Showing posts with label Hamlet. Show all posts
Showing posts with label Hamlet. Show all posts

Friday, November 10, 2017

Hold on to your ovaries, ladies – here’s Tom Hiddleston holding a puppy

Metro
Pascale Day
November 10, 2017


Oh, is it Christmas already? Because this was weirdly on the top of our list. Twice.

Yes, Tom Hiddleston was spotted carrying a teeny tiny Cocker Spaniel through London this week.

Now, there could be a number of reasons for the debut of this furry little fella:

One: this is a therapy dog to help Tommy Hiddles through Taylor Swift album release week, and the number of songs about him will dictate how long he gets to keep the puppy.

Two: T-Hidz is due to appear in Hamlet at RADA in London, and he is using this pup is the perfect wriggly little stand-in for a skull during rehearsals at home.

Read more: http://metro.co.uk/2017/11/10/hold-on-to-your-ovaries-ladies-heres-tom-hiddleston-holding-a-puppy-7070302/?ito=twitter?ito=cbshare
Twitter: https://twitter.com/MetroUK | Facebook: https://www.facebook.com/MetroUK/



Tuesday, May 24, 2016

Tom Hardy, Christopher Nolan, Kenneth Branagh Start Work on ‘Dunkirk’ – Cast List and Plot Details

SHOWBIZ JUNKIES
BY REBECCA MURRAY ON MAY 23, 2016


Tom Hardy at the Moet British Independent Film Awards (Photo by Ben A. Pruchnie / Getty Images for The Moet British Independent Film Awards)

Warner Bros Pictures announced filming is now underway on the dramatic movie Dunkirk from writer/director Christopher Nolan (Interstellar, The Dark Knight trilogy). The action thriller stars Tom Hardy (Mad Mad: Fury Road, The Revenant), Mark Rylance (Bridge of Spies), Kenneth Branagh (Hamlet), Cillian Murphy (Inception, Scarecrow in The Dark Knight trilogy), newcomer Fionn Whitehead, Aneurin Barnard, One Direction’s Harry Styles, James D’Arcy, Jack Lowden, Barry Keoghan and Tom Glynn-Carney. Nolan and Emma Thomas are producing and Jake Myers is executive producing. Warner Bros is targeting a July 21, 2017 theatrical release.

The Plot: Dunkirk opens as hundreds of thousands of British and Allied troops are surrounded by enemy forces. Trapped on the beach with their backs to the sea they face an impossible situation as the enemy closes in.

http://www.showbizjunkies.com/news/dunkirk-movie-details/



Wednesday, May 4, 2016

Kenneth Branagh battles doubt as actor

THE BULLETIN
By Luaine Lee / Tribune News Service
Published May 4, 2016 at 12:02AM

TV SPOTLIGHT “WALLANDER” 9 P.M. SUNDAYS, PBS



PASADENA, Calif. — Though Kenneth Branagh is perched at the top of his game — both in directing and acting — 10 years ago he had serious doubts.

The star of such films as “My Week with Marilyn” and “Hamlet,” and the director of movies like “Jack Ryan: Shadow Recruit,” “Cinderella” and “Thor,” Branagh could paper his house with accolades, throw in a knighthood, a theater company and a panoply of memorable performances.

But he says, “I found in my 40s a time when I found acting extremely difficult and very pressurized. And I didn’t want to quit, but I had to get over the hump of it. It began when I was playing in ‘Conspiracy’ for HBO.”

“Conspiracy” was about the meeting of Nazi officials held to determine the “final solution for the Jewish question.” Branagh played SS Gen. Reinhard Heydrich, the leader of the conference.

“It lasted for quite a few years where it was much harder to lose yourself in a character,” he says. “It started there because I didn’t want to be part of that man’s psyche, and it felt like one became rather self-conscious about what one was doing. And really, where I rediscovered joy with acting was when ‘Wallander’ began.”

“Wallander” is the PBS series on “Masterpiece Mystery!” about a melancholic Swedish detective, filled with quiet desperation as he observes the worst among us. The final three episodes begin airing Sunday.

“In a way it was because you stripped artifice away, and you became very comfortable with being uncomfortable,” he says. “You realized that to play something like this it just wouldn’t or couldn’t be easy. Just trying to present the truth under the unflinching gaze of the film camera, you had no choice but to commit. And somehow it put me out of the other side of a period where I’d been just not enjoying it for a long time, still committed to it, but finding it very, very difficult.”

He says he began to ponder the meaning of his work. “Sometimes you have to shake yourself down to understand how a piece of entertainment can be quite meaningful to people, or at the very least, enjoyable and diverting. And this is not a bad thing to be able to do. I think during that time, I lost a little that sense of purpose, in a way that sounds like it’s ego-led about legacy, but it’s more about finding a purpose.”

