-dicaprio-for-the-secret-service_3700823

Tuesday, April 30, 2013

Colin Firth for Woody Allen's new film? (XPOSE)



Colin Firth is being lined up for Woody Allen's new movie.

The 52-year-old actor is being courted to play the lead in the 'Midnight In Paris' filmmaker's new whimsical comedy, according to Deadline.

Colin is likely to join 'The Amazing Spider-Man' actress Emma Stone in the project, who is rumoured to have become Allen's new muse.

The director is expected to film in the South of France and will write, produce and direct the as yet untitled film.

This comes after it was announced Colin has entered negotiations to star in Matthew Vaughn's forthcoming adaptation of comic book series, 'The Secret Service'.

The Oscar-winning actor will play a man who sends his nephew off to a British spy school which transforms young troublemakers into refined, James Bond-style secret agents.

Casting is underway for the part of the unruly nephew after Aaron Taylor-Johnson - who starred in Vaughn's 2009 movie 'Kick-Ass' - turned down the role.


READ MORE: http://www.tv3.ie/entertainment_article.php?locID=1.803.810&article=102148

Thursday, January 10, 2013

Aaron Taylor-Johnson & Colin Firth: Tom Ford Party! (JUST JARED)



Aaron Taylor-Johnson and Colin Firth attend a private dinner hosted by Tom Ford to celebrate his runway show during London Collections: Men on Wednesday (January 9) at Loulou’s in London, England.

The guys were joined by their wives Sam Taylor-Johnson and Livia Firth.

Colin worked with Tom on the film A Single Man in 2009.

READ MORE: http://www.justjared.com/photo-gallery/2763881/felicity-jones-jeremy-irvine-london-evening-standard-theatre-awards-01/


Sunday, September 16, 2012

Monday, September 10, 2012

Press Conference: 'Anna Karenina' Submitted by Jason Palmer on Mon, 09/10/2012 - 02:00 (EF)



The stars were out in full force for the UK press conference of Anna Karenina. Keira Knightley, Jude Law, Aaron Taylor-Johnson, Matthew Macfadyen and Director Joe Wright gave us a valuable insight into this motion picture re-imagining of the classic story by Leo Tolstoy.

Set in late-19th-century Russia high-society, the aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky and sets into motion a devastating fall from grace.

Check out our press conference report below!



Joe Wright

You’ve pretty much broken the rules when it comes to making a period film in a brilliant and poetic way. Was that what you set out to do?

Joe Wright: Um, no. It kind of grew really. I’ve always wanted to make a film like this and I kind of held it like a little guilty secret. And as the film developed... we were originally going to shoot in various stately homes around England and palaces in Russia but I already had the idea that I wanted to stylise the performance style and was already talking to the choreographer about how to achieve that. And then I was kind of scouting places and in Russia they’d say: “Yes, we have shot several Anna Karenina’s here before.” And in England they were saying: “Yes, you were here before, don’t you remember?” And so I kind of felt like I was treading too familiar ground and then thought: “OK, well maybe this is the one to do it with.”

You’ve worked with Keira and Matthew before and, indeed, you work with a lot of people over and over again. Is that something deliberate?

Joe Wright: Definitely! I like the idea of a company atmosphere and I like working with the same actors and crew members – more so with crew. When Matthew [Macfadyen] was doing Pride & Prejudice he had to be very serious and sombre and I knew that there was another side of Matthew that I’d really like to engage with and so it seemed like a perfect opportunity for that.

You changed the accent of the final scene a little bit. As I recall, Anna was really mad when she was about to jump in front of the train [in the book]. What made you change the accent?

Joe Wright: Keira had a very interesting thought about the suicide. She described suicide as being a shy person’s homicide and I thought that was very interesting because, for me, there was a lot of anger in her suicide and I agreed with Keira that it shouldn’t be played like a victim; it should be played like an active gesture... not a giving up. And so we really went for that. It is mad to throw yourself under a train... or it seems very mad to me, so that madness needed a reality. One didn’t want a generic madness.

The dancing in the film is mesmerising. Did you find it difficult?