Branagh was born in Belfast. His mother worked in a tobacco factory, his dad was a plumber and carpenter. “It was a working class district of Belfast,” he says. “We lived in a very small house. We were working class rather than poor. We always had clothes and food. There were tangible moments in my childhood when I knew there wasn’t — that they were having a tough time.”


READ MORE HERE: http://www.bendbulletin.com/entertainment/4275679-151/kenneth-branagh-battles-doubt-as-actor#

Saturday, April 23, 2016

(video) Prince Charles plays Hamlet alongside Benedict Cumberbatch, Dame Judi Dench and Sir Ian McKellen

THE TELEGRAPH
 Harry Wallop, video courtesy bbc two / shakespeare live
23 APRIL 2016 • 10:12PM



The Prince of Wales - briefly - became the Prince of Denmark on Saturday.

Prince Charles appeared on stage at Stratford as part of a stellar cast in Shakespeare Live, a light-hearted tribute to Britain's most famous writer, 400 years to the day after he died.

Harriet Walter, Dame Judi Dench and David Tennant in Hamlet

Prince Charles uttered Shakespeare's most famous line "to be or not to be", managing to achieve not just every actor's dream, but trump Dame Judi Dench.

His short contribution came as part of a complex and witty homage to Shakespeare and his soliloquy from Hamlet known the world over.



Prince Charles appeared alongside Tim Minchin, Benedict Cumberbatch, Harriet Walter, David Tennant, Rory Kinnear, Ian McKellen, Judi Dench, and the RSC’s current Hamlet, Paapa Essiedu.

It was a fitting finale to a day of celebrations in Stratford that mixed solemnity, pomp, quite a bit of low farce - and royalty. William Shakespeare probably would have approved.

Thousands gathered in Stratford-Upon-Avon on Saturday to celebrate the death of Britain’s most famous writer – and his birthday too.
 

READ MORE HERE:http://www.telegraph.co.uk/news/2016/04/23/prince-charles-plays-hamlet-in-brilliant-bbc-sketch/

Sunday, August 16, 2015

Benedict Cumberbatch told 'not to go into acting' by leading Harrow drama teacher

 THE TELEGRAPH
By Lucy Clarke-Billings
2:51PM BST 16 Aug 2015

Benedict Cumberbatch (ringed) as Petruchio in The Taming of the Shrew at the Globe Theatre in 1994

Benedict Cumberbatch was encouraged not to enter the ‘tough business’ of acting by his drama teacher Martin Tyrrell, according to fellow schoolboy thespian.

The Oscar-nominated actor, pictured in The Sunday Times today playing Petruchio in a school production of Shakespeare's The Taming of the Shrew at the Globe Theatre, greatly impressed in the performance.

However he was advised not to pursue a career with his “dazzling” talent, according to Alexander Gifford, who performed alongside the young Cumberbatch in the play.



Mr Gifford, now a theatre director and playwright, told The Sunday Times: “Benedict was the complete star of the acting scene at Harrow and funnily enough I remember in that show...it was like he had gone to a whole new level and had a vitality on stage and an uninhibited freedom that was dazzling.

"I do remember our drama teacher, Martin Tyrrell, advising him not to go into acting because it was such a tough business.

“We were a really rich crop of young actors. We had Laurence Fox and Patrick Kennedy, and that was down to Mr Tyrrell. Benedict stood out as being preternaturally gifted."


Read more here: http://www.telegraph.co.uk/news/celebritynews/11806074/Benedict-Cumberbatch-told-not-to-go-into-acting-by-leading-Harrow-drama-teacher.html

Friday, May 29, 2015

How to get £10 tickets for Benedict Cumberbatch's Hamlet

WHAT'S ON STAGE
Ben Hewis • London, Off-West End • 29 May 2015



When tickets for Hamlet starring Benedict Cumberbatch went on sale earlier this year, many fans were left disappointed as the Barbican production sold out in record breaking time.

However theatre goers will be 'as merry as the day is long' as producer Sonia Friedman today announces 100 affordable seats, priced at £10, for every performance of the play's 12-week run.

There's two ways for you to get your hands on this year's hottest ticket:

1. Through an online ballot
60 seats for every performance will be sold in advance. Replicating the Donmar Warehouse's recent success with their ballot for The Vote, you will be able to sign up for the online ballot on the Barbican website from 10am today until June 16. Successful applicants will be notified by email on June 19.



2. Dayseats
30 tickets will be sold on the day of each performance. You'll need to queue up at the theatre and the tickets will be sold on a first-come, first-served basis. We imagine the queue will start very early and we'd even go as far as to suggest that some fans will queue through the night to get their hands on a ticket to see Mr C.