Keira Knightley: Yes, really, really, really difficult [laughs]! Luckily, I had a lovely partner! I think I’m quite quick at picking things like that up but I found this almost impossible. But Aaron [Taylor-Johnson] picked it up in about five seconds and just showed everyone up.

How was being reunited with Matthew Macfadyen again but this time playing brother and sister?

Keira Knightley: We just giggled. I think it was because we were trying to learn to dance and initially it was just us together. And we just found it absolutely hysterical so we brought that into our brotherly and sisterly relationship.


Matthew, it looked like you had a lot of fun with Oblonsky?

Matthew Macfadyen: Yeah, 90% of it was the moustache! It just sort of gave me a lift. No, it was a lot of fun.


READ THE ENTIRE PRESS CONFERENCE: http://www.entertainment-focus.com/news/press-conference-anna-karenina





Saturday, September 8, 2012

Keira Knightley dazzles in black at Toronto premiere of Anna Karenina By MIKE LARKIN (MAIL ON LINE)



She has been lavished with praise for her performance in Tolstoy adaptation Anna Karenina.

But Keira Knightley was receiving attention of a different kind when she stole the show at the Toronto International Film Festival première by wearing a stunning black dress.

The 27-year-old actress looked fabulous in the lacy number, which flattered her famously svelte figure.




But she was not the only person who lit up the carpet with her presence.

For her co-star Jude Law, who plays her cuckolded husband Alexei in the film, hammed it up by striking a jokily self-indulgent pose.,

Actress Olivia Williams added another dash of glamour to the event by appearing in a green velvet dress, while Aaron Taylor-Johnson and Domhnall Gleeson also put in an appearance.


Read morehttp://www.dailymail.co.uk/tvshowbiz/article-2200170/Keira-Knightley-Star-dazzles-black-Toronto-International-Film-Festival-premiere-Anna-Karenina.html?openGraphAuthor=%2Fhome%2Fsearch.html%3Fs%3D%26authornamef%3DMike%2BLarkin

Friday, September 7, 2012

'Anna Karenina' (2012) Movie Review BY: BRAD BREVET (ROPE OF SILICON)



I love Joe Wright's work. Outside of The Soloist he's delivered three amazing films in Pride and Prejudice, Atonement and Hanna, but I'm sorry, Anna Karenina is an example of directorial masturbation at its most damaging. This film comes across as a self-indulgent "art" picture lacking heart, soul and any semblance of emotion. It, and it's characters, are empty vessels I'd prefer I never spend time with ever again.

Oh, there's Keira Knightley, looking radiant as she dresses in her evening's best. That's Jude Law and is his hair thinning on top? There's Aaron Johnson and boy does he look dapper, but what's with the mustache? And look, Matthew Macfadyen is cornering the market on becoming the next Jim Broadbent.

I should add a note right here, Macfadyen is one of Anna Karenina's only highlights and the Broadbent comparison is meant as a positive. Macfadyen is a joy to watch on the big screen just as much as is the star of Topsy-Turvy.

All our stars are dressed to the nines and the set decoration is lovely, but that's where we reach our first major roadblock, and where Wright appears to want us to focus most of our attention. You see, Anna Karenina was predominantly shot all in one location, the front of the house, upstairs, down and backstage of a dilapidated theatre. Backdrops will glide into the rafters, the stage lights will provide a luscious amber glow and doors will fall from the ceiling only to be opened seconds later. It's wonderfully unique, but it is also wasted, tedious and perplexing at the same time.


READ MORE: http://www.ropeofsilicon.com/anna-karenina-2012-movie-review/

Thursday, September 6, 2012

Anna Karenina Review - IRISH TIMES



Climb on board for a gorgeous, risky take on the classic Russian novel, writes DONALD CLARKE

IT IS, WE TRUST, not giving too much away to say that Leo Tolstoy’s Anna Karenina has a great deal to do with trains. That vehicle offers us an irresistible metaphor for Joe Wright’s risky, gorgeous, unsentimental take on the most psychologically alert of 19th-century novels. If you chose to climb on board, you will be carried along at enjoyable pace. If you fail to make it into the carriage, you will feel furious, excluded and confused. In short, the picture is set to divide opinion.