READ MORE HERE: http://www.whatsonstage.com/london-theatre/news/benedict-cumberbatch-hamlet-barbican-ballot_37918.html

Friday, April 3, 2015

Further cast announced for Hamlet starring Benedict Cumberbatch

WHAT'S ON STAGE
Rosie Bannister • London, Off-West End • 2 Apr 2015



Ciarán Hinds and Anastasia Hille will join Benedict Cumberbatch in Hamlet at the Barbican Theatre later this year.



Hinds, whose recent theatre credits include The Night Alive and Cat on a Hot Tin Roof, will play Claudius in Lyndsey Turner's production, with Hille (The Effect, The Master Builder) as Gertrude.


They are joined by Sian Brooke as Ophelia, Kobna Holdbrook-Smith as Laertes, Jim Norton as Polonius and Leo Bill as Horatio.




READ MORE HERE: http://www.whatsonstage.com/london-theatre/news/benedict-cumberbatch-hamlet-cast_37524.html


Tuesday, November 18, 2014

Benedict Cumberbatch: Breaking the code to stardom

EXPRESS
By: Robert Paisley
Published: Sun, November 16, 2014



The rise and rise of Benedict Cumberbatch has taken him from Harrow School via a Tibetan monastery to Baker Street and Hollywood. Now the next stop may be the Oscars thanks to his role in new movie The Imitation Game.

"It's been a lovely sort of slow build and this is just a great time," says the newly-engaged star, who says what surprises him most about his ascent is his sex symbol status.

"I am not a typical beauty," says Benedict, 38. "Mine is a weird face; a cross between that of an otter and something people find vaguely attractive. I've got a long face and a long neck which, for an actor, is useful in period roles. So my approach has been to wear high collars in period dramas and to turn my collar up in 21st-century dramas, like Sherlock."

His acting abilities are far more extensive and first bloomed 25 years ago when he played Titania, Queen of the Fairies, at his all-boys boarding school production of A Midsummer Night's Dream.

Benedict was a leading light of Harrow's Rattigan Society, the drama club named after old Harrovian and playwright Terence Rattigan, but before continuing his acting studies at Manchester University he spent a gap year in Darjeeling, India, teaching English in a Tibetan-run monastery.



"It was such a different environment from what I had left and I learnt far more than I taught during that year," he says.

Benedict emerged with a Zen-like calm that has served him well in showbusiness, and having actors as parents has helped him cope with career fluctuations.

"I had two parents who had lived with all the perils. I knew what the negatives were so when they hit I was prepared for them and just grafted on," says Benedict of Wanda Ventham and Timothy Carlton. They also played his parents in Sherlock.

Benedict made his mark playing classic roles in small theatres before graduating to leading parts at the prestigious Royal Court, Almeida and National Theatre.

He returns to the London stage for 12 weeks next summer, in what he describes as "a little play called Hamlet at the Barbican". Tickets for his return to Shakespeare sold even faster than concerts by One Direction and Beyonce.



His television career began with guest spots in Heartbeat and Spooks and then leading roles as Stephen Hawking, Guy Burgess and Vincent Van Gogh before his mercurial magic as Sherlock in 2010, but Benedict almost turned down the role.

"It was such an iconic character, the most filmed one in all of fiction, so I knew it would be a very exposing role with a lot of focus on it and I wondered if I really wanted to take that step into the limelight.

"It was such good material, though, that I took it and I'm glad I did as it is great fun to play the number one consulting detective and high functioning sociopath.

"I was amazed at how vocal and immediate the response was from the TV audience. All that tweeting and blogging was a new experience for me and overwhelming."

With Sherlock an instant hit, suddenly Benedict was in demand for movies. After smaller roles in British films Starter For Ten and Atonement he suddenly had Steven Spielberg casting him in War Horse, joined the all star cast of Tinker Tailor Soldier Spy and then Danny Boyle recruited him for the National Theatre's Frankenstein.

"It might seem like that whole momentum came from one particular role but Steven Spielberg had not actually seen me in Sherlock at that time, neither had Danny Boyle nor Tinker Tailor director Tomas Alfredson. What these people do with their spare time I don't know!" Playing Peter Guillam in Tinker Tailor Soldier Spy was a special thrill for Benedict because he had long wanted to be a spy, on screen or in reality.