For all the archness on display, this Anna Karenina feels as emotionally sincere as any previous adaptation. It helps that Wright has cast the film with such care and imagination. Keira Knightley, always at her best for this director, doesn’t have the greatest range – the two octaves run from fragile to neurotic – but, when safely within those confines, she is capable of eating the screen raw.

Knightley does very nicely as the Russian enigma, wife to a boring technocrat, who embarks on a ruinous affair with a glamorous but insubstantial army officer and brings social Armageddon crashing round her ears.


It says something about the odd progress of Jude Law’s career that, rather than appearing as Vronsky, the suave lover, he finds himself excelling as Anna’s flawed, oily, unattractive husband. One of the year’s key cinematic images will surely turn out to involve Alexei Karenin’s near-religious cradling of a rudimentary reusable prophylactic.

Aaron Taylor-Johnson is callow as Vronsky. Matthew Macfadyen’s is hilariously bluff as Anna’s brother. Purists may argue that Domhnall Gleeson is a little slight to play Levin (an unmistakable version of the young Tolstoy) but our busiest actor makes a touchingly fleshy naïf of the idealistic young landowner. Far from being a stray subplot, Levin’s adventures form the moral spine of Tolstoy’s panoramic story.

READ MORE: http://www.irishtimes.com/newspaper/theticket/2012/0907/1224323678366.html




Wednesday, September 5, 2012

Anna Karenina Red Carpet Video (DIY)

Last night saw the World Premiere of Joe Wright's stunning take on Anna Karenina. The director of Atonement, Pride & Prejudice and last year's ace Eurothriller Hanna arrived with his stars Keira Knightley, Jude Law and Aaron Taylor-Johnson, as well as supporting cast members Matthew Macfadyen, Olivia Williams and Alicia Vikander. Addressing the crowd, he revealed how he and Knightley first discussed Tolstoy's classic novel when they were making Atonement, but added "Keira know each other so well, I'm not which are my ideas and which are hers!" With Wright directing Knightley to her first Oscar nomination, he very touchingly told us, "She's more than a muse, she's a collaborator, and that's far more important."

 

READ MORE: http://www.thisisfakediy.co.uk/articles/film/anna-karenina-world-premiere-report/

Matthew Macfadyen, Keira Knightley, Jude Law: Pictures from the Anna Karenina Premiere

























Tuesday, September 4, 2012

Anna Karenina - a review by FRONT ROW REVIEWS


(ANOTHER SPECIAL MENTION FOR MATTHEW MACFADYEN)



Casting wise, Knightly is wonderful as Karenina. She continues to play the pouty, dainty woman but from film to film, the women that she plays grow in strength, and even (if you permit me the pleasure), she has a slight tinge of Greta Garbo (who herself played Karenina) about herself where she can illustrate everything she is thinking through her eyes and her mouth – rather than having to say everything. She is the perfect example of fetishistic scopophilia, as theorised by Laura Mulvey. Parts of Knightly’s face becomes so entranced with emotions, that the audience concentrates solely on her lips, her eyes, her cheeks and they represent the rest of her body. Jude Law plays an interesting role within the film because we are so busy concentrating on the growing relationship of Anna and Vronsky, that we don’t really take the time to notice the angst and fire growing within her husband, Alexei. He tries, at first to forgive her, her misgivings but as she continues to pull away, he continues to fight until the end and Law is a constant reminder of this throughout the film.

The reminder of the cast is filled with recognisable faces (many of whom fill me with a smile whenever I see them), those we have become accustomed to the period drama including Ruth Wilson, Michelle Dockery, Olivia Williams and Matthew Macfadyen (who plays Oblonsky, Anna’s brother with such comic conviction, it’s a welcome return to the big screen).