READ MORE HERE:http://www.express.co.uk/news/showbiz/535985/Rise-of-actor-Benedict-Cumberbatch



Friday, August 29, 2014

Benedict Cumberbatch: Sherlock takes his Hamlet to the big screen

MAIL ON LINE
By BAZ BAMIGBOYE
PUBLISHED: 17:06 EST, 28 August 2014 | UPDATED: 17:21 EST, 28 August 2014

From stage to film: Benedict Cumberbatch (left), who will star as Hamlet at London's Barbican and pictured above wiith Keira Knightley  in The Imitation Game - he plays Alan Turing, the man who cracked the Nazi Enigma
From stage to film: Benedict Cumberbatch (left), who will star as Hamlet at London's Barbican and pictured above with Keira Knightley in The Imitation Game - he plays Alan Turing, the man who cracked the Nazi Enigma

Sherlock star Benedict Cumberbatch is in talks to bring his stage Hamlet to the screen. The play begins performances at the Barbican next year, and negotiations for it to be filmed live and shown in cinemas through National Theatre Live for one night are well advanced.

The actor, along with the production’s director Lyndsey Turner and producer Sonia Friedman, has spent more than a year ensuring that this will be a ‘people’s Hamlet’.

‘I felt very strongly that as wide an audience as possible should have access to it,’ Cumberbatch told me.

The Barbican’s allocation of seats for the entire 12-week run, which starts on August 5 next year, have been snapped up already.



But there will be 100 seats available per performance. ‘They will be sprinkled throughout the house . . . they’re not behind pillars,’ the 38-year-old joked.

He said that he and Ms Turner were eager to make their Hamlet as ‘fresh’ as possible, ‘like a new play that just landed as a pdf in someone’s computer inbox at the Royal Court’, as he described it.

‘We want to escape the idea that it has been done before, and we’re looking at the whole play — not just the eponymous hero.’

Benedict is a thespian polymath. There’s no role he cannot take on.

We had met to discuss another of his projects: a towering portrait — one of the great performances of the year — of Alan Turing, the man who helped break the Nazi’s Enigma code, in the film The Imitation Game.

Watching the movie, I was struck by his approach to Turing: the way he grasped and captured the man, not just the cliched genius. The film is all the more heartbreaking because of it.


Read more: http://www.dailymail.co.uk/tvshowbiz/article-2737177/BAZ-BAMIGBOYE-Sherlock-takes-Hamlet-big-screen.html#ixzz3Bq0bg1BD 
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Friday, August 15, 2014

Benedict Cumberbatch 'Hamlet' Shatters Theater Box Office Record

WORD AND FILM
by Tom Blunt
August 15, 2014

Benedict Cumberbatch/Photo © Kevin Winter/WireImage
Benedict Cumberbatch/Photo © Kevin Winter/WireImage

Benedict Cumberbatch as Hamlet was sure to be a hit, but who could have foreseen that the London production would become the fastest-selling ticket in theater history, outpacing even Jay-Z and Beyonce's latest tour? Don't worry, they've held back a hundred tickets from each performance to sell to those who were not so quick on the draw. Or as the bard would say: "Though this be madness, yet there is method in't."



READ MORE HERE: http://www.wordandfilm.com/2014/08/benedict-cumberbatch-hamlet-shatters-theater-box-office-record/

Monday, August 11, 2014

Benedict Cumberbatch's Hamlet revealed as most in-demand theatre show of all time

MIRROR
Aug 11, 2014 14:31
By Emma Munbodh



Benedict Cumberbatch's upcoming production Hamlet has topped the theatre charts as the most in-demand show of all time, according to ticket marketplace viagogo.

Tickets to see the Sherlock star relive Shakespeare's classic went on sale earlier today – Monday 11 August - and has already become the nation's favourite theatre event, ever.

The 12-week run instantly became the most searched for event on viagogo, with demand outstripping that for A Street Car Named Desire, the next most popular theatre event on the site, by a huge 4:1.



Viagogo has even registered extraordinary demand in comparison to popular global tours, such as Kasabian and Beyoncé & Jay Z's On the Run tour, with Cumberbatch as the Bard's tragic hero registering 183% and 214% more ticket searches respectively.

A viagogo spokesperson said: "Cumberbatch’s Hamlet has stolen the title of the most in-demand theatre show of all time, with ticket searches going through the roof in the last couple of hours.

"This tragedy has instead become the success story for theatre in 2015.





http://www.mirror.co.uk/lifestyle/going-out/benedict-cumberbatchs-hamlet-revealed-most-4036314#ixzz3A7xXcpij 
Follow us: @DailyMirror on Twitter | DailyMirror on Facebook

Saturday, August 9, 2014

Benedict Cumberbatch, the thinking man's alpha wolf

LA TIMES
By REBECCA KEEGAN
August 9, 2014

Benedict Cumberbatch
Benedict Cumberbatch at the Hard Rock Hotel in San Diego during Comic-Con on July 24, 2014. (Kirk McKoy / Los Angeles Times)

During his first trip to Comic-Con in July, Benedict Cumberbatch stopped to chat about his many brainy characters, from the detective he plays on the BBC's "Sherlock" and the World War II codebreaker Alan Turing, whom he portrays in the upcoming movie "The Imitation Game," to Hamlet and an animated wolf.

You're here for "Penguins of Madagascar," an animated movie in which you voice a wolf who looks like he's the brains of the operation. Have I got it just about right?

Kind of. He's the leader, the alpha wolf of the pack, so to speak, and does things in a polar opposite way, pun intended, to the penguins.

I noticed you're often playing really smart guys — Sherlock, Julian Assange, Alan Turing in this movie coming up, the famous codebreaker, and I wonder, do you have a go-to, 'I'm a genius thinking really hard' …

... Smart face?


Yeah.

Definitely. [Cumberbatch furrows his brow and rests his chin in his hand]

No, it changes. It's about the character. I've been very, very fortunate that there's something going on behind my eyes so that it looks like I'm ... encompassing the brilliance of their minds and ability to concentrate. But you know I have a very superficial, skin-thin understanding of the science. ... It's just about finding the humanity in all of that. Brilliant people have private moments of self-doubt and things which we could all relate to, but they also have these extraordinary moments of discovery or pioneering brilliance that pushes the envelope in how we view the world. I try not to pull faces — if I do, it has to be something with the character.

Darn, so you're not really just thinking about what you're having for lunch?

Yeah, exactly — "Why did I eat that cheeseburger? I should have stuck to the salad." Actors often have that kind of a feeling, especially on stage when you're struggling through the weirdness of your day and you're doing the play for the umpteenth time in a long run, that's very often something that happens: Your mind drifts and you think, "I forgot to buy the cheese in the supermarket!" You have to be careful of those mundanities creeping in because they can play havoc with your concentration.


Speaking of the stage, you're going to be playing Hamlet in London next year. What does that particular role mean to you?

A lot. It's something that's been in my life for a long time. I was offered it at school and turned it down to do my "A" levels and try and get some decent grades. ... I'm of an age now where I think it's now or never ,and I've found the right director ... this brilliant female director called Lindsey Turner, who's just a phenomenon. I think she's the greatest director of her generation, I'll be that bold, and she's a good friend and great collaborator. We've been talking about it for over a year already, and we don't even start rehearsals until next June.



Most actors, [Hamlet] appeals to them initially because it feels like an everyman part, which it is, to an extent, you have to bring a lot of yourself to it. ... The other appeal is the amount of direct communication you have with your audience. There's such a large portion of it where you become very intimate. You should care about him a lot, but he should make you laugh as well as feel things.


READ MORE HERE: http://www.latimes.com/entertainment/tv/la-et-mn-ca-cumberbatch-conversation-20140810-story.html


Tuesday, May 20, 2014

Richard Armitage: New audiobook recasts 'Hamlet' as a thriller

LAS CRUCES SUN NEWS
Mark Kennedy AP Drama Writer
POSTED:   05/20/2014 06:00:46 AM MDT



(Eds: 'Hamlet: Prince of Denmark' available for download beginning Tuesday. With AP Photos.)
NEW YORK (AP) — The hero of a new audiobook is introduced as he lies in bed, tying to sleep on a frigid day in 1601.

He's the heir to the Danish throne, a tall handsome man of 27 with "a pale, finely chiseled face" and "mournful eyes that were the pale gray-blue of the sea in autumn."

"To hell with the throne," the young man says, pulling the sheets over his head when a court jester comes to awaken him. "I want to sleep. Forever."

Not familiar with this guy? You should be. His name is Hamlet.

Audible Inc., the world's largest seller of downloadable audiobooks, has followed the success of their recent novelization of "Macbeth" with a new thriller about the moody prince of Elsinore.

"Hamlet: Prince of Denmark," co-written by Shakespeare expert and novelist A. J. Hartley and British mystery writer David Hewson, was released Tuesday, narrated by "The Hobbit" actor Richard Armitage.



It's a fresh, contemporary take on Shakespeare's tragedy, one not afraid to create new characters or cut long soliloquies. We get a noirish Hamlet, who, when asked by Laertes if he's ready to fence, blurts out: "I've been ready all my life."

The writers admit they're a little nervous about the reaction they'll get for this "Game of Thrones"-like portrait of a slightly bipolar Hamlet who never utters the line "To be or not to be."