Here comes the grouch part of my review – the one major casting issue I had was Aaron Johnson as Count Vronsky. Bearing in mind that he had to play the love rival to the older looking Law, Johnson looks like he has just come away from the set of Skins, with a very bad go at trying to grow facial hair. Usually, I am a big fan of him, rewatching Nowhere Boy and Kick Ass with excitement but in this film, he felt like a bad choice. It just seems like a bigger, more mature actor was needed for the role where he was needing to be sensual, but instead he just felt like a bad schoolboy teasing the girls around him. Furthermore, it felt a bit uncomfortable watching Johnson and Knightly kiss, not for their age gap but for the time they have spent in the eyes of the audience (the latter being around much longer) and therefore, I felt this lost some of the capacity for drama and scandal, which it could have otherwise gained with another actor.


READ MORE: http://www.frontrowreviews.co.uk/reviews/anna-karenina-review/18704


Saturday, September 1, 2012

Keira Knightley And Aaron Johnson Picnic In 'Anna Karenina' Image Posted 8/31/12 4:23 pm EST by Terri Schwartz in Fall Preview (MTV MOVIES)



Ever since the 2007 release of "Atonement," we've been dying to see Keira Knightley and director Joe Wright work together again. The two have teamed up on both that film and "Pride & Prejudice," but it's their next project that looks like it will really take their partnership to the next level.

As part of our Fall Movie Preview Week, we can present to you an exclusive new look at Knightley and Wright's adaptation of "Anna Karenina." Considering the way in which Leo Tolstoy's eponymous novel plays out, we doubt main characters Anna Karenina (Knightley) and Vronsky (Aaron Johnson) will look this happy for much longer. So enjoy those smiles while you can, fans of Knightey and Wright, because the story is likely to get much more somber soon after this.

READ MORE: http://moviesblog.mtv.com/2012/08/31/keira-knightley-aaron-johnson-anna-karenina-image/

Friday, August 31, 2012

The wait is nearly over for the hotly anticipated Anna Karenina Joe Wright’s lavish adaptation of Anna Karenina hits our screens next Friday, but will it live up to our great expectations? (PERISCOPE POST)



Joe Wright’s bold new vision of Leo Tolstoy’s 1877 classic novel will be released on 7 September and has proved to be one of this year’s most anticipated releases. The film reunites the director with his Pride &Prejudice and Atonement star, Keira Knightley, to take on one of literature’s most iconic heroines.
The film will reweave Tolstoy’s esteemed tale of the doomed love affair between the beautiful aristocrat Anna and the enigmatic Count Vronsky (played by Aaron Taylor Johnson), against the backdrop of 19th century Russian high society; expect grand balls, opulent feasts, ominous steam trains and lots of snow.



The buzz

Time magazine included Anna Karenina as one of its most anticipated movie releases for 2012, declaring: “If this isn’t the most sumptuous movie of the fall, we’ll eat one of Anna’s fur hats.” Empire has also tentatively-gauged reaction to the film, based on its stellar credentials (a screenplay by Tom Stoppard, no less) and an impressive roster of acting talent: “With the likes of Matthew Macfadyen, Kelly Macdonald, Emily Watson, Domhnall Gleeson, Ruth Wilson, Holliday Grainger and Olivia Williams also among the laden cast, Anna Karenina looks set to bother the awards season.” In the awards race, The Guardian has already pitted Wright’s film against Tom Hooper’s Les Miserables, to be released later this year. Another lavish period piece, it boasts a similarly impressive cast of Hugh Jackman, Russell Crowe and Anne Hathaway.


READ MORE: http://www.periscopepost.com/2012/08/the-wait-is-nearly-over-for-the-hotly-anticipated-anna-karenina/

Wednesday, August 22, 2012

Colin Firth, Keira Knightley, Emma Watson: British stars will light up Toronto International Film Festival (HELLO)



Colin Firth, Keira Knightley and Riz Ahmed are among the British stars jetting to the 37th Toronto International Film Festival.

Colin is promoting his new film Arthur Newman, which also stars Emily Blunt, whilst Keira will be there for period drama Anna Karenina with Aaron Taylor-Johnson and Jude Law.


READ MORE: http://www.hellomagazine.com/celebrities-news-in-pics/22-08-2012/59886/