 READ MORE HERE: http://www.lcsun-news.com/portal/las_cruces-sunlife/ci_25798021/new-audiobook-recasts-hamlet-thriller?_loopback=1

Online: http://www.audible.com/mt/Hamlet

Thursday, March 27, 2014

Benedict Cumberbatch confirmed for Hamlet at Barbican in summer 2015

DIGITAL SPY
By Tom Eames
Wednesday, Mar 26 2014, 6:18am EDT



Benedict Cumberbatch has been confirmed to play Hamlet on stage next year.

The Sherlock star will appear in a new production of William Shakespeare's play at London's Barbican Theatre from August to October 2015.

It was previously reported that the play had been delayed from this year to 2015 due to Cumberbatch's schedule, but it had not been officially announced until now.



Lyndsey Turner has also been confirmed as directing the play for Sonia Friedman Productions.

Friedman said that she is "thrilled" to be producing the play, adding that Cumberbatch is "one of the most gifted and exciting actors of his generation".


Read more: http://www.digitalspy.com/celebrity/news/a560248/benedict-cumberbatch-confirmed-for-hamlet-at-barbican-in-summer-2015.html#ixzz2xAUduB2b 
Follow us: @digitalspy on Twitter | digitalspyuk on Facebook




Thursday, March 20, 2014

Benedict Cumberbatch Will Star as HAMLET at the Barbican, Aug 2015

BROADWAY WORLD.COM
March 20, 2014



According to the Daily Mail, Benedict Cumberbatch as solidified his place as HAMLET in the West End. The Shakespearean drama will run at the Barbican Theatre, beginning in August 2015 and will be produced by Sonia Friedman and directed by Lyndsey Turner.


Cumberbatch's recent film roster includes The Fifth Estate, 12 Years a Slave, and August: Osage County with Meryl Streep and Julia Roberts. His upcoming projects include The Imitation Game, The Hobbit: There and Back Again, Magik, The Penguins of Madagascar, Everest, The Lost City of Z and Flying Horse.

He is well known for his portrayal of Sherlock Holmes in the UK series "Sherlock". Other recent film credits include J.J. Abrams' Stark Trek Into Darkness.

READ MORE HERE: http://www.broadwayworld.com/article/Benedict-Cumberbatch-Will-Star-as-HAMLET-at-the-Barbican-Aug-2015-20140320#

Monday, October 14, 2013

Maggie Smith, Laurence Olivier, Anthony Hopkins, Derek Jacobi: National Theatre's 50th: the best shows from 1963-1973



THE TELEGRAPH
MONDAY, OCTOBER 14, 2013
By Dominic Cavendish
11:30AM BST 14 Oct 2013

The hope for a National Theatre stretches right back to the Victorian age but it wasn't until 1962 that the theatre's story officially began. After protracted discussions over funding, and a dismally slow construction pace, the decision was made to establish a National Theatre company without waiting for the theatre to be opened. In the interim, the company would perform at the Old Vic and in August 1962, the National's first artistic director was named as Laurence Olivier. The company's first performance (Hamlet) followed on 22 October 1963, and the National Theatre was born.

The National Theatre building at night

The Old Vic episode, though protracted, was in many ways glorious. Directors included William Gaskill, Franco Zeffirelli, Jonathan Miller and Olivier himself. The list of actors collected for Zeffirelli’s production of Much Ado about Nothing alone spelt magnificence – among them Maggie Smith, Robert Stephens, Albert Finney, Derek Jacobi and Ian McKellen. Having an actor-manager of Olivier’s stature at the helm made the National a base for the best of British theatre, as it was intended to be.To select 10 productions from that first decade is an invidious task – the choices are open to challenge. But to try and measure the scale of the National Theatre's achievement one must identify those shows it’s still worth talking about and summon them up from the dusty vaults of national memory. Away we go…

Although the National Theatre Company launched in its temporary home at the Old Vic in 1963 with a Hamlet starring Peter O’Toole and directed by Laurence Olivier, its first hour was not its finest. Far more significant was when Olivier, the company’s artistic director, stepped into the title role of Othello (in black-face) to electrifying effect the following year. “Nowhere else in the world could a more completely realised performance than his have been seen,” Simon Callow observed in his history of the NT, published in 2007. The production, which also starred Maggie Smith as Desdemona, was rendered into a film the following year.


As You Like It, directed by Clifford Williams, starring Ronald Pickup, Anthony Hopkins and Derek Jacobi; 1967
This all-male production was a box-office hit and a sign of more liberated times, although the revival had a troubled history. John Dexter initially proposed a more sexually provocative approach but his vision was so diluted at Olivier’s insistence that he resigned. Ronald Pickup starred as Rosalind, other cast members included Anthony Hopkins, Robert Stephens, Derek Jacobi and Jeremy Brett. The New York Times was effusive: "As You Like It is fantastic, one of the most dazzling, sheerly enjoyable Shakespearean productions I have ever seen." He praised Pickup: "Within a minute or two you forget that this lanky, touching figure is a man (although he makes no effort to disguise his voice) and you see him as a soul in love.”



The National Health, directed by Michael Blakemore, starring Tom Baker and Jim Dale; 1969
Peter Nichols’s play collided the grim experience of those reaching the end of life in an NHS ward with a pastiche TV soap opera (Nurse Norton’s Affair); the result, shaped and directed by Blakemore, was a sensation that won the Evening Standard Best Play award. As Blakemore records in his memoir Stage Blood: “On one side of the stage… challenges were bravely met and tragedy averted; on the other death made its random and monotonous progress through the ward… Both Peter and I began to realise that we were on to something that maybe hadn’t been done on stage before.” The show marked a return to the NT’s popular health, after a slight dip in fortunes.


Long Day’s Journey Into Night, directed by Michael Blakemore, starring Laurence Olivier, 1971
Michael Billington in the Guardian was spellbound by this account of Eugene O’Neill's posthumously published autobiographical masterpiece, dominated as it was by the fading grandeur of Laurence Olivier in his last major role for the company: “Olivier’s James Tyrone is a massive performance moving from an initial nervy jocularity to a throttled, brick-red despair at his wife’s relapse to a thrilling, soul-baring intensity in his cups… For a genuinely great actor to play a nearly-great actor is the hardest technical feat of all: Olivier does it to perfection.” Of this highly popular production he added: “Such is the quality of acting and direction we seem to be not merely watching great drama but to be eavesdropping on life itself.”



READ MORE HERE: http://www.telegraph.co.uk/culture/theatre/10361968/National-Theatres-50th-the-best-shows-from-1963-1973.html

Thursday, September 19, 2013

To be or not to be, Watson? Benedict Cumberbatch swaps Sherlock for Shakespeare


Cue Cumberbatch: Benedict Cumberbatch will take the stage as Hamlet next year

MAIL ON LINE
Baz Bamigboye
September 19, 2013

Benedict Cumberbatch is going from Sherlock to Shakespeare.

The award-winning actor will play Hamlet, the troubled Danish prince, on the London stage in the autumn of 2014.

Cumberbatch joins the pantheon of modern Hamlets who have included Ben Whishaw, Jude Law, Simon Russell Beale, Mark Rylance, David Tennant and John Simm.






Questioned several years ago on what stage role he yearned to play, Cumberbatch instantly responded: ‘Hamlet, obviously.’

The actor was sipping a Grey Goose cocktail at a party held in Toronto’s Soho House following the world premiere of The Fifth Estate at the Toronto International Film Festival when he let slip to me that he was actively pursuing a return to the theatre, following his role-swapping stint at the National in Danny Boyle’s production of Frankenstein back in 2011.

He wouldn’t tell me more, but after a process of elimination I hit upon Hamlet and the rumour led me, eventually, to the indefatigable producer Sonia Friedman, who confirmed that she was in ‘active discussions’ with Cumberbatch and celebrated director Lyndsey Turner.



Ms Turner directed Posh at the Royal Court and the current Almeida Theatre smash Chimerica, now playing to packed houses at the Harold Pinter Theatre.

Pressed further, Ms Friedman added: ‘We’re in advanced discussions with Benedict Cumberbatch about playing Hamlet, and we’re at the stage of sorting out schedules concerning him and the director Lyndsey Turner. Key to those talks is West End theatre availability, or availability of a non-traditional theatre space to present the play.’

Cumberbatch is a hot property right now, and with good reason. His ability to deliver astute, decisive performances — demonstrated in the masterpiece that is Twelve Years A Slave, which I caught at the Telluride Film Festival; and in August: Osage County and The Fifth Estate, which I saw in Toronto — may bring him awards season attention.

Cumberbatch recently completed the third series of Sherlock, which BBC1 will broadcast next year. And he has just started filming The Imitation Game, in which he portrays tortured World War II computer genius Alan Turing, opposite Keira Knightley (so delightful in new movie Can A Song Save Your Life?).

To be, or not to be Hamlet? There seems no question that in a year’s time Cumberbatch will be uttering the sweet prince’s famous lines on a stage somewhere in London.


Read more: http://www.dailymail.co.uk/tvshowbiz/article-2426031/BAZ-BAMIGBOYE-To-Watson-Benedict-Cumberbatch-swaps-Sherlock-Shakespeare.html#ixzz2fNfRPAEt 

Wednesday, August 28, 2013

David Tennant returns to RSC in Stratford

LEAMINGTON OBSERVER
By Ian Hughes Wednesday 23 January 2013 Updated: 28/08 08:33

 Latest News

DAVID Tennant returns to the RSC stage in Stratford later this year.

The former Dr Who star will play Richard II in Greg Doran's production as part of the RSC's winter season. It will be his first appearance at the new-look RST and marks his first return to Stratford since his acclaimed Hamlet in Doran's 2008 production.



Friday, July 26, 2013

Rupert Grint, Brendan Coyle, Ben Whishaw and Daniel Mays star in Mojo revival



Ian Rickson's all-star production at the Harold Pinter Theatre from 26 October

By Theo Bosanquet • 25 Jul 2013 • London
WHAT'S ON STAGE


As previously rumoured, Harry Potter star Rupert Grint will make his stage debut in a revival of Jez Butterworth's play Mojo later this year.

According to the Daily Mail, Grint will star alongside Brendan Coyle (Downton Abbey), Ben Whishaw (Skyfall, Hamlet) and Daniel Mays (Trelawny of the Wells, Mrs Biggs) in the production.

Brendan Coyle will return to the stage after a gap due to his Downton Abbey commitments. An accomplished stage actor, he won an Olivier Award in 1999 for Conor McPherson's The Weir (the Donmar's recent revival of which is transferring  to the West End in January).


Ben Whishaw rose to prominence after starring in Trevor Nunn's acclaimed Old Vic production of Hamlet directly out of drama school. He has since appeared on stage in Mike Bartlett's Cock at the Royal Court and, most recently, Peter and Alice opposite Judi Dench in the West End.



Thursday, July 4, 2013

Kenneth Branagh: lost Shakespearean? Kenneth Branagh seemed to give up on Shakespeare. But now he's come back to the playwright who made his name, says Dominic Cavendish. (TELEGRAPH)

By Dominic Cavendish, Theatre Critic 7:10AM BST  04 Jul 2013

Kenneth Branagh in the film Henry V

The other day I found myself spending a fruitless hour pacing the backstreets of Manchester in the hope of stumbling across the as-yet-undisclosed deconsecrated church where Kenneth Branagh (Sir Kenneth since last November) will present his Macbeth as part of the city’s biennial International Festival, which is almost upon us.

The reason wasn't so much journalistic as nostalgic. I hadn't managed to bag a ticket in advance – all availability went in nine minutes – and the fancy possessed me that perhaps if I laid eyes on the building I’d get closer to the spirit of the project.

Closer, if I’m honest, to Ken. Almost unwittingly I found myself succumbing to something I hadn’t experienced for 25 years: what was once known as Branagh-mania. The reflex action whirled me back to my teenage self, queuing outside the Phoenix Theatre, fresh out of school – an age when to be young was pretty groovy but to see the talk of the town giving his Hamlet was very heaven.

In 1988, when you thought of Branagh, you thought of the Bard – and marveled at how sexy, exciting and fresh-minted he had made the “sweet swan of Avon” seem. The Belfast-born boy-wonder, who blazed a self-radicalized trail out of Reading, where his family moved after the start of the Troubles, made those of us half in love with theatre fully smitten, and rather doting on him, too.

Aged 23 and barely out of the swaddling clothes of drama school, he had seized the crowning role of Henry V at the RSC, bestriding its stages like the proverbial colossus – even daring to consult Prince Charles about the role – only to decide afterwards that it would be better if he could run his own company, and lead from the front.



Such certainty, such vigour, such chutzpah! He was the model of the new can-do age while harking back to the mythical world of Olivier (with whom he was ceaselessly compared) and all the great knights fighting the good fight for immortal nights out with every syllable of perfectly enunciated, rapier-sharp Shakespearean utterance.

He hung out with the right crowd – Judi Dench, Derek Jacobi, Richard Briers, Geraldine McEwen. In fact he did more than just hang out with them, he incorporated them into his gang, the Renaissance Theatre Company. The company started its 1988 campaign in Birmingham before sweeping into the West End. Critics and audiences alike adored the company’s Much Ado – in which he twinkled mischievously as Benedick opposite Samantha Bond’s foxy Beatrice.

They delighted at As You Like It, in which he dazzled as the fool Touchstone – the Guardian’s Michael Billington declaring “Mr Branagh actually makes you wait impatiently for every appearance of Shakespeare’s unfunniest clown”. And they kissed the hem of his Hamlet, in which his dazzling Great Dane, as the Financial Times’ reviewer wryly noted, “went to his death with a sardonic dash worthy of Douglas Fairbanks, blond hair kept at bay by the sword-free hand”.




READ MORE: http://www.telegraph.co.uk/culture/theatre/william-shakespeare/10120995/Kenneth-Branagh-lost-Shakespearean.html